The first thousand two hundred and seventy-five chapters are stacked in six cities
The real "Five Cows Picture" is drawn on a narrow and long piece of mulberry paper. The five cows have different postures and similar figures. The whole picture has no background except a bush of thorns, focusing on the appearance of the cows. Stubborn yet docile character.
Of course, the author of this painting is also very powerful. The author uses thick, vigorous and varied line drawings to express the bones and tendons of the cattle. He uses ocher, yellow, green, white and other colors to express the different colors of the five cattle. The concavities and convexities of the body are given different colors, giving it a three-dimensional effect, which is comparable even to Han Hwang.
And this is not the key point, the key point is the "finishing point", and the "finishing point" of this painting is the key to the overall situation.
The artist appropriately exaggerated the bull's eyes and carefully painted them, making the five bulls' pupils bright and lively, achieving an artistic realm of both form and spirit.
Therefore, Zhao Mengfu, a great painter of the Yuan Dynasty, wrote: "The five oxen are upright and upright, and they are also rare and famous pens."
Han Huang was able to leave such a wonderful painting because of his superb painting skills and familiarity with the living habits of cattle. The author of this high imitation obviously also knew the living habits of cattle very well, otherwise he would not have copied it to this level. .
The five cows in the painting have different images and very different postures. They may bow their heads or hold their heads high, walking or standing. They are so vivid that they seem to be within reach.
The cow in the middle is completely painted frontally, which is extremely difficult to express. The unique perspective shows the artist's superb modeling ability and profound artistic literacy.
The author uses concise lines to outline the twists and turns of the cow's bones and muscles, which are completely natural.
The brushwork is skillful and smooth, the lines are elastic, and penetrate the back of the paper; the depiction is precise without losing strong artistic expression.
What is particularly commendable is that the five cows all have bright eyes, which are profound and expressive, and vividly express the docile and stubborn character of the cows.
The artist focused on depicting the cow's eyes and the wrinkles around the eye sockets. He also used sharp and sharp brushstrokes to carefully depict the eyelashes on the edge of the five cow's eye sockets. Through the detailed depiction, he emphasized the unique personality of each cow and made them distinct. The land showed different expressions.
The viewer can clearly feel that these five cows not only have life and emotions, but also have different inner worlds. These are the five personified cows.
In terms of expression of technical vocabulary, the author is even more original. He chose thick and powerful lines with a blocky feel to express the strength, strength, calmness and slowness of the cow.
Compared with Cao Ba and Han Gan's paintings of horses, and Zhou Fang's and Zhang Xuan's paintings of ladies, this painting seems to have more pursuit of independent expression of lines.
Because their lines are so strong and strong, although the postures of the five oxen are different from flat to strange, they are equally thick and clumsy in terms of aesthetic taste.
Therefore, no matter who the author of this high imitation painting is, as long as he can reach the realm of Han Huang, this painting will definitely be a masterpiece.
Of course, this does not mean that this artist can compare with Han Huang. After all, he is a truly great painter who has been passed down through the ages.
Real masters draw by analogy rather than by copying. Therefore, although this painting of the Five Oxen is exquisite, it cannot be compared with Han Huang's "The Picture of the Five Oxen".
It is said that another work by Han Huang, "Wenyuan Picture" (hidden in the Palace Museum), vividly depicts the scene of poets writing articles together, but the brushwork and style are completely different from "Five Cows Picture".
The five cows painted in this "Five Cows Picture" have different expressions. Some are walking, some are standing, some are bowing their heads, some are raising their heads, and they are full of dynamics.
What is valuable is that there is no background in the picture, and the cow is completely used as the object of expression. If it were not for the detailed observation of the cow and the full grasp of the description of the cow's shape, it would never dare to take the risk of this painting.
Although the artist's outline of the cow is simple, the twists and turns of the muscles and bones are very precise, and the down on the cow's muzzle is even more detailed. The bright eyes reflect the cows' docile yet stubborn character.
In an era when farming was encouraged, it was very meaningful and easier to use cows in paintings. After all, people in that era were more familiar with cows, but now, things are different.
Looking at this painting, Han Peacock thought more.
"Are you Professor Li Da?" Han Kongque couldn't help but ask as he watched the young man interact with his boss.
"Do you know my grandfather?" the young man asked in surprise.
"I've heard of your grandfather's name." Han Peacock said with a smile.
"Huh? Do you really know me?" The boss, Professor Li Da, looked at Han Peacock in confusion.
Han Kongque explained with a smile: "I have been very interested in history recently, so I want to know the history of this city. I heard that Professor Li has a set of ancient city architectural drawings. I wonder if I can give a set to the juniors?"
When Han Kongque said this, Li Da became even more confused: "I do have some drawings on my hand, but they are based on my private research and are not accurate."
