This time Han Peacock was not careless and no longer lazy. He carefully inspected the sunken ship on one side. At this time, Han Peacock discovered that the main structure of the entire sunken ship was all welded with steel plates, and only the outside was affixed with a
Layers of wood.
Han Peacock turned around. If this boat was really a trap, then those guys were too calculated. How did they know that they would definitely walk into this boat?
And they also cut off the cameras on the ship in advance. Is this because they are afraid that he will be wary, or simply not come in because there are cameras here?
If it was really a trap aimed at him, would these be monitoring him now?
Han Kongque has searched for it several times, and there are definitely no hidden cameras here. From this point of view, it doesn't look like it's specifically targeting him.
If it was really aimed at him, then those people should have appeared by now, and there would definitely be no movement until now.
Without thinking clearly, Han Kongque stopped making random suspicions. The most important thing is that he is now trapped here.
Looking at the countless treasures in the cabin, all kinds of porcelain, all kinds of gold and silverware, and a lot of research materials, this is definitely the most important place in this secret vault, but Han Peacock didn't have it just now
think.
How could those people not take precautions in such an important place?
This must be the top priority in this secret vault. How can it be so easy for people to come in?
Even if it is established, it will definitely not be easy to let people out, and this is the result that Han Kongque is facing now.
Han Peacock did not have much confidence to destroy the three centimeter thick steel plate. Besides, if the ship was really destroyed, then a lot of the treasures in the ship would definitely be destroyed. This is not what Han Peacock wanted to see.
.
"I hope those people have discovered me now." Looking at the cut thread above his head, Han Peacock now hoped that those people had specially set up a trap. In this way, those people would be able to find out that he was trapped here so early.
for processing.
If he is trapped here for too long and has not been discovered yet, Han Kongque is sure that he will be even more miserable.
If it were the original situation, Han Kongque would never be afraid of being trapped anywhere, but now, he is very afraid. Without the Xuanyuan Water Control Flag, the Chaos Space cannot be used. He has no cheating device.
If Han Peacock is really trapped here now, then if he cannot destroy the boat and break out, he will only starve to death.
No matter how hard he searched, he couldn't find a way out. Now Han Kongque could only hope that those people really couldn't see him. If so, those people might come in, and then Han Kongque would have hope of getting out.
If those people could be attacked suddenly, Han Peacock still had a good chance of escaping unscathed.
So now Han Peacock doesn't want to make too much noise, so as not to alarm the shipwreck pirates.
That would be so unlucky for Han Kongque. Those shipwreck pirates who didn't know he had broken in would definitely deal with him as soon as they heard the noise he made.
But if those people take precautions, it is still very easy to deal with a trapped beast trapped in a rigid cage.
Since he couldn't find a way out and had to wait for the rabbit, Han Peacock stopped being agitated and continued to check the treasures in the cabin.
Perhaps because this is a former sunken ship, most of the treasures preserved on this ship are porcelain and gold and silver utensils. There are very few other items. For example, calligraphy and paintings are difficult to preserve in this environment, so there are only a few here.
paper, calligraphy and painting.
Although the number is not large, there are still some. In addition to those research materials, there are also a few calligraphy and paintings. These calligraphy and paintings were just found by Han Peacock from some gold and silver boxes, but because they are not masterpieces by famous artists, they are not
Technical information, so Han Peacock just put it aside.
Seeing these calligraphy and paintings, Han Kongque couldn't help but think of the Ink Lotus Picture. At that time, Liu Xu discovered the Ink Lotus Picture and got a space. Han Kongque also had a chance and got another painting that led to the chaotic space.
It turns out that those were just the icing on the cake, but now, if he can get a space map, it will be a great achievement for his transportation. However, obviously such good things will not happen to Han Peacock often.
However, when I think of black lotus, green bamboo, and winter plum, what would the other picture be?
Looking at the peony picture that was thrown aside casually, Han Kongque's heart moved.
It's okay now, but I need to take a closer look, maybe there may be unexpected gains.
Besides, Han Peacock believes that everything on this boat should be good.
The things that can be saved here should definitely be good things.
But Han Peacock had just seen it, and these calligraphy and paintings were not good at all, they were just ordinary flower and bird calligraphy and paintings.
This is the strange thing. If these calligraphy and paintings weren't so ordinary, Han Peacock wouldn't be able to notice them now.
Just now he just wanted to find information, so he didn't pay attention to it. Then he discovered that the sunken ship was a steel cage, so he had no time to pay attention to these calligraphy and paintings. Now that he calmed down, Han Peacock immediately discovered the strangeness of these calligraphy and paintings.
Of course, he had some extravagant hopes here. The peony picture had a special meaning to Han Peacock, so Han Peacock was also excited.
Han Peacock discovered that among these calligraphy and paintings, all the paintings were peonies, and they were all very well done.
It’s not about how good these peonies are, nor how famous the author is, but because these calligraphy and paintings are indeed antiques, and they are all pictures of peonies.
I picked up a peony painting at random. The author of this painting is not very famous, but he is definitely not unknown. This is a work by the modern calligrapher and painter Wang Daozhong.
