Why does tinnitus occur? Where does the noise come from?
Ronan quickly discovered something was wrong.
With the coordination of his physical and spiritual framework and his ability to control his body, he has basically eliminated the occurrence of tinnitus; as for those noises, it makes no sense.
Where is the source?
Ronan's eyes scanned the temporary laboratory and made sure that there was nothing unusual. The important point was that neither Lieutenant Meng Xin nor Chief Chaku noticed a similar situation. Obviously this was just his feeling.
This alone is incompatible with the "telepathy" presented in the classic "Da Tong Yi".
So, failed?
Failure was okay, but Ronan still wanted to understand the cause of the tinnitus and noise.
He first deduced the impact of this failed experiment on the physical and spiritual framework.
The conclusion is that it does have some influence: in resonance, the physical and spiritual framework becomes sensitive to the outside world, receiving more levels and wider frequency information, just like a newly renovated receiver.
This is what Ronan did when he let go of his telekinesis, and it was only as strong as its breadth and depth.
It stands to reason that we should be able to cope with this situation with ease. However, this is a galaxy containing light and a place filled with evil. It is probably like this. There is too much meaningless background noise in it, and you cannot analyze it in depth, otherwise
There is a possibility of encountering contamination.
As for why there is such a conclusion, of course Ronan has tried it!
After forcibly stripping out the meaningless background noise, Ronan heard some rustling sounds, like ants crawling across the ground where rotten leaves accumulated, or like caterpillars eating vegetable leaves. Anyway, there were sounds.
Something passed by and gnawed at everything it passed; leaving traces, incompleteness, and uncountable chaos.
Then even Ronan, the pure "receiver" seemed to be bitten and rotten...
Ronan shuddered, and the "Chain of the Sun" trembled sharply for several rounds, finally suppressing the poisonous pollution that suddenly invaded.
Fortunately, this tinnitus-like noise has gradually weakened.
Ronan's unsuccessful experiment had a limited time of blessing for himself, and it was almost over here.
But it’s not a complete failure. At least the impact on itself is quite adequate? It’s just that an additional filter may be needed...
Well, if so, he might die faster.
Ronan frowned, feeling that something wasn't quite right:
If the effect of "Da Tongyi" is just this, it would be somewhat specious.
Although Ronan could not truly understand what it was like during the prosperous age of Datong, when those ancient gods used the method of "spirit travel" as a basis to break away from the shackles of the basic laws of the universe and powerfully construct a high-dimensional communication network, but how
It shouldn't be as simple as just a receiver.
Or……
His eyes turned to Lieutenant Meng Xin and Chief Chaku again, or should he take the initiative to complete the target link?
The experiment just now was too restrained. Should those two be involved?
Ronan immersed himself in reading papers again, looking at the practical applications of "Great Universal Meaning" by his predecessors in the academic world. The more he read, the more awkward he felt.
He admitted that "telepathy" and even further "spiritual connection" are very practical and amazing effects.
But there always seems to be something missing inside.
Back then, the ancient gods traveled across billions and tens of billions of light-years of star seas and layers of planes, traveling back and forth. Is this how it was?
No, it's not!
Here it only shows the smooth, smooth and incredible connection across the sky, but ignores the roughness and clumsiness, difficulty and exploration in the early days.
There is a very critical point: if everything is smooth and smooth, why are there over-limit divine texts?
A language, whether it is simple or complex, is never innate.
Language is produced only when there is an urgent need for communication.
Even the "spiritual link" between similar people needs to be more efficient and clear through the medium of language. Otherwise, the communication cost of complex scenes, meanings and emotions will be staggering. Even if complete synchronization can be achieved, it will not be possible.
There will be huge differences in understanding due to different experiences.
Even if they are Ancient Gods, by the time they finish communicating the relevant content across the sea of stars and understand each other thoroughly, I am afraid that they will have already begun a more direct and brutal collision and devouring.
In fact, the communication between the early ancient gods was indeed like this.
The credible historical materials that Ronan came into contact with, including first-hand materials such as the "self-narrations" of ancient gods, all reflect this.
