The current mainstream art media's praise for Fang Yi is that Fang Yi, like Bobile before, made a breakthrough not in painting style but in painting techniques. There is nothing to say about this. Do you agree or not that it is displayed on the canvas?
, you can’t deny it. If you want to say it’s the style of painting? Then whether it’s Fang Yi or Popile
It can’t be said that there is no way to surpass the previous masters. Over the past few hundred years, senior artists have been thinking hard every day about where they can make such a breakthrough. Besides, in Fang Yi’s opinion, classicism is almost its own style.
Now that you have come to the end, what style have you come up with that has not been thought of by predecessors?
Fang Yi's reputation can now be said to have soared. Needless to say, it goes without saying that the title of "classicist master" was soon added to the title of "the most outstanding contemporary", and the three works exhibited together with Bobiel
It has not appeared in the sales catalog yet, but the previous paintings have experienced a significant increase. The auction house's reserve price, which originally cost more than two million yuan, has risen to 3.8 million yuan in just three years.
, this person may net a million dollars.
This is the only previous work that has been shown, and everyone is covering up the other works. Everyone is looking forward to Fang Yi giving everyone a surprise: he died. It is unrealistic to expect Fang Yi, but it is even more hopeful to expect Bobile.
But the old guy is so angry at scolding people now that I really don't see any hope of losing him.
Not to mention the people who buy the old man's paintings, even Fang Yi can't guess that the old man is really full of energy when he stays in the studio now, exuding endless fighting spirit. In the past, the old man's pleasure in life was to paint and curse people, but now Fang Yi has appeared.
Suddenly there was a
I feel that I am not alone, so I regard the competition with Fang Yi as very important, and it has become the three pillars of the old man's life. It seems that in the future, just by arguing with Fang Yi, the old man can live ten more years.
Year. It really disappointed many people.
After a little more than a month, Fang Yi, like Popile, put most of his energy into the studio. After understanding Popile's techniques, he started to create his own new works "Tavern" and "Self-Portrait".
In addition to receiving a small interview from Jean Clair, I also went to the Painters Village and communicated with the unknown artists in the village.
The most high-profile praise for Fang Yi is the magazine "Classical Wave" of the return to classicism movement. The magazine has listed Fang Yi and Bobile as the twin constellations of contemporary classicism, and called them the brightest stars in the contemporary art sky.
Two of them got stuck on Fang Yi's head at the same time.
The movement started in the last century, and even its advocates have been there for two years. Guan Jian didn’t have a banner figure. There used to be Bobil. Others said that the old man’s techniques were too difficult and conservative and he kept hiding them.
After being tucked in, now Fang Yi jumped out again. How could these people not be extremely happy, especially knowing that Fang Yi intended to announce his techniques, and Popile also made the same voice at this time. Return to the classicism movement
Supporters feel that spring has really come!
The touring exhibition of his works did not disappoint Zou Heming. Not only the previous collectors and art lovers, but also ordinary citizens with their children came to visit during the public exhibition. When it came to the New York exhibition, there was a queue directly in front of the exhibition hall.
A team formed.
Such a situation is not just due to the names of Popile, Fang Yi and a bunch of American artists. A very important point is that ordinary people can understand that the paintings on the works of Fang Yi and Popile
What is.
There are no so-called lines, nor is there a flat patch of color on the canvas, nor is there any distorted form that tells the viewer that this is art.
The elements in their works are so vivid, people are people. They have clear facial features, expressions, movements and scenes.
From this point of view, I have to say that modern art has been separated from the public for a little too long. Everyone pays attention to their own feelings. Impressionism is better, but then came the messy doctrines. Not to mention ordinary people, there are many connoisseurs. If the creators
Even if they don't tell them, they may not know what the painting is about.
I have to mention here that after watching the art exhibition, a young American couple accepted a TV interview and said something that immediately became popular: I couldn’t understand the previous artists, but I can understand the works of these two artists.
.Not only the two young lovers, some netizens who have seen the art exhibition on the Internet commented: After seeing the works of Bobile and Fang Yi, I can believe that the so-called modern art masters and so-called masterpieces in the past were all ignorant. These people and
Some critics are fooling us, right?
The only reason why the public feels this way is because after seeing the exhibition, they were busy nodding to show that they have some artistic accomplishment. In fact, if you really ask, what is the painting? Honest people will answer accurately,
I don’t know! What thoughts are expressed in the works? I don’t know! Now there are finally two masters that others say are masters. Even if I can’t tell what is good about them, I can understand that the paintings are good. Of course, this will lead to such questions.
