Tibetan people have a wide variety of silver jewelry. Silver jewelry and related jewelry are a very important part of the religious beliefs and living habits of the Tibetan people.
Tibetan men's headdresses are colorful, either with a full head of beads or with pigtails in waterfalls, which are dazzling and sultry.
The most famous and magnificent hair accessory for Tibetan women is the "Jialong" hair set and the silver shield decoration on it.
The bureau's silver shield was as big as a bowl, its hair set once weighed five, six, or even more than ten kilograms, and the number of silver ornaments reached more than 30.
If such silver ornaments can be thrown into the holy lake, it is conceivable that Han Kongque can harvest so many silver ornaments now. Han Kongque still knows a little about Tibetan silver, so when Han Kongque saw sets of large silver ornaments, he was simply
It was a smile that broke his mouth.
One set is a rare Ming Dynasty-type ornament, also called "Losar", which means the moon and the sun respectively.
The diameter of the silver ornament that symbolizes the moon is 9 cm, and the length of the silver ornament that symbolizes the crescent moon is 11 cm. When worn, it is hung on the left side of a woman's top.
The anchor-shaped ornament is called "Xiao Sang", which was originally a milk hook used by women to express milk. It was originally transformed into an authentic ornament.
There is another kind of peach-shaped silver jewelry called "Luosong", which is worn on the waist. The pattern on it is simple and carved, with coral beads inlaid in the middle, and the lower part is an abstract and strange animal face pattern. The whole jewelry is strange, thick, gorgeous and
Quaint.
Tibetan women like to wear necklaces with coral beads, which contrast with each other and dwarf the turquoise. The silver box under it is called "Xiawu", which is a treasure box where Tibetans put Buddhist gates and amulets.
"Tibetan silver" is indeed a common term that is spread in the country's silver jewelry market and has a large market share. Tibetan silver jewelry has a wide range of varieties. Silver jewelry and related jewelry are part of the religious beliefs and living habits of the Tibetan people.
A very important whole.
Once again, they dug out a duck-shaped silver pot that was more than thirty centimeters long and twenty centimeters high. Han Peacock was even more advanced. Such exquisite utensils, even for silverware, are rare.
Gold and silverware are traditional Tibetan handicrafts with a history of more than 1,000 years. Gold and silverware are generally divided into two categories: one is decoration, such as bracelets, headdresses, scabbards and snuff bottles, etc.
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The first category is daily necessities, such as flasks, wine glasses, plates, etc. Craftsmen with superb skills can make various patterns on gold and silverware, which are exquisite, exquisite and delicate, with dragons, phoenixes, tigers and lions, lifelike.
This duck silver pot is obviously one of the representative works. Just such a piece makes Han Peacock's trip worthwhile.
After digging out a golden wine pot again, Han Peacock was even happier.
This place is really a treasure. Originally, Han Peacock thought that most of the gold and silverware here should have been taken away, but he didn't expect that he would make continuous gains here.
Han Peacock carefully observed the surrounding terrain. The water depth here reached twenty meters, but this shouldn't be the key to why no one came down, right?
The bottom of the lake is uneven and there is a lot of silt, but it is not too thick. If this area has never been plundered, then someone should be thinking about it.
Han Peacock increased his perception range. This area is a deep water area, and the shore is full of rocks. Although there are paths leading here, not many tourists come here because it is not suitable for people to swim in the lake.
He didn't want to understand why the gold and silver jewelry here was preserved, and Han Peacock didn't want to think about it anymore. He sensed all the lumps in the mud within 20 meters from the shore. In the end, Han Peacock simply searched them all.
once.
In this way, he discovered more things, including many small gold and silver beads, rings, and headdresses. Although some were rough in workmanship, Han Peacock was even more surprised because he could tell that these things should be older.
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You should know that in the early metal period of Tibet (about 3,000 years ago to the 7th century AD), gold and silver products were relatively rare, and they were mainly small ornaments, chariot and horse equipment, rings, and jewelry.
During the Tubo Dynasty (7th to 9th century AD), with the development of the economy, the pursuit of pleasure by aristocrats and bureaucrats increased, the demand for gold and silverware increased, and the types of gold and silverware products increased. Gold and bronze statues, ritual instruments, and practical
The instrument is the main one.
Now that some simple rings and trinkets have been found, it may mean that the things here were thrown here very early. This made Han Peacock feel more at ease and search forward inch by inch.
Although the speed was much slower, he found more things. He found so many things that Han Peacock was dazzled. In the end, except for some fine products, he had no idea of studying carefully. As long as he found something, he would directly
It was thrown into a small coral island among the Xuanyuan Water Control Flag.
"Uh! Isn't this a golden Buddha?" Han Peacock once again cleared the bottom of a lake, and a humanoid object appeared in his sight.
Looking at the golden sitting Buddha, Han Kongque didn't know what to say. The Buddha statue was about seventy or eighty centimeters high and more than thirty centimeters thick. Han Kongque picked it up and found that it was very heavy. It was completely solid.
Sitting Buddha, such a Buddha statue weighs more than two hundred kilograms.
A Buddha statue made of two hundred kilograms of gold is definitely worth a lot, but would anyone be willing to throw such a golden Buddha into this lake?
