After introducing Fang Yi's life, Fang Yi looked at his watch and saw that there was still nearly one-half time left before the end of the program. According to Fang Yi's experience in watching Bobi Le's documentary, the next step would be
It represents the evaluation of the work or the artistic achievement.
However, the host and screenwriter were obviously not prepared to play the cards as Fang Yi expected. The host smiled at the camera and said: "Being from a wealthy family, a happy childhood and a smooth experience, Fang and Bobby created the
Le has a completely different personality. Say it is different, but in my opinion it is exactly the opposite, just like two sides of the coin in my hand!" As he spoke, the host began to summarize Fang Yi's family background.
Having said this, the host took out a coin from his pocket and held it in his hand: "Bobile has a very sharp character and is also very arrogant. Whether he is a former classicist master or an impressionist master,
Among the many artists today, there seem to be only a few who can catch his eye. He is very keen on commenting on and ridiculing other people's works. As long as you flip through the art media, you can always see his sarcasm towards others!"
"But Fang is completely different. He has a relatively peaceful personality. I have almost never heard of anyone having a fierce conflict with him, and he always has a smile on his face. In terms of appearance, Bobiel
His appearance is average and his height is not noticeable, but Fang Yi is over six feet tall and very handsome!…
.... What is very interesting is that these two, who are completely opposite from each other, jointly created the postclassical style, and when they realized that they could learn from each other, they immediately opened their hearts to confirm each other.
Techniques, this is how we see the mature postclassical style."
The host smiled and continued: "Another characteristic of Fang is that he is young. Some people may say that he has become famous at the age of 28. In fact, it is nothing! But when you can draw a post-classical style,
When I was working on my works, it was incredible for me at this age!”.
Then the camera switched to an interview, and the first interviewer was Anders. The boy said to the camera: "When I first saw the works on Yi canvas, I was simply stunned.
Because I really can’t believe that he can do this! He can completely apply the technique to such an extreme!”.
At this point, Anders raised his head and made a gesture to express his condolences: "I'm not surprised that Bobil did it, because he has been immersed in techniques for almost twenty years. And how old was Fang Yicai? He was at that time
Only twenty-eight years old! When I talked with my friends, we can only say that he is not only a genius. Maybe he is also the darling of the goddess of fate! It is incredible that it took less than ten years to master the skills.
reached such heights."
The following are the evaluations of three other artists and critics. The two artists tend to return to the classicism movement. Of course, they praised Fang Yi more. As for the critic, he is an old acquaintance of Fang Yi: Jean?
Claire! Now she is also the 'authoritative' expert on Fang Yi's artwork.
"When you sort out Fang Yi's more than ten years as a whole, you will find a problem!" Claire looked at the camera and said: "You can't help but think about one thing. Why has Fang made such progress in painting?
Smooth? You can't see any twists and turns on him at all. It's like the goddess of fate has focused her eyes on him. Every time he lifts his steps, the upward stairs appear at his feet.
For example, he met his teacher and then went to France. He did not choose to enter art restoration at the Paris Academy of Fine Arts, but went to Paris Haute Couture! And there is the most famous color professor there, which allowed Fang to deepen his understanding of color.
I understood, and then quickly got acquainted with very creative and artistically energetic young artists like Keshima. At the same time, I signed a contract with the gallery, and then linearism took off..."
Even Zheng Yuan, who was sitting next to him, turned his head and looked at Fang Yi after hearing this and said, "Don't say it yet. Thinking about it this way, you are really very lucky. Teacher Liu Hongshuo took care of you when you were in China. When you arrived in France,
At that time, I originally thought that I would have to endure some hardships, at least in terms of living habits, but who knew that it wouldn’t take long for you to torment yourself and become famous!”
"How can you call it hard to become famous?" Fang Yi looked at his wife and said with a smile: "Shouldn't I be famous?".
"You should, no one said you shouldn't, but when you were in high school, you went to see Shiyi and met your teacher. It didn't take long in France to meet people like Keshma, and not all of them.
I got acquainted with people like Rude and Keshima in a swarm of swarms, and soon
Linearism was born. That’s all. If a painting school wants to become famous, it is said that generally speaking, everyone has to fiddle with it for five, six, seven or eight years. You can establish a firm foothold in two or three years!
"Zheng Yuan looked at Fang Yi and asked Fang Yi again why he learned the program.
Fang Yi spread his hands: "If you ask me about this, who should I ask? It can only be explained that the painting school we created is more easily accepted by the public! We don't even look at what other people are doing, it's like ghost painting.
