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1294. Chapter 1294 Practicing calligraphy

Everyone has their own different pains. No one in this world has only happiness and no pain. It's just that everyone expresses and expresses it in different ways.

Peng Ning knew that Tang Lin would not have time to accompany her. She had originally planned to play alone, but now there was always a little tail beside her, even following her when she went to the toilet.

She really drank too much, was very tired and drunk, and wanted to sleep, so she fell asleep...

At Chang Decheng's house, Tang Lin and Peng Guoxing were sitting side by side. One was sitting on a massage chair and the other was sitting on a wicker chair. The old man was sitting on the massage chair and the young man was sitting on the wicker chair. They both looked at each other quietly.

Looking at the rain outside, Peng Guoxing suddenly asked, "You haven't had time to fish recently, have you?"

Tang Lin nodded, "No, and it has been raining." Peng Guoxing's eyes seemed to be looking far away, "If this is the case, then you should start practicing calligraphy. It is still the same sentence as before, the old general taught you how to move and I will teach you how to be still. Calligraphy

Of course, I use a brush, and together they are the Four Treasures of the Study. In fact, you don’t have to think too complicated. It all starts with copying. In your current situation, just copy Wang Xianzhi’s "Luo Shen Fu". I have brought it to you.

.The Four Treasures of the Study are also in that bag. Although it is not a famous product, nor is it expensive, you must understand that the true principle is to start from the simple and ordinary."

"You should know that Wang Xianzhi is the seventh son of Wang Xizhi, and he became famous at a young age. Zhang Huaiguan of the Tang Dynasty said of him: "If the wind moves and the rain disperses, the flow will be facilitated by the grass, and the opening will move, and among the rules and postures, he is the most elegant.

"Wang Xianzhi "learned from his father when he was young, then learned from Zhang, and later changed the system and created his own method." He further broke out of the simplicity of his father's generation and gradually moved towards a natural, transcendent and beautiful realm. Thirteen lines of "Luo Shen Fu" in small regular script

" is his masterpiece."

"It is said that Wang Xianzhi was good at writing Luo Shen Fu, and he wrote more than one. There are thirteen lines in total, but the original work no longer exists. Today, only the stone version carved by Jia Sidao is passed down. Because the color of the stone is like jasper, it is known as "Thirteen Lines of Jasper".

Now in the Capital Museum. "Luo Shen Fu" written by Wang Xianzhi is elegant in style and free and easy in writing. Yang Bin's "Tiehanzhai Shuhao" of the Qing Dynasty believes that "the characters are beautiful, vigorous and smooth, and the small regular script in the world is unparalleled." From "Luo Shen Fu"

"(Thirteen lines), it can be seen that Wang Xianzhi's regular script writing style no longer has the official meaning, and the character shape has also changed from horizontal to vertical, and it is a fully mature regular script."

"Specifically, the calligraphy in the engraved calligraphy I gave you is straight and powerful, the style is beautiful, and the structure is spacious and stretched. The strokes such as strokes in the calligraphy often stretch very long, but they are not frivolous and weak. The writing power is conveyed to

The ends of the strokes are powerful and energetic. The fonts are well-proportioned and harmonious, and there are subtle and vivid changes in the combination of each part. The sizes of the characters are different, and the character spacing and line spacing change naturally."

"Compared with Wang Xizhi's regular script, Wang Xianzhi's regular script is different: Xizhi's characters are subtle and use the "internal extension" brushwork; while Xianzhi's characters are more explicit and use more "outer extension" brushwork. They both had an impact on future generations.

Far-reaching influence. Song Dynasty Dong Dong's "Guangchuan Book Postscript" said: Zijing's "Luo Shen Fu" has a strong calligraphy style, which is difficult for calligraphers. The radicals are self-explanatory and do not reflect each other; they are divided into subject and object, and the taste is strict. With Wang Xizhi

"Compared with "Huang Ting Jing" and "Le Yi Lun", it has turned away from the tight and careful attitude and transformed into a powerful, direct and elegant one."

When talking about this Peng Guoxing, he was naturally very interested, as if he would not stop talking for ten days. Tang Lin listened very seriously. Although he is considered an all-rounder, he really has no research on traditional calligraphy, calligraphy and painting. It has nothing to do with his character and identity.

It's really too far apart.

