Fang Yi, Jadel, and Li Ji followed the address provided by Carson, and when they arrived at Carson's vacation house, they discovered that their vacation home was much better than theirs. Carson's side is an independent beach house.
The small villa, after walking down the hanging stairs, is right next to the beach, and the houses next door are two to three hundred meters away. Having such a two-story small holiday house in the tourist resort of Hawaii, with the money bag hanging between the waist and the waist is really awesome
Some have spoken out.
As for this conversation, it was much more casual than the last time. Both Fang Yi and Carson were just wearing a pair of shorts, and they were sitting face to face in a five-meter-square freshwater pool in front of the villa. This thing is called a swimming pool.
It's a bit too small. It's a bathtub, right?
It's a bit too big, and Fang Yi doesn't know how to define it. It's a bit like a domestic bathhouse. Of course, the treatment here is much better than that in a bathhouse. The two of them have their own specialties.
A silver tray with a large drink on it.
Taking a sip of the mango juice, Fang Yi suddenly had a word pop up in his mind, and a smile appeared on his face: Now that he and Carson opposite him can be considered candid, everyone should be honest.
He was only wearing a pair of swimming trunks!
Carson didn't notice the expression on Fang Yi's face, and he was looking at Jardel and Li Ji who were splashing in the water in the distance with his head sideways.
"What do you think about me inviting them two to be my models?" Carson turned his head to Fang Yi and asked.
After hearing this, Fang Yi replied: "You shouldn't ask me this question, right?" Carson wanted to find someone to be a model. Where could Fang Yi do it? It was better to ask the person himself.
"Yes!" After saying that, Carson stood up from the pool and seemed to be interested. He didn't want to talk about art and creation with Fang Yi and walked directly towards the two of them.
Fang Yi's head followed Carson for five or six seconds, and then he looked back. He raised his head, stretched out his arms, laid them flat on the platform of the pool, closed his eyes and started thinking about himself.
Regarding the development of classicism, Fang Yi took this opportunity to have a good exchange with Carson. Although he did not exchange anything very useful, he was still in a good mood.
While chatting, the two of them naturally talked about Bobil. Now when we talk about classicism, Bobil is an unavoidable obstacle. Although the old guy has a bad temper of one kind or another, in the end, his works speak for themselves.
No one is afraid. Carson’s evaluation of Popile is the new standard-bearer of the return to classicism movement that is now slowly becoming popular.
Speaking of the return to classicism movement, it is not new. In the 1980s and 1990s, some art critics and artists put forward this slogan, calling on artists to re-align their works with classicism. To rediscover
Return to the elegance and solemnity of the canvas. This kind of classicism is not pre-Renaissance classicism in the narrow sense. Instead, it includes a series of various doctrines such as romanticism, neoclassicism, and realism. The focus is on the canvas.
The meaning of performance rather than just the style.
However, this movement has not developed much since it was proposed and has been rejected by many artists. Some sharp opponents call it a rotten zombie crawling out of the dustbin of history.
It's a bit funny to say this. Just like the neoclassical masters, such as Ingres, etc. suppressed emerging painting schools such as Indoism, now the disciples of these emerging painting schools have taken the initiative.
After Quan Quan, he immediately mocked mercilessly the revival of classicism.
The proposal to return to the classicism movement also has a certain significance. Some art critics and artists are tired of seeing many painting schools nowadays. Some so-called artists can't even draw individual figures well. They don't pay much attention to the use of colors.
Just stand in front of the canvas, think about it for a while, then pick up the brush and mess around, and a work worth hundreds of thousands or millions of dollars will be born.
The artists that everyone brags about nowadays over-exaggerate their talent. It seems that as long as you have this thing, you are born an artist. This caters to the so-called contemporary era of great art and the taste of equality for everyone. As long as you have ideas,
What’s the point of not having any painting skills? As long as you can express your thoughts on the canvas, as long as the idea is eye-catching enough, then everything is OK!
Nowadays, it is not uncommon for human artists to become painters. More animals have begun to join the ranks of painters, such as orangutans in the United States and elephants in Thailand. They hold paintbrushes in their hands or trunks, and the keepers look at them and paint a few strokes.
Just give him some food, and continue painting while he has food. Such works can be sold for thousands of dollars, which is more expensive than some human artists.
These people asked, what thoughts do animals have? If the art of painting is separated from thoughts, what is left? Everyone is a painter, but in a certain way, everyone is not a painter! The entire painting circle is full of questions
The artificiality, grandstanding and self-indulgence were disgusted to a certain extent. This was the reason why the return to classicism movement came about, hoping to cleanse the painting world of such fools.