Mr. Wang Daozhong graduated from the Central Academy of Fine Arts in 1954 and studied under Yu Fei'an and Tian Shiguang, two masters of flower-and-bird painting. In his painting style, he inherited the Northern Song Dynasty's academic flower-and-bird painting that pursued precision and meticulousness, deliberately sought truth, brilliant colors, and auspicious meanings.
The decorative painting style is the successor of meticulous and heavy-color flower and bird paintings in northern China.
His main works include "Wang Daozhong Painting Collection", "Wang Daozhong Peony Painting Collection", "Gongbi Peony Techniques", "Gongbi Grass and Insect White Painting Collection", "Gongbi Flower White Painting Collection", etc.
He is definitely a leader in flower and bird paintings. His flowers, birds and peonies are quite famous. Of course, if he were not famous, Korean Peacock would not know about him.
"This should be the pinnacle of the King's Way, why does it appear here?" Han Peacock was a little surprised. Why would that group of shipwreck pirates be interested in collecting modern collections?
The most important thing is that all the things collected by the shipwreck pirates are of the highest quality, and they were all salvaged from the seabed. Could it be that this peony picture was also salvaged from the shipwreck?
This is obviously impossible, so the only possibility is that someone is studying the peony picture in Wangdao, or is studying the peony picture.
The peonies painted by Wang Daozhong are indeed good, and at least the Korean peacocks feel very beautiful just looking at them.
The peony flower and bird paintings in Wang Daozhong can be divided into two periods. Before the 1980s, the peony flower and bird paintings in Wang Daozhong emphasized portraiture and the joy of "taking possession of nature and empathizing with each other, and imagining that if you climb up and look at things, you will gain something."
Emotional effect.
The peonies painted by Wang Daozhong are characterized by beautiful flower shapes, solid structures, affectionate opening and closing of door and cover petals, obvious variety characteristics, and elegant colors. He is good at using composition techniques to emphasize the singing and dancing shape of the peony heads.
Castration, even the turning and folding of leaves, and the way branches grow have wonderful functions in conveying emotions.
Therefore, his paintings are not only dazzling, but also fascinating.
And this painting is obviously the pinnacle of Wang Dao's middle and late paintings, because this painting is obviously a meticulous painting. Although Han Kongque is not very good at painting, he can still see it. He can see it.
Come out, this is the pinnacle of meticulous painting.
After the 1980s, Wang Daozhong's meticulous peony paintings paid more attention to the exploration of techniques and the expression of artistic conception.
For example, the meticulous and heavy-color painting "In the Sound of Swallows, Another Year of Love" uses a symbolic technique to express the artistic conception of Mr. Zhou's poetry, and expresses the longing of Premier Zhou among the Chinese people living in the new era of reform and opening up.
"Clouds Think of Clothes, Flowers Think of Face" was created by Wang Daozhong mainly using line drawing techniques in order to explore new expression forms of meticulous flower and bird painting.
In the painting, the peonies are placed in the vivid clouds and mist. The white-painted peonies blooming in the dew are only slightly exaggerated, but they are like beauties dressed in plain clothes. They are charming and touching, allowing people to appreciate the meaning of Li Bai's poem "Clouds think of clothes and flowers think of face".
Wonderful thing.
Han Kongque was naturally very familiar with such famous artists, and he knew even more clearly that peonies are one of the important themes in Chinese flower-and-bird paintings. There have been numerous famous artists who were good at painting peonies throughout the ages, with different painting techniques, diverse styles, and various schools.
So it is not surprising that a painting by Wang Daozhong appears here, because Wang Daozhong is also a prolific painter.
Only "Wang Daozhong's Peony Painting Collection" contains more than 50 works by Wang Daozhong from different periods.
Appreciating this masterpiece now allows Han Peacock to appreciate the breadth and depth of Chinese meticulous and heavy-color flower and bird paintings.
It is undeniable that this is a very good painting and has high collection value, but compared to the other treasures in this cabin, it is a bit inferior.
Therefore, what Han Peacock is most interested in is why this group of shipwreck pirates put such a modern painting here.
"Is this one a work by Chen Guangshun?" He unfolded it again and found that this peony painting was no worse than the one just now.
Han Kongque recognized it at a glance. This painting was a peony painting by the modern painter Chen Guangshun.
Chen Guangshun was born in 1942. He is currently the president of the Shenbi Wangduo Painting and Calligraphy Academy, a national first-class artist, China's "first person of snow peony", and a director of the Chinese Painters Association.
He graduated from the Fine Arts Department of Zhengzhou Art Institute and has devoted himself to the study of Chinese painting for more than 40 years, focusing on freehand peonies. He is good at painting elegant and elegant plums, orchids, bamboos, chrysanthemums and lotuses.
The works are inherited from ancient and modern teachers, with profound skills, vigorous and unrestrained painting style, and distinctive personal style.
Therefore, compared with the peony paintings in Wang Dao, Chen Guangshun's peony paintings are definitely outstanding. (To be continued.)