Han Kongque said with a smile: "Who can accurately know how the ancient city was built? Unless we get the construction drawings of the ancient city, otherwise it will definitely be impossible to perfectly restore the ancient city."
"You want to restore the ancient Kai and seal the mansion?" Li Da said with a smile.
"This is an idea, but with the city now expanding so much, this idea is definitely unrealistic, so I just want to study it." Han Kongque said with a smile.
The ancient Kaifeng Mansion must have been located underground in the current city. How could it be restored? Unless this modern metropolis was torn down, excavated and rebuilt, which was obviously impossible.
"Have you got any ideas?" Li Da had a sneer on his face.
Han Peacock also laughed: "I definitely can't excavate the ancient city ruins underground casually. The relevant local departments have done a good job in this regard and the protection is also in place."
"Then there's no need to lie. Since you know that I have some information, you also know that I will not disclose the information to anyone, unless it is to help restore the ancient city, otherwise..."
Li Da's next words were not spoken, but Han Kongque still knew that there was no hope.
Han Kongque was not disappointed. He continued: "I really hope to take over this project, and I am also qualified and capable to take on this project. However, it is absolutely impossible to hand over the place discovered by the city government to me. I
Now I want to do some research. Are the original Kai and Feng ancient cities really suppressed by this city?"
"Are you qualified and capable?" Li Da couldn't understand Han Kongque. Not everyone could say this.
"My name is Han Peacock." Han Peacock said with a smile.
"Korean Peacock? That Korean Peacock? That Korean Peacock in the Pyramid, Gloomy Wood?" Li Da was stunned for a moment, and then became excited.
Han Peacock's museum in Magic City has been opened to the public. The majestic pyramid, and two superimposed yin and yang pyramids, are simply too majestic. This has brought Han Peacock's name to a peak in the country. Maybe ordinary people don't know it.
But as long as anyone is connected with ancient culture, it is impossible not to know about Han Peacock.
"Since you know about the overlapping of six cities, you should know how difficult it is to completely uncover these six ancient cities." Li Da was a little excited after learning about Han Peacock.
"Come, come, let's talk inside." Li Da studied architecture, and he was most proficient in ancient buildings. He had lived in Kaifeng all his life, so naturally he couldn't let go of this ancient capital of the Six Dynasties.
The mysterious wonder of "six superimposed cities" in the ancient capital of Henan is comparable to a famous ancient city such as the "Terracotta Warriors and Horses of the Mausoleum of Qin Shihuang". No archaeologist can ignore it.
Kaifeng City is a history of dynasty changes, with five stacked cities, three-dimensionally showing the history of ancient urban changes of more than 2,000 years since the founding of Kaifeng City.
Therefore, the "city upon city" of Kaifeng and Henan made Henan enjoy the reputation of "one part of the river and half of the history of the south". And there are four of the eight ancient capitals of China in the south of the river. Many major historical events and important figures in history have been
Occurs or is active in the Central Plains.
To a certain extent, it can be said that the opening and closing of a city is also a history of dynasty change.
"Come on, Xiao Han, tell me how much you plan to invest? How many people are you planning to hire for archaeological excavation? Will the unearthed cultural relics be established in our local museum? If so, I, an old architect, can also help.
"Knowing that this is Han Peacock, you naturally know how powerful Han Peacock is. If Han Peacock can invest in a museum here, it will definitely not be an ordinary museum.
What an architect like Li Da wants to do most is to design a landmark building with his own hands, and the Yin-Yang Pyramid design in the Magic City was the object of his envy and hatred. Unexpectedly, he would now have this opportunity.
Han Kongque sat on a solid wood chair with a smile and said: "I didn't expect to play on such a big scale, and the city government was definitely not willing to do it. I communicated with them and could only explore things that the government was not involved in.
field, so I came here to see Professor Li to see if he could bring some practical experience to the students of Shanghai University of Science and Technology."
Han Peacock is a visiting professor at the Modu University of Science and Technology, and now, because of Han Peacock, the archeology major of the Modu University of Science and Technology has become famous in the country, which is very eye-catching.
Wherever they go, whether it is the local government or the local school of thought, they must pay attention.
Of course, they can't help but pay attention. The team established by Han Peacock has the right to excavate the group and keep the cultural relics. If they don't ask, the cultural relics they unearth anywhere can be taken away.
The local government is naturally unwilling to do this, and the officials here are naturally not willing to let Han Kongque get involved in archaeological excavations. After all, the six cities of Kaifeng and Kaifeng have overlapping histories and become relics, which have great historical and economic value.
But they didn't completely block Han Peacock's way out, so the current situation resulted.
As long as it is a place where the government is unable to touch it, Korea can fund the excavations on its own, and the results of the excavations can be preserved and exhibited in local museums. (To be continued, please search Piaotian Literature, the novel will be better and updated faster!