Fang Yi, who was soaking in the pool, closed his eyes and was thinking about this problem. After thinking about it for a while, he discovered that there seems to be a trend in this, regarding human aesthetics. There is a joking saying that it is aesthetic fatigue. After a certain period of time, people's
Aesthetics changed, and we got tired of classicism. The Romantic Renaissance began, and then after a while, classicism came again.
The neoclassical masters with Ingres as their standard bearer and the romantic master Delacroix had a great time. The two families competed with each other. In the end, Impressionism, which seemed to be more suitable, was cheaper, and then there was
Nowadays, there are a dazzling array of painting schools, such as Pop Art, Dadaism, Cubism and Fauvism, of course, including Fang Yi's five linearisms.
Now is the so-called great art era, and painting art seems to have become a street girl on the street. Everyone can play with it when they have nothing to do.
Fang Yi couldn't help but smile as he thought about it, feeling that this matter became interesting. The appearance of Popile made up for the most important part of the return to classicism movement, that is, the issue of flag bearers. A cultural movement must
There is a flag-bearer who can take action, but there is no standard-bearer. How can we talk about luck?
Do you exercise or not? But the old guy doesn't seem to care about this matter. When the return to classicism movement extended an olive branch to the old guy, Popile didn't seem to be interested and did not publish his techniques for everyone to learn from.
He tried to figure it out, but chose to treasure the broom and prepare to take it into the coffin.
Fang Yi thought for a moment and guessed that Bobil was afraid that everyone in this world was an idiot. If he couldn't figure it out, then don't think about it. Do you expect me to tell you? No way! But after thinking about this, he felt that he also belonged to
Fang Yi felt a little unhappy because he looked like a fool in the eyes of the old man.
"No problem anymore".
While Fang Yi was thinking about these messy things, Carson walked to the side of the pool and said to Fang Yi, who was running a train in his head, but was not happy about it.
"Oh!" Fang Yi came back to his senses and glanced at Jardel and Li Ji behind Carson. So the two American lovers agreed to be models?
Jadel glanced at Li Ji next to him and then smiled at Fang Yi and said, "We all think this is an interesting experience. We are all very interested in listening to Michael. How about we also be your models together?"
.
Hearing what Jadeer said, Fang Yi also became interested. He hadn't touched a paintbrush much in the past few days. When people mentioned Fang Yi, his hands felt a little itchy. Not only was it itchy, but it was also difficult to stop.
"But my style is different from Carson's. If you don't mind, I would like to draw a picture of the two of you with this version of the beach as the background. Of course, if you are not used to dressing up, that's fine." Fang Yi
After thinking for a moment, he looked at the two of them and spoke out his request. It was just to ask who knew Judel, so the two of them agreed without even thinking about it.
We just started doing it. After chatting for a while, Carson booked the painting location in the guest room of his villa. How could Carson lack these easels? Carson and Fang Yi moved two easels and put them in
Once in the guest room, we were ready to open the door.
While waiting for Carson to signal Jardel and Li Ji to pose on the bed, Fang Yi understood why they agreed as soon as he mentioned drawing human bodies. Now the two people in front of him are not much different from each other.
If you understand Carson's works, you will find some characteristics of Carson's style. The women on the canvas are not only neatly dressed, but those with less clothes are usually taking off their clothes. It seems that this artist is very good at describing the moment when women take off their clothes.
interested in.
Just like now, Jardel was completely naked, lying on the bed slightly sideways, and his eyes turned to Li Ji who was taking off her vest, and Li Ji was only wearing a pair of gray panties on her lower body.
His arms were folded in front of his chest, and his hands were pulling the hem of his vest, as if he was about to take it off in the next second. Typical Michael Carson style.
What is Fang Yi's style? To put it simply, it is: either you are dressed or you are naked. This kind of half-gloss is not to Fang Yi's taste, and he will definitely not let the model still have one or two pieces like this.
In other words, Fang Yi doesn't like to describe the female underwear on the model in such a delicate way.
Of course, it is Carson who is painting now, and there is no point in Fang Yi's side. Fang Yi took an easel and drew a sketch. The subject of the sketch was also Jardel lying sideways. As for Li Ji this time
Fang Yi temporarily forgot about it selectively.
After drawing for more than three hours, Carson finally finished the shapes of the two people on the bed. When Carson said it was done, Lizzy immediately put down the corner of her vest, stood up and waved her arms and said
: "I'm so tired, my arms are very sore."
"I'll call the masseur later and relax," Carson said, looking at Li Ji.
"Fang, you won't let me raise my arms for a long time, right?" Li Ji looked at Fang Yi and asked.
Fang Yi said: "No, you can just sit on the beach naturally. As for anything else, I don't have any requirements. You can do whatever you feel comfortable with."