Peng Guoxing came in sick and delivered letters and the Four Treasures of the Study in the heavy rain. As a teacher, he must be satisfied to achieve this level. Today's master-disciple relationship is very different from the past. It seems that there are more interests involved, but Tang Lin's feelings towards Peng Guoxing

Respect comes from the heart, and Peng Guoxing's cultivation of Tang Lin also stems from generosity and deep in his bones.

Peng Guoxing suddenly turned around and asked, "Having said so much, do you know why so many calligraphers asked you to copy "Luo Shen Fu"?"

Tang Lin shook his head, "Students know very little about this. Teacher, you can tell me directly." Tang Lin was still his original straightforward character, frank and down-to-earth. Peng Guoxing laughed when he saw it.

"Anyway, a rainy day is the weather for telling stories, so I will tell you a story. In fact, the reason is very simple. Let you copy Wang Xianzhi's "Luo Shen Fu" to make you feel at ease and calm without losing your original uprightness. Wang Xianzhi was young

He became famous all over the world, but Cao Zhi, who wrote Luo Shen Fu, became famous all over the world at a young age? In my heart, "Luo Shen Fu" inherited the peak strength of two talented teenagers. Now you are also young and energetic, and you also became famous at a young age.

, but remember, remember to know how to advance and retreat, know the movement, and always walk on the road under the sun..."

Tang Lin silently kept it in his mind and continued to listen, while Peng Guoxing slowly took a sip of tea, good fresh chrysanthemum tea, and then continued.

"It is said that when Cao Zhi was young, he fell in love with a girl named Zhen and wanted to marry her. The girl also admired Cao Zhi's talent and secretly asked Old Man Yuexia to guide them. However, Cao Cao knew that the girl from the Zhen family was smart.

, beautiful and virtuous, so he married this girl for his eldest son Cao Pi. After Cao Cao's death, Cao Pi inherited the throne and named Cao Cao Emperor Wu of Wei. He called him Emperor Wen of Wei and granted Lady Zhen the title of queen. From then on, Cao Zhi and Queen Zhen had the opportunity to meet.

There were fewer, but the love between the two became deeper. Later, Cao Pi married Concubine Guo again, and gradually became cold to Empress Zhen. Later, Empress Zhen was executed by Cao Pi."

"In the year when Zhen Mi died, Cao Zhi went to Luoyang to meet Cao Pi. Cao Pi asked Cao Rui, the son of Empress Zhen, to accompany Cao Zhi for dinner. When Cao Zhi saw Cao Rui, he remembered Empress Zhen's tragic death and secretly shed tears. Cao Pi noticed that Empress Zhen had

After expressing his grievances, he gave Cao Zhi the jade and gold pillow that was the relic of Empress Zhen. Cao Zhi felt even more uncomfortable when he saw objects as if he were seeing people. He thanked Cao Pi and left the Wei Palace. Cao Zhi missed the tragic death of Empress Zhen and only felt that his heart was broken.

Uncertain, he left Luoyang City and came to the Luo River, where he ordered his entourage to stop the carriage and rest. Cao Zhi was lost in thought while looking at the red sun setting in the west and the surging Luo River water flowing eastward. Suddenly, he saw a very beautiful woman, who looked like a girl.

Like a water hibiscus, it rises slowly from the blue waves, and follows the waves, gently and erratically, to the shore. This woman is the Goddess of Luo."

"Cao Zhi missed people when he touched the scenery, and his feelings changed when he saw them, so he wrote a poem for this meeting, titled "Fu on Feelings of Zhen". After the death of Emperor Wei Wen, Emperor Ming Cao Rui succeeded to the throne. After seeing this poem, he felt that it was wrong.

Because of the taste, I changed the title to "Luo Shen Fu". Although this is just a legend, the life principles in it are embarrassing. I know there are many outstanding girls around you, but you must grasp it and grasp yourself.

You must also grasp other people's feelings. You are destined to be no ordinary person. Since you are not an ordinary person, you must be firm and decisive no matter what you face. Naturally, these old generals cannot teach you. In fact, I cannot teach you either, but I can

Let me tell you a story, the history that our ancestors experienced..."

Tang Lin was really filled with emotion. He didn't know how Peng Guoxing could tell that he had been very lucky recently, but he knew Peng Guoxing's good intentions. Even when he asked him to contact calligraphy, he told him such a story worth pondering and told him

He has to be calm and affectionate, but not overemotional. As for the rest, he has to control it himself, and he has to walk his own path...


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