Fang Yi didn't want to say much about Artur's plot as a farmer. Just as he liked a big house and a fairly comfortable life, if he could afford it, outsiders would have no right to criticize Artur. The easel hadn't arrived yet.
After getting rid of the quarrel between Keshima and Anders, it seemed that the conversation was full of sex. For the first time, Fang Yi found that his little friend was so talkative. He kept talking about things on the farm, and he obviously wanted to make his own farm
Take care of it like a real farm.
Seeing that he was not only talking happily, he also took Fang Yi out of the house: "Yi! I'm going to build a vegetable shed here so that there will be fresh vegetables to eat all year round."
Fang Yi followed Artur, nodding happily as he listened to his friend introducing his plan. Fang Yi didn't care what his friend was planting on the ground, or even whether he was planting or not.
, now Fang Yi just felt the happiness in Artur's heart, and feeling this happiness, Fang Yi's heart naturally also felt joyful.
I have to say that Artur's arrival gave Fang Yi another place to relax. In the past few months, Fang Yi could only be happy when Zheng Yuan came. The rest of the time, he was bored in his studio.
, now there is another place here. When you really feel impatient and helpless, Altur is also a good choice.
This conversation between the two friends did not involve much art. What they talked about most was this small farm. Artur happily planned many functions for the farm, and seemed to want to turn this small farm of only about ten acres into a
He wanted to create a small self-sufficient agricultural farm, and he even wanted to raise two cows.
Fang Yi's research at this stage has not made any big progress. Although he has some small ideas, none of them can bring him new enlightenment. The method used by Fang Yi now is Fang Yi who is extremely stupid. Practice makes perfect,
Unexpectedly, I kept painting and thinking, thinking and waiting for the moment that flashed in my mind.
Time passed by in a blink of an eye, and several months passed before he knew it. Fang Yi's skills had improved a lot. In Keshima's words, Fang Yi's use of the brush was simply incredible.
, drawing a character can be completed with just one line, and it is so accurate that it makes people look a little outrageous. However, although there is some small progress in the innovation of classicism, it is still not enough to support a higher state.
And too many things happened in these few years. Rude couldn't stand the entanglement between Keshima and Anders. A month and a half later, he moved to Los Angeles like Altur and stayed at Altur's house for ten minutes.
I bought a place far away and built my own nest.
Although it is not as luxurious as Fang Yi's house, it is much better than Altur's. Rude directly invested millions of dollars in his new residence and built a stone building. It is spacious and bright.
The only requirement is to live in the Artur family while the house is not built.
When only Keshma and Anders were left in Paris, the argument between the two began to fade away. The worst outcome that Fang Yi had in mind did not happen, and the two did not argue until they died.
.As Keshima also moved to Los Angeles, he bought a beach house on the famous Marbury Beach.
In Beach House, Linearism began to officially split. The three Keshmars still retained the original painting style and took it a step further, while Anders defined his new style as Linearism Pure Color School. Thus Linearism
It split into what critics call the Los Angeles School and the Paris School.
Although Anders was the only one left in Paris, some talented young artists soon gathered around Anders, and the Linearist Paris School of Painting did not wither but gained momentum.
There are three people here in Los Angeles, and the foundation itself is a bit more prosperous. In addition, most of Zou Heming's painter village has been completed, and more than 40 houses are occupied by young artists or some unknown art practitioners. Because
There are also Rude and Altur who live near Fu, and these people are influenced by these two people consciously or unconsciously.
As for Keshma, he seemed to be working hard in his heart to prove his correctness to his friends in Paris. He also drove to the Painter's Village from time to time to communicate with these people and talk about his artistic views.
.
Another thing to mention is that Keshima got married. Not only did he get a wife, but he also suddenly had a daughter who was just over ten years old. His wife was none other than Liu Yu, the former Chinese translator, and his daughter
I also have an English name, Claire Bianchi. With this wedding, I suddenly have a wife and a daughter!
Zou Heming is very busy now, because the five agents are now divided into two places. There is not much pressure to promote the new style in Keshima, but Anders' style will test Zou Heming's methods. Not only is he busy
To promote the new works of contracted artists, we also have to worry about Fang Yi. Not only did Fang Yi's works come to nothing this year, but it is also unknown whether Fang Yi will be able to provide works to the gallery next year.
It stands to reason that now that Fang Yi is in breach of contract, Zou Heming has the right to terminate the contract with Fang Yi no matter what, but Zou Heming does not intend to do so.
