After Fang Yi was in a daze by the river for three days, he chose his own home as a place to stay. Now Fang Yi no longer needs to see the river in reality, because Fang Yi has already put the river in his heart. If not
Fang Yi was thinking hard to capture that flash of light, but he was not sure he was in the mood.
He joked that he had reached a situation where there was no river in front of him, but there was a river in his heart. Obviously, Fang Yi, who was in his current state, was not in the mood to joke. Instead, he sat on the chair in his studio and began to be in a daze for a long time.
From an hour to a whole day, I was in a daze until I couldn't move.
This state lasted for nearly a week, and then Fang Yi picked up the paintbrush and directly shoveled away a piece of work. If Zou Heming stood next to it, he would definitely feel distressed and heartbroken about the human body work, and began to draw on the background what he had in his mind
the river in the middle, the sparkling river
The face with small shrubs and slightly sparse trees on both sides was presented on the canvas three months later using classical techniques. However, this time the canvas no longer showed Fang Yi's usual beauty, but instead resembled Fang Yi's usual beauty.
It was shrouded in a layer of fog and full of mystery.
After completing this work, Fang Yi began to meditate again on his work on the easel.
Not only did Fang Yi, who lived nearby, visit him from time to time and chat with Fang Yi, but Anders, who was far away in Paris, also came over.
Yeda is very worried about his employer's physical condition. Now Fang Yi has significantly reduced the amount of exercise and spends almost all his time in a daze. In Yeda's view, Fang Yi is driving himself crazy.
Looking at Anders walking out of the studio, Yeda stepped forward and wanted to speak out his thoughts and let his employer's good friend give some advice to his friend.
Without waiting for Yeda to speak, Anders was the first to speak: "Don't disturb him! This lucky guy may have his head smashed by an apple soon." After speaking, he smiled and nodded at Yeda who was in a daze.
, turned around, left the car at the door, and drove away.
Yeda doesn't understand why everyone is worried about Fang Yi's health, but the so-called linearist friends are not worried about their friends' health at all. Everyone has to say something to them to stop disturbing them. Could it be that these people
Can't you see that Fang Yi's health has become very bad now?
These lunatics! Yeda defined the four people of Keshima unsatisfactorily in his heart. He didn’t know that they saw Fang Yi’s physical condition. But the four people of Keshima saw Fang Yi’s physical condition on his friend’s canvas.
The works and techniques have made great progress compared to before. As long as they stand in front of Fang Yi's easel, the four of them can easily deduce the order of the works.
The four of them only had envy and a hint of admiration in their hearts. They couldn't help but think that they could replace Fang Yi's current dull and stupid fugue state with their own bodies, so how could they think about anything else. Between the four of them,
In Fang Yi's eyes, he was simply in a blissful retreat
Leveling up is a rare but unattainable state. The four of them all dream of it. Just like Anders, after coming to Los Angeles, he originally planned to stay for a day or two to see friends and then return to Paris. But now he is in Los Angeles.
Stayed in Artur's hut.
Artur is also very happy now, happy about Fang Yi's upcoming breakthrough, and also happy that his friends seem to be back to the past. Now that Anders and Keshma are together, they can no longer see the previous quarrels. Everyone
The focus is on talking about Fang Yi's current works. To understand and absorb the techniques in Fang Yi's current works that inspire me.
Yeda sent Anders to the door. As soon as he turned around and returned to the house, he saw Jill holding the phone in his hand and gesturing to him. He quickly took two steps to the side and took the phone.
"Hello, Ms. Yeda! I made an appointment last time to ask Mr. Fang to show me my collection. I have already brought my paintings to Los Angeles." A middle-aged man's voice came from the phone.
After hearing this, Yeda said directly: "Bring your paintings over here!". After chatting for a few words about his address, he hung up the phone and walked towards the studio, talking about this matter and being in a daze with Fang Yi.
Said it for a while.
After listening to Yeda's words, Fang Yi raised his head and tapped it lightly before continuing to turn his head in a daze.
It has to be said that Fang Yi's big mouth told Tony about two museum collections. With Fang Yi pointing out the discrepancies, the museum under Tony's management quickly announced the correct results to the outside world.
The contribution made by the name Fang Yi was mentioned again and again, and creative insights were put forward.
Mantegna and Giovanni, plus Titian and Giorgione, as well as Fang Yi's reputation for Rembrandt, directly pushed Fang Yi to the position of a master of ancient work appraisal. Plus Nick
Waiting for the discussion by the staff of the Versailles Museum, Fang Yi's current appraisal level has begun to be placed among the top appraisers.
Such a name brings some benefits. Some collectors will bring their works to the door at uncertain times for appraisal. Of course, there are also disadvantages. Some people's collections are simply imitations, and even items that are so fake as to hurt the eyes must be brought.
Let Fang Yi take a look. Most of these collectors are from the United States.
