Li Qingning apologized to Liu Tao again and asked him to continue.
Liu Tao was stunned for a moment, feeling as if he was in another world. He felt that the word "husband" had brought the fairy high in the mountains to the human world, making people feel infinite jealousy and envy for that person.
He calmed down and felt that what he had said was almost the same. It just depended on Li Qingning's decision.
Li Qingning felt that operation was unnecessary, "My husband——"
Li Qingning smiled and said, "He is a bit lazy and a very casual person. He is not very used to staying in the spotlight, so it is impossible to cooperate in terms of operation. And there is -"
Li Qingning was not sure that Jiang Yang's next book would be a mystery novel, or even stop writing it.
She felt that those things behind Liu Tao were unnecessary.
However, she is quite interested in Liu Tao's planning experience in mystery novel publishing, especially his experience in promoting domestic works abroad. She hopes that Liu Tao can provide a complete, detailed plan and executable plan.
"certainly."
Liu Tao knew that these should have been prepared in the first place, but he was in a hurry today and couldn't take care of it.
At this moment, Li Qingning saw Jiang Yang coming over.
Li Qingning introduced to them that Liu Tao finally met the author of the novel that amazed him. He was younger than he expected and handsome beyond his expectation. He suddenly understood why he could draw the big devil into
The human world.
After sitting down, Li Qingning asked Jiang Yang what he wanted to eat, "We agreed on the mutton-boiled meat, but did you fool me again?"
"No, we're almost done with the kebabs."
Jiang Yang couldn't eat meat now, so he ordered a vegetarian portion to fill his stomach with the rest.
During this period, Liu Tao couldn't help but express his love and admiration for his "Murder on the Orient Express". Jiang Yang smiled modestly and said thank you. After Jiang Yang had lunch, they left.
, Li Qingning took Jiang Yang’s arm and sent Sister Chen and Liu Tao to the parking lot.
Sister Chen and Liu Tao got in the car.
Sister Chen asked Liu Tao, "How is it?"
Liu Tao said: "As you said, he is a very interesting person."
He could see that Jiang Yang was not very good at being polite to strangers. When going out to eat with friends, there would never be a push-pull scene when paying the bill, because if a friend robbed him, he would definitely let his friend succeed.
Jiang Yang likes to sit there quietly and listen to others. He is polite. When he cannot avoid eye contact, he will smile sincerely and continue to do his own business. But that does not mean that he is introverted and cannot speak.
When there is a problem, he will still say it. He talks about things when they have something to do, but doesn't say anything when there is nothing wrong. For some people, they think that this kind of person is not tactful enough, can't talk about the situation, and he won't solve the problem. But Liu Tao is very
I like to deal with such people, because he means what he says and it is very worry-free to deal with him.
Sister Chen was asking about this couple.
Liu Tao looked back and saw that Jiang Yang and Li Qingning had already returned.
The floor tiles in the community are long strips. The two of them held hands and tried their best to only step on one piece of each footprint.
"They are two very interesting people."
Liu Tao went back and took a long nap. If he wanted to write a good plan, he still had to stay awake. He slept until night, woke up, had a meal, did some exercise with his wife and went back to sleep. When he woke up in the morning
, refreshed, the clouds were gentle, the sky was clear and the air was clear, he stretched, drank a large cup of strong coffee, adjusted himself, spent a day writing a plan, and then rested for a day
, I made supplements on the third day, asked my assistant to check for typos and other errors, and then sent it to Sister Chen.
Liu Tao does have foreign resources.
He discovered many foreign mystery novelists and translated them into China when they first emerged. This is the way for independent publishers to survive. Through this, he got to know some foreign editors and authors.
Sister Chen quickly gave the news and she was responsible for the contact. After some detailed discussions, Liu Tao finally obtained the publishing rights for this novel.
It's been three days since this came and went.
within these three days.
The post-production of Geng Zhi's promotional video has been completed, and Zhou Hao's shooting plan has reached the final scene: under the sunset, the heroine saw the unique bouquet of flowers in front of the brand-new shop. She suddenly woke up, and suddenly looked back, that
A crowded place…
The heroine's eyes turned red in an instant. She wanted to laugh but couldn't laugh or cry, so she just silently raised the bouquet of flowers.
For the fleeting time, for love.
"Finished!"
Zhou Hao shouted and everyone cheered.
The actress couldn't hold back for a moment, wiped her eyes, took the flower handed by Han Xiaoxiao, and said thank you. This is a very touching short film. The actress was very moved when she read the script.
When I was acting, I was deeply immersed in it.
Sometimes the script and the actors complement each other.
If the script is good, the actors will be able to get into the mood naturally and naturally. If the lines are awkward to pronounce, the plot is too bloody, and the actors get goosebumps when acting, then the acting skills will naturally not be that good.
The actress never expected that a commercial short film would come across such an excellent script. She felt that Jiang Yang, who wrote the script, would definitely be good in the future. But what she didn't expect was that Jiang Yang would be good now. How could he be so bad as the husband of the Big Devil?
go.
The actress held the flowers and came to Jiang Yang and Zhou Hao who were talking, "Director, director, thank you for your hard work during this time."
Jiang Yang consciously stepped aside.
It was hard work for Zhou Hao, so he just let it go, it was the end of the day, and he went to the set to finish everything.
After Zhou Hao exchanged pleasantries with her and agreed to work together again in the future, the actress left.
As Party A, Su Mei also arrived today.
She handed Jiang Yang a bouquet of flowers. This bouquet was newly inserted and looked similar to the bouquets used in advertisements.
The only difference is that the bouquet in the advertisement uses Dandelion PLUS, a flower tree similar to dandelions; and this bouquet uses real dandelions, which are collected from many sources by the company before being picked from a flower garden and processed by the company's florists.
Designed by the designer.
Su Mei said: "This is unique."
Flower shops rarely use this kind of dandelions because they fall apart when blown. This bunch from Jiang Yang is a special case.
Jiang Yang thanked him.
Su Mei said that she should thank Jiang Yang.
Their company attaches great importance to this publicity and cooperation. This bouquet of flowers was carefully designed by the company's elite. It looks very good now. I believe that once the short film is broadcast, it will usher in huge sales, and the inspiration for this flower comes from Jiang Yang
In the script, Rabbit, Deer and You.
This bouquet of flowers is also named "Rabbit, Deer and You".
Su Mei then thanked Zhou Hao.
Zhou Hao shook hands with her and said, "Come on."
After Su Mei left, Zhou Hao let out a long sigh and asked Jiang Yang, "Should I try harder in the end?"
When he said this, he stared at the bouquet in Jiang Yang's hand.
Jiang Yang told him not to even think about it, he was giving it to Sister Ning.
This is not only a unique bouquet, but also has a unique meaning. He wants to give it to the unique dandelion girl.
"Rabbit, Deer and You", in the script, Jiang Yang wrote that the male protagonist saw the female protagonist jumping like a rabbit when she was a child, and like a frightened deer in college, which means that the male protagonist took this bouquet of flowers and traveled from the future.
When I was a kid, I came home when I was in college.
This is the transformation of Jiangyang.
This sentence comes from the short story "The Dandelion Girl".