The pronunciation of "Jie" by Rui Wen is the "I" in the ancient Chinese character "Li Ji", but it is still a bit vague and not completely consistent. The tail sound seems to be echoing and overlapping. Maybe only Rui Wen's good voice can have such an effect.
.
It's no big deal to sacrifice the "I" in the ancient characters, but what Ronan understood and thought of at this time was the "I" who had just been confirmed by His Majesty Emperor Wu as an over-limited divine character some time ago.
"That 'I'..."
Ronan's fingers roughly outlined the outline of the secret text with the word "I" in the void, signaling that he understood.
Ruiwen finally stopped reminding her.
It's not surprising that Raven understands the word "I". Because Ronan first discovered this special secret text, it came from Raven's revelation-the little girl perfectly restored the seemingly funny movements of Grandpa Ronan and his father in the photo.
Only then did this wonderful text reappear in the world.
It's just that she rarely shows it.
It doesn't matter anymore. The key is that Ronan understood the true meaning of Raven's opinion:
In Ronan's work, he certainly tried to describe a magnificent time and space event from the perspective of a god, especially an ancient god, but this description is too objective.
Judging from the contents of a large number of ritual and historical texts dedicated to ancient calligraphy, as well as the over-limit sacred information revealed by His Majesty the Emperor Wu, the ancient gods never deliberately
No matter how "objective" you pursue, it is impossible to be objective.
They will let "I" intervene in the whole process of the event at all times - in a sense, perhaps because the bodies of the ancient gods are too huge, many events basically happen on their bodies, even if
With a certain distance, they can always have some personal feelings.
Well, this is just Ronan's random thinking.
But no matter what, Ruiwen's opinions were very good and timely.
Even from the most realistic point of view: Ronan was able to quickly learn the Tianyuan Common Language and the ancient characters of rituals, especially the latter, which is closely related to the word "I" in the beyond-limited divine script.
Why is it that the most powerful tool has been thrown aside when it comes to practical applications?
Ronan reflexively wanted to touch Raven's head to show encouragement, but then he thought about her resistance to similar actions last time, so he gave a thumbs up instead. Then, he dived into the interface of the inner universe simulator and tried it with great interest.
Correction.
He did not change the entire text that had already been formed. Instead, he first considered and examined the "small composition" based on his understanding of the word "I" in transcendental sacred writings, and then went through it from beginning to end, catching a few key points.
Regarding the corresponding problems and flaws, I communicated with Ruiwen again. I felt that the problem was almost solved, so I started to correct it from the beginning.
At this time, Ronan regarded himself as an ancient god who was related to the light galaxy and even the local time and space of the earth.
It is unlikely that there is such an ancient god in reality, but it is just a fiction. It is filled with professional historical text records or even imaginary ancient gods' power, and then the secret text with the word "I" is centered and unified to roughly set up such a frame. Then, it is
With this setting, re-describe the entire event.
Of course, Ronan's level of ancient Chinese calligraphy for ritual sacrifices is just like that. It is still at the level of a primary school student's composition. The general idea is:
A long, long time ago... Well, the ancient god's words should have been spoken before I went to bed last time, anyway, it's not bad. In my "head", Zhan He, the disciple of "Tian Yuan", and those who rely on the Tian Yuan Spiritual Network to call themselves "
The juniors of "gods" and those fantasy monsters who had hollowed out "ambiguity" suddenly started fighting, and their flesh and blood flew everywhere, a bunch of immortal seeds, they could not live a good life, but they died miserably!
The Tianyuan Spirit Network here has been destroyed. This level of destructive power gives even me a headache.
Literally; there is also that troublesome "evil poison" that spreads very quickly!
Also, I don’t know what happened, but this battlefield and cemetery broke through the barrier of time and space and moved to the end of me (cross out this sentence)... moved to a very remote star field. I remember it seemed like there used to be
There is also a similar person. I don’t know whether he is alive or dead now. He is probably dead. It would be nice if there are only fragments of his body left (Dark Blue World).
Oh, how come that "battlefield + cemetery" nailed my head to the star field over there? Or, it is always stuck in a foreign abyss, but it interacts with both sides of time and space at the same time...
How to untie it?
The exchange of materials in the distant star field continues, and there are several genetic species of bugs that should keep an eye on this place, coming in and out. Soon they may build a "star gate" here, which will be more troublesome at that time.
Ouch, headache!
…
Therefore, please do not translate the ancient Chinese characters for rituals and sacrifices. Ronan would be a little overwhelmed if he actually translated them.
Fortunately, the "little composition" is not really just that, there are much more technical details in it - every situation described by Ronan has a relatively solid framework of the combination of the sound and meaning of the ancient ritual characters, Da?
To consistently map the structure of space and time and the power of gods, there must be clear feedback in the inner universe simulator and "contemplation of space and time".
Even if the "black box" link is passed by briefly, it must be within the basic logical framework and cannot be released at will. It is not an exaggeration to say that it is dancing with shackles.
Ronan had been severely restrained before - the more he tried to describe it objectively and accurately, without any position or prejudice, the more severely his cognitive flaws were exposed.
And once according to the idea given by Ruiwen, an "I" of the ancient god who is indistinguishable from reality is set up and allowed to exist in it, that situation will suddenly stimulate a large number of new "relationships", many of which have been accumulated before.
