At first glance, Fang Yi thought that Zou Heming had just an idea in his mind, and it might take some time to implement it. However, he found out that he was wrong the next day, and Zou Heming directly asked Fang Yi to call his lawyer.
Then the hands-on operation started.
The matter is also very simple. It is a piece of wasteland far away from the city. Two days later, the land was returned to Zou Heming's name. Of course, if you want to build a house, you still have a batch of houses. Just like in China, you must go through some government procedures.
. This matter was fully entrusted to Fang Yi's lawyer Eposito, and it was convenient for the barrister's office to handle it. Before the instructions were issued, Zou Heming had already started looking for the construction team and was preparing to come up with a small plan.
.
Seeing Zou Heming's vigorous and resolute movements, Fang Yi cursed a little in his heart: This guy has really made a lot of money in the past few years. Of course, this is a fact. The total income of Fang Yi's five people is almost the same as the gallery's.
You can tell by just calculating the income. The money to build a painter's village in Los Angeles imitating China's is just a drop in the bucket for Zou Heming.
Fang Yi naturally had no great interest in following Zou Heming around. As for using his lawyer Eposito and accountant Charlie, it was not Fang Yi's money, but Zou Heming's own pocket. Now Fang Yi is concentrating on studying himself.
I am thinking about how to improve my painting on the classicism level.
Now Fang Yi has completely given up on trying to take a bite out of Bobiel and follows the old guy's steps. Because for some reason, his previous special move has no effect on the old guy's current style of painting.
.No matter what kind of situation Fang Yi can control, that is, the old man’s previous realistic painting style, but now the old man’s ideology cannot be controlled by Fang Yi.
Fang Yi didn't know about this matter. According to the normal trajectory, this old guy, Popile, had already lost his penis due to a car accident two years ago. But since Fang Yi saw the old guy in the museum,
A small change occurred unknowingly. If we follow the original process, now that the old man is dead and his works are being collected, it will be more than twenty years before he is truly famous.
Some people are a nuisance when they are alive, like this old guy. If you don't die, you can just paint your realism in peace. What else are you doing with the classical theory? Fang Yi is scratching his head every time he stays in front of the easel.
Zou Heming stayed with Fang Yi for four days, then left Los Angeles and returned to New York, and Fang Yi continued to live like this. He lived a step-by-step life every day and continued to do his own research.
Zou Heming had been away for more than ten days, and four more "refugees" came to Fang Yi's home, namely Fang Yi's linearist friends. Keshma took Anders, Rude and Altur.
Many of them sneaked away to Los Angeles to join their friend Fang Yilai.
The four of them took a short rest, and the next morning they took Fang Yi together and started telling Fang Yi about their trip to China in the form of photos.
"You don't have to be a hero if you don't visit the Great Wall!" Fang Yi held a group photo of several people on the Great Wall with Wei Jin and Tao Yong and looked at the four of them jokingly and said, "You are already heroes now!" This time the four of them were in China.
I had a great time, looking at the Great Wall, the Forbidden City, Huangshan Mountain, the Terracotta Warriors, etc. I guess I haven’t stopped during this time.
"Some scenery is really charming. It may be that such scenery gave birth to unique Chinese art." Anders said: "We traveled to many places this time and gained a lot. It's a pity that you couldn't come with us."
go".
Fang Yi smiled after hearing this and said nothing. He continued to flip through the photos in his hand. He looked at the happy smiles on the faces of his friends in the photos.
After flipping through the photos, Fang Yi saw a notebook exposed in Artur's small bag and asked curiously: "What is this? Is this a personal thing?".
"No!" Artur took out the book from his bag and handed it to Fang Yi: "When we went to the memorial hall in Shicheng again, the booklet was given to us by the curator."
There was no need for Artur to explain. Fang Yi looked at the title Shicheng Genocide Memorial Hall in the book and knew what it was. Fang Yi opened the book with a solemn expression. The first page of paper read: Presented to Norwegian artist Al
Tour, with the signature of the curator on it.
After flipping through two pages, Fang Yi closed the book gently, stretched out his hands and gave it to Artur.
"We also asked for a copy for you," Rude said to Fang Yi: "Actually, it's not that you asked for it, but the curator heard that we were coming to your place this time and asked us to bring you a copy!"
After saying that, he turned around and took out a book from his bag and gave it to Fang Yi, "Open it and take a look. There is something written for you on it!"
Fang Yi did not open the book, but put it in front of him, rubbed the cover gently with his hand, shook his head and said, "I don't have to look at it, these things are in my memory and will never be erased."
Looking at their friend's frowning face with solemn sadness, the four of them could certainly understand Fang Yi's feelings now. It would not be easy for anyone sitting there. The five people sitting there fell silent at the same time.
After two minutes, Keshima broke the silence and said to Fang Yi: "When the four of us were in China, we each decided to create a work based on this theme."
