Fiennes is an old man who has been wandering on the fringes all his life, so he doesn't know what Lockhart is thinking.
Oh, although Lockhart is also an old man.
However, one is an old Jianghu who walks in a civilized society and is good at taking advantage of loopholes, and the other is an old Jianghu who wanders in the dark areas on the edge of life and death. Each has its own strengths.
They all know that using the information "I know how to develop the moon" can attract Anton's participation, Fiennes must let Lockhart write everything he knows.
Hey, everything that needs to be said is in the letter, so there is no need for Anton to go out of his way to see Lockhart.
How nice.
Little did they know that Anton and Anna were walking together in a space shuttle passage with colorful mist edges, looking inside.
Anna was also curious and turned to look at Anton, "I wonder what he wrote? The weather spell seems to be a good breakthrough."
Anton raised his eyebrows and gently pulled out his wand.
"It's easy, we just need to see what he writes."
Now that there are so many familiar figures in Lockhart's office, each of them has many relationships with him in the past, so it is possible to peek into more than just the relationship with Lockhart.
With a tap of the wand in his hand, a colorful mist spread between Anton and Fiennes.
Not only Fiennes, Gillian, and Filch, there is also a colorful mist flowing between these two people and themselves.
"I know you may not quite understand the so-called spiritual river."
Anton patiently explained his new discovery to Anna, "It's like a long river of time constructed by memory. It's like an endless video tape. As long as we follow this video tape and find a certain node to enter, it is equivalent to walking into
During that time.”
Anna nodded, "Yes."
"It's the same." Anton mentioned the excitement on the face of discovering a treasure. "Behind every person's behavior and all life activities is everyone's spirituality."
"And we all know that human behavior is not isolated, it is social."
“Parents teach babies to start walking…”
"The child hid in the crack of the door of the room and watched his parents quarreling..."
"The experience of falling in love, the experience of learning..."
"All of this will create each person's own spirituality and affect their behavior that is different from others."
Anna nodded and finally understood, "Spirituality is the subconscious thinking behind every action we take."
Anton blinked, "It's almost the same, but deeper and contains more."
He didn't explain too much in this regard, and just continued, "Then, the spirituality behind each person's behavior changes with the behavior of other people. This is an intertwining of spirituality and spirituality."
"When we understand all this, we can include people, collectives, the environment, society, etc. Everything that affects the most original spirituality of life can be counted together as the long river of spirituality."
Speaking of this, Anna fainted and shook her head in confusion, "I don't understand."
There is nothing we can do about it. Anton, the spiritual leader, has only just understood it and cannot explain it in simple terms.
"Anyway, it's like the long river of time, ignoring the constraints of space, life and other elements."
"The same is true for the long river of spirituality, which ignores space, time, etc., and only focuses on life behavior, or to put it more simply, the relationship between people."
The magic wand in Anton's hand was swaying slightly, and five haloes of light were blooming in front of his eyes.
Lockhart sitting at the desk, Fiennes standing behind Lockhart, Gillian standing in the corner of the office, Filch guarding the door, and Loris in Filch's arms
Lady Cat.
These lives had some kind of intersection and relationship with Anton in the past, and now, Anton follows these relationships, transcending dimensions such as space and time, and comes directly to them.
It's a very simple operation, everything is based on "grey magic", so it comes naturally.
Anton pulled Anna into these colorful fogs, as if walking into some kind of three-dimensional picture, passing through Fiennes and Lockhart, looking down at the words written on the table.
content.
Anna looked back at Fiennes curiously, "They can't detect our presence?"
Anton shrugged, "We are not in the same space."
"Because there is no spiritual interaction."
Anna thought thoughtfully, "In other words, if I talk to Fiennes at this time, I will appear in this office?"
Pa~
Anton snapped his fingers and looked at Anna with admiration, "Yes, that's right, it seems you finally figured it out!"
Anna's eyes were full of wonder, "Merlin's beard, Anton, I think this feeling is particularly similar to the effect of the invisibility cloak of the three Deathly Hallows!"
"!!!"
Anton was looking down at what Lockhart had written. He was stunned for a moment when he heard this. He looked around in confusion, smacked his mouth and said, "Good guy, it's really true!"
Magic is based on the real world. Magic is based on the actions of human beings and even all intelligent creatures. They are real and magic is not illusory.
As long as it is real, there will always be people who have touched this field in various ways throughout the thousands of years of wizard history.
Anton is not surprised that some people have done what he has researched in the past.
What he wants to study is a complete magical theoretical system, which is different from those that rely on some kind of inspiration.
Reproducible and teachable.
Seeing that Anna had understood it, Anton once again turned his attention to the letter Lockhart was writing.
Weather spell?
This is indeed an extremely feasible method, especially if it is applied to the field of gray magic of 'people and environment' for research, it becomes even more appropriate.
In an instant, all thoughts were cleared up instantly.
It seems that to transform the moon's environment, only two steps are needed.
The first step is to use the physical chess game of "The Wizarding World" to let the wizards on the earth create the collective consciousness of mankind on the moon by possessing the puppets.
The second step is to leverage the collective consciousness and use gray magic to cast a meteorological spell to trigger the assimilation of the moon into a 'human settlement' on the earth.
In this way, the moon will be forced to produce magical riots and become an environment where magic exists.
"It's really useful. Professor Lockhart is indeed a best-selling author with rich experience." Anton raised his eyebrows and said to Anna.
"Then..." Anna pointed at Lockhart, "He seems reluctant to help Professor Snape. He wrote you a letter asking for help. Do you want to help him?"
Anton was silent for a while, then looked deeply at Lockhart, one of his eyes turned blue, with electric light surging.
"No!"
"He told me that he hopes to take a further step in the path of magic."
"Perhaps this is his opportunity!"
Besides, the worst result is that he is killed. Anton can help resurrect him, no matter how big a deal he is.