Like, not to mention ordinary people, even critics, there are few who can see what they are painting. Of course, such paintings are not easy to become famous, and our linearism is more realistic, suitable for all ages..."
"Okay, stop talking and continue watching." Zheng Yuan patted Fang Yi and continued watching the program with a smile.
After several people complained about Fang Yi's lucky life, the host jumped out of the screen again and began to analyze Fang Yi's works and masterpieces from this period.
After listening to it, Fang Yi felt that the BBC followed Jean Clair's classification and divided his paintings in the past ten years into several periods.
The host mainly talks about a few works, the first of which is the altar image of the current Suzhou Church.
After sending the work out, Fang Yi never saw his work again. Through the program, Fang Yi discovered that his work was now separated by a circle of railings, and when the camera was filming, there were
Staff from both churches were on guard.
Listening to the host talking about the adventure of this work, Fang Yi really didn’t know what to say! When he painted it before, it was for that high-roller boss, but why did it suddenly become a state-owned asset and was almost stolen?
It was resold. To Fang Yi, this story sounded a bit like the One Thousand and One Nights he heard when he was a child. It was completely a fairy tale!
The second highlighted work, beyond Fang Yi's expectation, was his own "Unknown Girl".
"The difference between this work and all other works is that what it expresses is not gentle and bright, but the sadness hidden under the bright sunshine of the entire picture! We don't know what made Fang so sad that the painting
Such a work came out, and I don’t know who the little model in the painting is. We also asked Fang himself about this question! Although he has a good temper, he did not give me an answer..."
Zheng Yuan looked at the painting on the screen and asked Fang Yi while eating snacks: "I know you were sad when you broke up with Mu Jin, but which little girl are you painting? Why have I never seen it before!".
"If you had seen it, it would be impossible for us to have a son." Fang Yi looked at Zheng Yuan and said with a smile. Seeing Zheng Yuan's confused face, he told Zheng Yuan in detail what he had drawn.
Zheng Yuan thought for a moment and asked her husband: "Why do you want to tell me this?".
"Didn't you ask?" Fang Yi said with a smile.
Zheng Yuan showed no dissatisfaction on her face after hearing this: "No wonder you want a daughter for your first child!".
"It's not that it has anything to do with Mu Jin, but I think the first one is a daughter and she can take care of her younger brother in the future! Do you expect me to play with my younger brother and sister? Is that really reliable?" Fang Yi looked at his son and realized that this little kung fu man was so young.
The thing was already lying on the sofa and fell asleep. I don’t know how this kid fell asleep while kneeling on the carpet and grabbing the sofa cushions with his hands!
Gently moving his body, Fang Yi picked up his son and carried the little thing into his arms. Little Fang Yi seemed to be very comfortable. He twisted twice in his father's arms and put his little face against his.
On Fang Yi's chest, a small hand tightly grasped the skirt of his father's clothes and fell asleep.
Fang Yi lowered his head, touched his son's head gently, and then said with a chuckle: "But now I think it's a good thing that I didn't meet the little girl in the painting, because after all, our little boy is
Real child!" After saying that, he gently scratched his son's cheek with his finger.
Fang Yi was looking at his son happily, while the TV over there had started to continue broadcasting.
After the host finished analyzing Fang Yi's works, he said to the camera: "With Fang's character and the expression of Fang's works, as well as the so-called silver and blue period works, someone told me that when seeing Fang Yi's works from this period,
when, it was like seeing Raphael,
The brushstrokes on the canvas are so delicate and beautiful, and the expressions of the characters are so rich, but with a peaceful beauty. Especially when you see the triptych "Suzhou Church Altar Painting", it's like seeing
It’s like Raphael picked up his paintbrush again!”.
Then the scene turned to the portrait of Fang Yi and the tavern work. The host said to the two works: "As for these two works, some people told me that when they see them
When you do that, you see another great painting giant standing in front of you. Fang’s works, like Popile, make people standing in front of the paintings feel their own insignificance and powerlessness!”.
"Perhaps Fang is another Raphael Sansi! They both have the same peaceful temperament, gentle and refined temperament. They also became famous at a young age and became famous in the animation industry in their twenties. They are the darling of the same goddess. But the difference is that Fang seems to be
A little better luck than Raphael: he and Bobiel pioneered postclassicism! The goddess of nature lifted her veil in front of the two postclassical masters!" (To be continued...)