The information will be filled in naturally.
The Ancient God must have knowledge of the Lord of Zhanhe, the Kingdom of All Heavens, and the Six Heavenly Gods. Regardless of whether he is familiar with it or not, he can learn a lot from the information in relevant professional historical texts;
The Ancient God must have been in contact with the Ancient God before, and the Lord of Tianyuan must be very familiar with him. His grudges and hatred with the Lord of Zhanhe are also worth quoting, um, a big book.
Also, the Ancient God’s understanding of the “Star Gate”; the Ancient God’s views on death; the Ancient God’s attitude and handling of the “Body of the Ancient God”; the Ancient God’s perception and judgment of the shielding window of the God’s cloak…
Once the "subject" is clarified and substituted, a large number of relationships and situations will naturally spread. The next step is just to choose and analyze - if it was just a dry record of a hundred words before, then now, it is a record of three thousand words.
Not just that.
Ronan even had to carefully select his materials and cut them out for clarity.
This is just an application-level improvement in the structural grammar, content filling, excerpts and citations of "small compositions".
The more essential change is actually the "I" character that transcends the limits of divine writing, which is the observation, inspection, activation and integration of the ancient character system of rituals and sacrifices.
The inner universe simulator is more sensitive to accurate description, and the overall change is not particularly large. The most powerful feedback is still in visualizing time and space.
When contemplating time and space on a spiritual level, Ronan seems to have truly transformed into an ancient god with a boundless body that spans thousands of light years and even infinite planes and demi-planes.
The word "I" in the over-limited divine text is his brain and heart. It seems that countless blood vessels and nerves have been explored at the same time, and every scene and every object described in the ancient text of his ritual, and even
Each phonetic and semantic structure
Corresponding concepts are all linked and fully integrated into the visualization of time and space, giving power, receiving feedback, and personally experiencing the entire time and space event he described.
The word "I" in the secret text is so powerful that the ancient ritual words and phrases that were originally a bit stiff in operation have become more flexible and the descriptions have become more precise.
To the extent that proper nouns such as the Lord of Zhanhe, the Six Heavenly Sins, and the Kingdom of Gods are simply displayed, they seem to have corresponding powers that are vaguely displayed in "contemplation of time and space".
Previously, at Ronan's spiritual level, the Great Sun Chain had to deliberately bypass the "contemplation of time and space" to avoid destroying this fragile and fluctuating virtual scene. But with the addition of the secret text of the word "I", visualizing time and space
It is obviously more stable, and even expanded - and in turn, it actively touches the chain of the sun. Is it probably because it is the object mentioned by Ronan in the ancient text of ritual sacrifices, even if it is only mentioned briefly?
Not only that, but the visualization of time and space even uses the reflection of the chain of the sun to try to collect the power of the Sun's Hell. It seems that all the elements involved are included in this to make a more reasonable deduction.
So much so that Ronan even felt the structural power of the earth's local time and space, the mist maze and even the deep blue world when he was visualizing time and space, as if he had known each other before.
They interact with each other, affect the characteristics of relevant forces, and interact with each other to form a structure that is plausible and inconsistent with the real world.
This kind of contemplation of time and space has shown a very deep method of the ancient ritual system. There is no doubt that this is the direct influence and change brought about by the "I" character that exceeds the limits of the sacred text.
The secret text with the word "I" in the center seems to have played such a role and become even more dazzling. The little person in the center who seems to be dancing has become particularly lively and lively, along with the other eight surrounding blurs that are turning and circling.
The characters seem to have become a little clearer, with light and dark constantly expanding and contracting, and each seems to have its own unique rhythm of movement.
Wonderful vibrations are transmitted from the secret text with the word "I".
It empowers the contemplation of time and space, and receives feedback from the contemplation of time and space, and because of its one-in-two, two-in-one relationship with Ronan, this vibration directly affects Ronan's physical and spiritual framework.
If the degree of internal and external mapping and matching is not high, the impact may be negative, making it more difficult for Ronan to adapt to the outside world; accordingly, the higher the degree of mapping and matching, the more positive the feedback given to Ronan...
Of course, Ronan could modify them by changing the ancient ritual text, or directly adjusting the structural details within the visualization time and space, so as to make the internal and external situations more consistent and form a more complete and accurate mapping.
This vaguely already has some properties of the inner universe, even if it is just superficial...
Ronan also started with "visualization". The sixteen-character formula "My heart is like a prison" and the visualization of patterns on format are his daily homework.
But now, the "contemplation of time and space" guided by the secret text of the word "I" still opened his eyes to the point that he even sighed:
"This is true visualization!"
As soon as he finished speaking, the relevant picture on the inner universe simulator was shaking again. But this time it was not that there was a problem with the description, but that there was indeed a small part of Ronan's newly revised book that broke through "
The limit that the "brain in a vat" mode can simulate has caused some contents of the "ritual ancient character sequence analysis module" to overflow.
The system pops up a pop-up box:
"It is recommended to enter the space-time silhouette mode and above, add plug-in modules, and do a good job of energy supply and radiation protection."
[This chapter is thanks to the additional update from the Crazy Thursday Weight Loss Failure Alliance (2/3).
There are currently more updates for Dameng (10/21).]