Dou Yacai stood in front of the desk calmly, took the pen, ink, paper and inkstone prepared by Xiao Niba and made a magnificent and rich painting. Liu Haozui was beside him, his eyebrows were frowned into an inverted horoscope.
"What the hell is you painting?" He looked at it for a long time but still couldn't understand. He had never seen such a strange thing before. The person in the painting looked a bit like some people, but he was not sure.
"Four-frame comics."
Hey, Liu Haomai certainly doesn’t understand modern things. Dou Yacai always likes to show modern things and find a sense of superiority in front of the ancients. It has been tried and tested.
"The fourth brother is painting? What does this have to do with Liu Mian? [The fourth prince is named Liu Mian, the guy who invigilated during the Enke exam]" Liu Xiong expressed his doubts.
o(╯□╰)o
"Hahahahaha... You are so talented, Liu Haomai, you are so talented." Dou Yacai was so angry that she laughed.
"Hey, I'm a little more reserved. I really don't understand why Brother Six can stand you? Pregnant people should not laugh so loudly. Be careful that the child will be too big when he gives birth to it." In the future, Brother Six will be more difficult to be a father than a husband.
It's so pitiful. He was exiled to the frontier. His wife was still laughing heartlessly here.
"It's not the fourth brother's painting, it's the 'four-frame comic', something we have. The so-called four-frame comic is to complete a small story or a creative idea by dividing four pictures. The four-frame comics are just a few grids.
It covers the occurrence of an event, plot twist and humorous ending. It makes people smile without feeling after reading it, smile knowingly or laugh out loud. The four-frame comics are focused on the creative ideas, the picture does not need to be very complicated, and there are not too many characters.
, The dialogue is streamlined, making it easy to read."
"Oh, it's more profound, I'll take a look..."
Dou Yucai’s four-frame comics include the following content:
The first frame is a thin woman. The woman is as big as a basket and kneels on the ground to hold the corner of a handsome and handsome man in the wind. The man looks cold and does not understand the poor woman.
[Dou Yacai marks on this grid: This is a poor abandoned woman];
The second frame is still painted with the thin woman. The woman is still as big as a basket, standing in front of the window and crying, looking extremely weak [Dou Yacai marked on this frame: This is a pitiful
Mother】;
The third frame is still the thin woman. The woman's belly is bigger than before, but there are two black and white little ghosts standing around her, holding a big knife on her neck.
The woman was so scared that her face was lost [Dou Yacai marked on this grid: This is a scared abandoned woman];
The fourth frame is still painted with the thin woman. The woman's belly has returned to normal. She lay on the bed, stretching out her skinny hands, and watching two vicious palace servants take a baby away.
The baby looks like a smaller version of Liu Huang [Dou Yacai is marked on this grid: This is a desperate mother].
This four-frame cartoon uses a technique of fully combining realisticism and exaggeration, and is painted vividly and vividly.
"Leave this painting to the person sent by your sixth brother to lurk. In addition, you must pay attention to Liu Yan's 'ear droplets'. He is someone who knows what the minister said to his wife in the inner room. Maybe ours