After hearing what Keshima said, Fang Yi raised his head and looked at his friends and said, "Thank you, my friends!". Fang Yi certainly knew how to create a work about the Stone City Massacre based on the four people's current reputation.
What kind of significance does it have? As a Shicheng native, Fang Yi certainly wants to express his gratitude.
"It's nothing. In the past we only knew the cruelty of the Nazis, but now we are willing to let everyone see the atrocities of Japanese militarism!" Rude said to Fang Yi.
"How about you also create one together?" Artur said to Fang Yi: "If the works of the five of us are put on display together, the momentum will be even greater."
Fang Yi's heart was moved after hearing this, but after thinking about it carefully, he shook his head: "It's still time." Fang Yi decided to wait until he reached a certain stage before creating this work. It's not just about creating, but about devoting himself to it.
Get involved and create a work that is great enough to last forever. Let the compatriots who are immersed in friendship and narrowness remember this period of history.
"I can create. But not now!" Fang Yi focused his attention on the booklet and said softly.
Speaking of this, the tone was a bit heavy, and Anders quickly led everyone to the domestic harvest. The beautiful scenery can certainly make the four of them intoxicated, but as artists, art can make the four of them addicted. When it comes to this
The four Keshimas started talking about their income from China.
Fang Yi understood after hearing this. This time the four of them not only went to visit the scenery, but also visited famous Chinese painting masters in the country and had some exchanges. The exchange was actually asking them to give guidance on Chinese painting. Listening to the four people from
From the names that came out of his mouth, Fang Yi knew that the four people they met in China this time were all famous masters of traditional Chinese painting.
From the chats between friends, Fang Yi also heard some differences. Keshma mainly wanted to learn what he wanted from meticulous paintings, while Anders hoped to learn from freehand paintings.
Rude and Artur seemed to be more inclined to Anders's idea. Although Fang Yi heard it, he didn't mind it too much. Even though they are all members of Linearism, the styles of the five of them are different, which is not a big deal.
What does the difference mean?
The four of them came to 'escape' and probably wouldn't be able to go back for a while. Fang Yi asked Jack to buy some horses so that everyone could ride the horses and go outdoor sketching with their drawing boards when they had time. The climate in Los Angeles is year-round.
It’s not too cold, and there is very little snow even in winter. It rarely goes below zero. The temperature during the day is usually in the teens, and winter here is often the rainy season. So there is no problem in riding horses all year round.
Fang Yi fiddled with his own research, and the four of them in Keshima began to conceive of their new works. This time, the four of them unanimously prepared to complete a masterpiece, which was basically about four meters by two and eight meters. But now they are just
The small draft will not be started until they return to their respective studios. Now the four of them are mainly conceiving at Fang Yi's place, and the other thing is that the five friends get together and play happily.
The five Linearist artists lived a very happy life. They swam and rode horses every day and went outdoor sketching together. Sometimes they were landscapes. When the mood struck, they hired two or three models. Everyone put their easels together again.
, just like when the five people first met, they started drawing human bodies. Of course, if the sun was bright enough, the five people and the model might not draw, but play water polo in Fang Yi's swimming pool.
For the five people who can be said to be successful and famous now, they no longer have any pressure in life, and they are naturally more relaxed when playing than before.
Just like now, a red float is placed in the swimming pool. Five people and three models are divided into two groups. On Fang Yi's side are Altur and Rude, plus a model, and on the opposite side is Anders.
Together with Keshima and Catherine, they formed a group and played water polo while yelling.
"Yi! You let the ball fall into the water again." Rude wiped the water on his face and said to Fang Yi with a bit of hatred.
"I'm sorry! I'm sorry!" Fang Yi swam two or three meters and picked up the ball. He raised a hand and admitted his mistake to his partners, while the four people on the other side clapped each other's hands and cheered him.
Got another point here.
Everyone played until the sun went down, and the three models had a barbecue at Fang Yi's place, and then left Fang Yi's home. The five of them barely painted a single stroke for the whole day, and of course the three young models also
Never done anything serious.
The five of them played together for a day, and after eating the barbecue, they went into the studio together, chatting and laughing, and began to play with their own works.
The only reason why Fang Yi could play so wildly with his friends was because he knew that he was preparing to start over again and open up a new path for classicism. Such a thing could not be done in one go, nor in a day or two, or even in a day or two.
Things that can be accomplished in a year. And he is only in his twenties. He can wait for ten or eight years, not to mention one or two years. Anticipating the ups and downs of this road, and being mentally prepared enough, Fang Yi decided to take it easy
Go into battle.
Because of their work, Keshima and the others faced this kind of bloody cruelty all day long. The child on the tip of a bayonet, coupled with the smiles of the Japanese soldiers, directly touched the bottom line of the four people's hearts over and over again.
If they face this all day long, I'm afraid it won't take long for the four of them to have mental problems. To perform such a work, the four of them also need to let happiness or sunshine shine into their hearts from time to time and warm the blood in their bodies. This