Soon the American "Artist" magazine and the French "Art Magazine" simultaneously published the full text of Jean Clair's article "Fang Yi - The Incredible Leap".
In the article, Jean Clair first evaluated Fang Yi's three latest works, and then said that "National Memorial" is the most outstanding among the three works.
He wrote in the article: The two phalanges in the pit, one big and one small, are only within reach, but they are an unreachable gap. This distance is not in space, but the distance between human nature and beastliness. This way
The gesture once appeared in Michelangelo's "Genesis" work, but it represented hope, while in Fang Yi's work it represented death.
The whole work is half bright and half dark, and there are numerous bones in the deep pit, accompanied by an indescribable resentment and tragedy. This kind of power makes me dare not look directly at this part for a long time, because it will erode my soul.
, let me be sad along with it. What can I do?
Even the strong sunlight above the canvas cannot bear to shine into the pit, and I cannot bear to look directly at such inhuman atrocities, let alone an ordinary person like me. Every time I look at it, I will raise my head and look at the bright and warm sunshine above.
, use this sunshine to wash away the decay in my hands.
The upper part of the work is much brighter, with warm sunshine and blue sky. There are only five figures standing like ancient Greek sculptures. Their faces cannot be seen clearly, but you can feel the suppressed emotions on their bodies.
anger.
This is Fang Yi's best work so far, and it can also be said to be an outstanding work. It will definitely go down in the history of painting.
Next, Jean Clair began to classify Fang Yi's works in each stage, dividing them into periods. The division started with realism, which included the period when Fang Yi studied painting, then the classicism period and the post-impressionism period.
, followed by the expressionism period, then the silver-blue classicism period, the linearism period, and finally the early post-classicism period. And Fang Yi listed representative works for each period.
At the end of the article, Jean Claire wrote: When I sat across from Yifang, I listened to his gentle and gentle tone, looked at his handsome face, slender body, and felt his gentleness.
Then I was thinking about the works of this twenty-eight-year-old artist, and a name suddenly popped into my mind: Raphael!
The same young and handsome people, even the style of painting has a similar softness and handsomeness. Only then did I realize that the young man with a peaceful face sitting opposite me was another God's darling. At the age of eighteen, he started to take pictures in the truest sense.
It only took ten years for him to start painting, and he completed such an incredible leap in just ten years. I don’t know who to compare with the Yi Fang in front of me. Maybe he is another Rafael Sansi.
I very much hope that next year’s October exhibition will come soon, and I hope to see new works by two masters of postclassicism who blend their techniques together, because that is the true foundational work of postclassicism.
When Fang Yi saw this article, if someone asked him about comparing Raphael to himself, Fang Yi would have to be modest and dare not, but the feeling he felt in his heart could not be expressed in words. As expected,
He is his die-hard supporter. However, it is not without some awkwardness. This is about the division of his works into periods.
I don’t know why Jean-Claire was interested in dividing his works into so many periods. You must know that Fang Yi did not divide them into periods. Post-Impressionism and Expressionism are almost intertwined, creating a style of painting.
I'm tired of it and try another way. How can I take the initiative to distinguish the period like Claire said.
But it’s understandable, critic! If you don’t make yourself more sophisticated and detailed, you won’t be able to show your understanding of the artist. This is what people eat. If you don’t talk about these messy periods of yours, it’s Picasso.
I haven't escaped either. There are many more blue periods, pink periods, and a lot more periods than mine. Fang Yi guessed that Picasso was not in the mood to divide his works into periods. These are all critics.
Made by doing it.
As soon as this article came out, everyone remembered that Fang Yi reached the top of the painting world at the age of twenty-eight and a half. This is really incredible. A genius, a real genius, not only a genius, but also a lucky one.
Genius is very attractive, and Fang Yi's rising reputation immediately accelerated a little. At this time, something happened that pushed Fang Yi's good reputation a step further.
The painting of the bar owner’s wife sold for 1.98 million US dollars at auction. It’s not unusual for a painting to sell for 2 million dollars, but if a painting that pays off a liquor debt of 56 US dollars sells for 2 million dollars, it’s worthy of big news.
Special report, this kind of story is enough to satisfy many people who want to be hit by a pie falling from the sky. Those who have a complicated plot and want to get something for nothing like to read this. What's more, there is a popular person in the story.
The role of the artist! Is there any Hollywood movie that is completely a real-life version?