Walking into Fang Yi's studio, Zou Heming looked at the dozen easels placed in the studio, each with an unfinished work on it. In Fang Yi's opinion, these were just practice works, not what he wanted.
Things. But in Zou Heming's eyes, it's different. He even thinks that as long as Fang Yi completes them, he can still sell these works. Not only can he maintain the original price of Fang Yi's paintings, but he can even push them up a step further.
On all the easels is a picture of figures, both clothed and naked. Each one is a classic work, with both Bouguereau's reality and Raphael's beauty. Although the figures on the canvas are
Most of them are not finished, but you can still clearly see the real skin of the characters, as well as the red or light blue blood vessels showing under the skin. Not only these, but also the colors are richer than in the photos.
"Here we come!" Just as Zou Heming was looking at the painting, Fang Yi put down his brush and turned around to see Zou Heming saying hello softly.
"Well!" Zou Heming looked at the work in front of him. It seemed that Fang Yi was going to paint the Three Beauty Gods. The slightly plump bodies of three young women danced on the canvas, with soft and white skin and the emerald green of the woods.
The blue-gray color of the tree trunks and the slightly green to yellowish grass form a strong and bright contrast. The skin of the three goddesses seems to be able to shine through, so pure and clean, and the dancing postures are so elegant and gentle.
.
"My friend!" Zou Heming said to Fang Yi: "I suggest you complete these works. The standard of such works is also very high. Taking them out will not damage your reputation!".
Fang Yi walked to Zou Heming's side and looked at the work Zou Heming was looking at. This was a work Fang Yi painted with Catherine and two other models. It showed the scene of the three beauties welcoming the arrival of spring. For these works, Fang Yi
Yi admits that his paintings are good, better than those in China with classical techniques.
Fa's works are much better. But Fang Yi thinks it's not enough. If it weren't for Bobiel, the works Fang Yi has now can definitely be included among the top works of artists who paint with classical techniques. Now Fang Yi seems to be inferior.
It's still a bit far away and not worth taking out and displaying it in public.
Sighing lightly, Fang Yi said: "It's not good enough yet. I hope it can be good enough! Or even better before I take it out!".
"Yi!" Zou Heming persuaded Fang Yi: "Don't be so quick to compare your works with that old guy. The old guy has been painting twice as long as your life! You are only twenty.
You have plenty of time to catch up with him!".
After saying that, Zou Heming looked at Fang Yi. Now Fang Yi's hair has grown to reach his shoulders, and his mouth and chin are also covered with beards. Although it is covered by the long hair and beard, his face still looks thinner.
, which made Fang Yi's eyes look much larger than before. The only shining point on the entire face was now these eyes, which were so dark and bright, shining with calmness and a hint of fanatical paranoia.
"You have talent, and it's an extraordinary talent, but I suggest you take your steps a little slower, maybe within ten to fifteen years, when you will only be in your forties." Zou Heming
Continuing to persuade Fang Yi, Zou Heming thought that it was a bit too early to pursue Bobile in such a hurry, because Bobile himself proudly said that he had spent so much money now.
For thirty years, Fang Yi has been painting for more than ten hours a day, and Bobile has been painting for almost the same amount of time a day. Even now, as an old man, he still has to spend ten hours a day in the studio.
I forgot, the old man is already over sixty years old. He still maintains such energy at this age. He is really obsessed to the point of madness. He can become a devil without going crazy.
Fang Yi shook his head faintly and uttered a Chinese sentence from his mouth: "It's like sailing against the current. If you don't advance, you will retreat! It's also like working hard and then losing strength! If I relax now, I might not have a chance in the future."
Zou Heming understands Chinese, so of course he understands a little of what Fang Yi means. He could only sigh after hearing this. As a gallery owner, Zou Heming has seen many artists with Fang Yi's persistence. These people are either successful or famous.
Just make yourself crazy, of course there are some
Those who become famous but also make themselves insane, such as Van Gogh, whose works are great enough, but it goes without saying what the price is. When these people have set a direction in their hearts, they rarely change it due to external forces, whether it is right or wrong.
Wrong, these people have the courage not to hit the wall and never look back.
What makes Zou Heming a little more comforted is that Fang Yi still does routine exercises every day, and is well taken care of in life. Sometimes he also performs some psychological self-regulation, which is considered good.
phenomenon.
After chatting with Fang Yi for a while, Zou Heming left the studio, leaving Fang Yi alone to continue painting.
After leaving the studio and coming to his car, Zou Heming opened the car door and said an incoherent thank you to Yeda who sent him off. Then he got in the car and drove towards the painter's village he had just built. (