The more surprising result was yet to come. Su Mian found that except for the fifth painting, every painting was desolate!
And they were all very close to the man in black. Although the artist deliberately downplayed the other people, Su Mian could still see that Xiao Se had indeed been following the man in black. [26nbsp;]
Su Mian stared blankly at the mural, feeling chilled in her heart, as if there was some conspiracy quietly developing around her that she didn't know about, and would eventually devour her.
Di Lin glanced at Su Mianshan who was distracted, turned around and walked forward.
Su Mian immediately glanced from the painting to Di Lin. Ever since she entered the bedroom, she had been paying attention to Di Lin. For some reason, Su Mian felt that Di Lin's mood was affected. He didn't seem to notice the corner.
The desolation inside.
Su Mianming noticed that Di Lin's eyes had been fixed on King Niaowo.
Seeing that Di Lin left and didn't pay attention anymore, Su Mingshu secretly took some pictures.
Su Mian hesitated for a long time and did not dare to ask what happened that year. What if Di Lin asked her in turn how she knew...
Su Mingming sighed, feeling that if he continued like this, he would definitely become neurotic.
Maybe it's not a good idea to hide it like this. When she gets out of here, she plans to tell Di Lin everything, no matter what decision he makes.
While thinking about how to reduce Di Lin's anger, Su Mian suddenly saw a painting next to the bedside. This painting was obviously painted by someone other than the series of murals. The lines and characters gave people a different feeling.
Significantly different.
Moreover, the painting is actually a stunning woman, with exquisite and gorgeous clothes, wearing a gold crown with gems on her head. She has dark red phoenix eyes and thin red lips, looking straight ahead expressionlessly, solemn and gorgeous, and naturally noble.
Is she the queen of King Niaowo?
Historically, it was rare to see unearthed portraits or statues of women, even slaves. According to archaeologists' analysis, the status of women in ancient times may have been very low. Su Mian couldn't help but secretly guess the identity of this woman.
There are paintings on both sides of the big bed, and Di Lin has been standing directly on the other side since he came over. Su Mian was not in a hurry to check the cabinets on both sides of the bed, but went around to the other side to look at the ones over there.
painting.
When he saw the content of the painting, Su Mian couldn't help but laugh. There were two teenage children on the painting.
The child in white clothes is very handsome, sitting at the table with a sullen face; the one in black clothes still has some baby fat, his small face and an exposed wrist are both chubby, maybe he has a slender frame, although this child
There is meat but not fat.
There is a pot of wine and two jade cups between the two children, one black and one white. The picture is obviously still, but it gives people an amazing sense of beauty. Such a picturesque scenery is really right in front of you, and the child in white opens his mouth
, the cool and smart voice rang in my ears.
"Where do you think the things will be?" Someone asked suddenly.
When Su Mianshuo came back to her senses, she saw Di Lin who was standing behind her at some point. Di Lin frowned and looked at the painting while talking: "Niaowo will definitely put the most important things in his dormitory, but
It's not easy to find out. He always likes to take more detours than others. Look and see if there are any traps in this room."
Su Mian agreed and couldn't help but said: "The two paintings inside seem to be different from those outside."