If such a heavy golden Buddha is willing to be thrown here, how rich must the owner of the golden Buddha be?
The golden Buddhas and seals were dug out one by one by Han Peacock. At this time, Han Peacock's family was numb. After discovering the first golden Buddha, Han Peacock discovered various golden Buddhas, and each one
All of them are real solid gold Buddha statues.
Looking at the exquisite gold seal, the Tibetan characters on it looked very pleasing to the eye, but Han Peacock didn't recognize it. However, as long as he went back to check, he should find the origin of this kind of seal.
Han Peacock put it away with satisfaction and cleaned up the treasure again. Yes, it was a treasure. Han Peacock had confirmed that the reason why there were so many treasures here was not thrown in by herdsmen, but someone had hidden them here.
I don’t know how many years have passed, these gold and silver jewelry were scattered at the bottom of the lake, and now they were found by Han Peacock. This was determined by Han Peacock after looking around, because except for this area of tens of meters in radius, there is no gold and silver in other places.
Scattered at the bottom of the lake.
By this time, Han Peacock had already guessed that maybe no one here really returned anything to the lake, so even if someone went to the lake to salvage gold and silver jewelry, no one would come here. This is why these treasures can be preserved to this day.
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There are many treasures in this collection, among which gold and silverware account for a considerable proportion. These gold and silverware are in good condition and beautiful in shape. They are the best of their kind. Most of them date from the Qing Dynasty to modern times, and their types include religious instruments and daily necessities.
etc., the vessel is large in size and the production process is very exquisite.
Among them, there are the most magical weapons, especially the Vajra. The transliteration of Vajra is Furila, Fazhelao, Bazhelao, (Left Wu Youwo) Danluo, Fazhelao. It was originally a weapon of ancient India. Due to its texture
It is strong and can break through various materials, so it is called Vajra.
In esoteric Buddhism, the Vajra symbolizes the bodhicitta that destroys troubles and is used as a holding object or a tool for practicing Dharma. In the Mandala Sea Meeting, all the Vajra Department holds a Vajra. The Vajra symbolizes the great wisdom of the Tathagata and can destroy ignorance. Delusions, internal demons and external demonic obstacles.
The batch of vajra pestles discovered by Han Kongque can be said to be made of various materials, including gold, silver, copper, iron, stone, crystal, sandalwood, human bones and other materials. The size of the pestle ranges from eight fingers, ten fingers, twelve fingers, sixteen fingers, and twenty fingers.
The shapes include single-stranded, two-stranded, three-stranded, four-stranded, five-stranded, nine-stranded, human-shaped pestle, karma vajra, pagoda pestle, treasured pestle, etc. Single-stranded, three-stranded, and five-stranded are the most common, symbolizing the unique Dharma Realm and the Three Secrets respectively. Three bodies, five wisdoms, five Buddhas, etc.
In addition to this relatively normal magic weapon, there are also some that are more eye-catching. Han Kongque knew that these should be human bone magic weapons.
Human bone ritual vessels are Buddhist ritual vessels that contain human bones as raw materials and are mainly manufactured and used by Tantra in Tibetan Buddhism.
The human bone raw materials for Tantric human bone instruments come from people with very high cultivation levels, such as lamas with very high cultivation levels.
Providers of human bone raw materials must be voluntary and cannot be obtained by murdering people. In Tibet, there is a tradition of sky burial. After the dead body is eaten by vultures, the bones are used to make human bone instruments.
Usually the body of a person buried in the sky will be completely eaten by eagles. However, if the deceased made a wish before his death, saying that he hopes that his parts can be made into magical objects, and if it meets the standards, part of the bones will be left behind.
The production of human bone instruments basically disappeared after the Cultural Revolution, and now this Tibetan tradition has faded.
Magical vessels are objects used in rituals. Except for the weird human bone ritual vessels, most other magical vessels are mainly made of gold, silver, and copper, as well as wood carvings, bone carvings, ivory carvings, stone carvings, sea shell carvings and other products. It can be said that Han Peacock found a magical artifact museum this time, where there are all kinds of magical artifacts.
They have different materials, unique shapes, ingenious production concepts, and huge quantities. They can form a museum of Tibetan Buddhist instruments.
There are many types and have a strong mysterious color. These magical instruments can be roughly divided into six categories: salute, praise, support, support, protect demons, and persuasion.
There are cassocks, necklaces, hadas, etc. that are of the ceremonial type, especially the cassocks, which are really woven with gold and silver threads. Even if they have been soaked in water for so many years, you can still see the bright golden light.
While Han Peacock was placing things in the Xuanyuan Water Control Flag, he looked at the bells, drums, bone flutes, conches, six-string harps, tubas and other magical instruments one by one. The bells were made of bronze and the drums were made of wood, but Han Peacock I couldn't tell for a while what kind of wood it was made of, but it must not be a simple thing, otherwise it would have rotted in the water.
Next, the pagoda, mandala, eight treasures, seven political affairs, altar, prayer beads, wooden fish, vajra, initiation pot, kabala bowl, protective Buddha, secret talisman, Mani engraved or written with the six-character mantra Wheels, prayer wheels, pillars, stones and other magical objects all appear. Each of these magical objects has a different religious meaning, and some magical objects have multiple uses. (To be continued, please search Piaotian Literature, novel updates Good update faster!