Just like today's person, he quickly brought his collection to Fang Yi's house, and was brought to the studio by Yeda.
As soon as he pushed open the door of the studio, this man immediately looked solemn and seemed to feel an artistic spirit rushing towards him. There were more than a dozen easels in the studio with works on them. A man with long hair and beard
A T-shirt and a pair of jeans. There was some paint on the clothes. Now this person was sitting in front of the easel, slightly hunched over and looking at a work in a daze. He didn't even feel that he was coming in. It seemed that
Immerse yourself in your own thoughts.
The whole studio was almost as quiet as a pindrop. With this thought in his mind, the visitor immediately followed Yeda quietly and silently.
"Open it, I'll go talk to the gentleman." Yeda whispered to this man and walked towards where Fang Yi was sitting.
The man quietly opened the collection he brought on the square table next to him, and Fang Yi heard what Yeda said in his ear, stood up from the chair and walked straight to the table.
His eyes glanced at the work. It was a very small work, only about the size of sixteen pages of paper. After taking a look, Fang Yi reached out and clicked two places on it. He turned around and left without saying anything and sat back.
Arrive at your chair.
The visitor stared blankly at Fang Yi's back. The result had come out before he took a closer look at it? He looked at Yeda again with a little doubt on his face.
Yeda said in a low voice: "Sir, I have two questions about the work you brought, which are the points you just pointed out!". To put it nicely, it is called a question, and to put it badly, it is a subtle saying that your work is
Imitation.
The visitor also understood this. He couldn't help but said: "My work has been authenticated several times, and it is said to be authentic!" Because it involves the authenticity of his own work, for such a small work, it is nearly a hundred years old.
With a market price of 10,000 US dollars, his voice was naturally louder.
Fang Yi heard this man's words, turned around and asked calmly: "In that case, why did you bring it for me to examine?" After saying that, he turned his head and waved his hand to Yeda to signal his butler to see off the guests.
, while he continued to meditate.
This man felt a little uneasy when he walked out of the house with his collection of paintings. He sent the work for a paternity appraisal, and also pointed out the two points that Fang Yi had doubts about. Of course, the result was obvious, and he thought in his mind
Fang Yi with the appraiser won again.
With this result, he once again brought to Fang Yi's studio a work that was undoubtedly authentic, the work that his grandfather bought from the artist. However, this work is not considered a masterpiece. The quality of the painting
It was a bit low, so I took it to be appraised several times before it was accepted.
It is believed to be an authentic work and an early work. Not only is it very different from the artist's later style, but it is also a work that has been treasured and has never been seen on the market. I believe Fang Yi has never seen it. The reason for bringing this is
Let’s see if Fang Yi is as amazing as last time.
The same process as last time happened again. But this time Fang Yi looked at the work and didn't point at the canvas. He glanced at it and turned around and returned to his chair.
With a look of curiosity on his face, Yeda left the studio and went to the living room. Yeda wrote an address to him: "There is a road sign about a mile out of the valley. It says Art Village. Just turn there.
You will see a small farm, look for this person." After saying that, he put the note in this person's hand.
Taking the note in confusion, he got in the car and followed the address on the note to Artur's farm. On the way, he thought he was going to meet a more impressive appraiser.
Who would have thought that as soon as I saw this person, I took a look at the works and called him. After a while, another person came over. The two of them put their collections on the easels and started looking at them with great interest.
"Excuse me, can you two judge this piece of my collection?" The man asked, looking at Artur and Rude.
Rude looked at this person and smiled slightly: "Hasn't it been judged to be authentic? We are not appraising it, we are just appreciating it. Only works that are judged to be authentic will be sent here for us to appreciate.
”.
After hearing this, this person suddenly realized that he had already judged the authenticity after just one glance. After knowing this, he was naturally surprised by Fang Yi's identification skills. It took half a year to finally identify this work.
came down, and Fang Yi could tell the authenticity with just one glance. It was really amazing.
Artur and Rude looked at the painting for more than an hour before letting him take the painting away. As soon as he returned to his home, he told his friends about the matter and expressed emotion at Fang Yi's high level of appraisal.
It is almost an unheard-of situation. In addition, this person added a little exaggeration to his words and dialed up his artistic sense a little more. This story is intended to arouse people's curiosity.
In the past, Fang Yi would have concealed something, fearing that others would discover his little secret and drag him to be sectioned and dissected, and he would have been chatting with the person who brought the painting for more than ten minutes and half an hour. However,
Now my mind is always focused on my own things, what are my interests and nonsense about people coming here? Even if I want to see a painting, one glance at this work has already been imprinted in my mind. When can I not see it when I want to see it? In short, now
Fang Yi no longer cares about this.
There is a kind of curiosity about strange things in human nature. This person's statement spread from the mouth of his friends, just like an advertising slogan, it spread from ten to ten, and it quickly became known to everyone.