And these do not appear in the "Twenty-Seven Meanings", at least not in the relevant entries.
Strictly speaking, Yan Jun's paper, as well as some other papers, describe this situation. However, the core items of "seeing me", "stripping off", "wandering" and "datong" do not reflect this.
This makes users naturally ignore it...
Ronan discovered a big problem with "Twenty-Seven Meanings":
It's too simple...
Ronan can probably understand these category entries, and even the specific meaning, because he understands that period of history and the corresponding events. But even so, these specially selected keywords will still make him unconsciously focus on one side and ignore it.
It understands some unfinished meanings that cannot be grasped by vocabulary.
In the final analysis, Yanjun's ambition is too great.
Perhaps he wanted to use extremely concise words to summarize that era, that event and its inner meaning, and even tried to use it to pursue more ultimate power.
However, the ancient characters of ritual sacrifice do not have such ability.
At least this writing system cannot use only two words or a group of words to fully explain the essence of it.
Forgive Ronan's arrogance, at least at this moment he felt that Yan Jun back then might have made the same mistake as the inventor of "True Writing Technique":
He gave ritual sacrifices responsibilities that the ancient script did not have.
Well, to think about it in another direction, maybe he wants to deeply transform the ancient characters of rituals and sacrifices, and use this method to promote the development of the ancient characters of rituals and sacrifices and move them closer to the limitless divine scripts?
This is more in line with the spirit of a veteran monarch.
But no matter what, "Twenty-Seven Meanings" should be a failed attempt.
Don't you see that Yan Jun didn't mention this matter much later. Although he also expressed some opinions in the public media, formal academic papers have disappeared.
If this is the case, what should be done?
Ronan already had an idea.
Just customize your own version of "Twenty-Seven Meanings".
Although he is not completely clear about Yan Jun's intention to create the "Twenty-Seven Meanings", from what he currently understands, the "Twenty-Seven Meanings" only embody a powerful influence on the history of the universe and the direction of history.
cognitive model.
To put it crudely, this is a ruler, a coordinate system, and a positioning mode.
Describe what time and space nodes, what landmark events occurred, and the ins and outs;
It explains who played a key role, what means were used, and roughly how.
As long as this is explained clearly and there is an effective carrier... Ronan can also choose to sacrifice ancient characters.
In this case, the key is just to "visualize time and space".
Moreover, Ronan is not going to be as extreme as Yan Jun, using only a set of words and two keywords to show such an important event.
He planned to relax his standards on the basis of grasping the general idea.
If two words are not enough, he can write two paragraphs, just like the experience he once showed Lord Chun, and then consider the connection with the true writing technique. This will indeed become much longer, less precise, and less
Mei, maybe there are some problems with efficiency. But Ronan is not a king, nor a strong man at the level of a king. As long as he can clear the way first, it is enough.
Just like the third suggestion from Maharaja Zhanyou: practice is ultimately "for me".
Whether it is the "Twenty-seven Meanings", the "Ancient Chinese Characters for Ritual Sacrifice", or even the "Exceeding Limits of Divine Writings", they are just tools for self-cultivation. If it is useful, use it; if it is not useful, then put it aside or modify it.
There is no need to distort, hypnotize yourself, and worship. With the tragic precedents of the ancient gods, and with the countless sufferings and hardships of communication between humans and gods for hundreds of millions of years, you should know how important and precious a "I" is.
When there is already a mature and efficient model, it is best to let others bow to "me".
So be it!
So Ronan began to conceive of his short composition.
As mentioned before, from the birth of the ancient gods to the prosperous age of Datong, there are many historical materials that Ronan can choose to refer to, whether it is "Romance Time and Space" or the specially constructed "See Me - Datong Visualization Time and Space", they are all positive assistance. There are also
"A Brief History of the Relationship between Humans and Gods" co-authored by His Majesty Emperor Wu and Ruiwen serves as the most basic structure - let's call it this name.
With multiple blessings and no need to worry about excessive simplification and refinement, Ronan's literary thoughts surged, and it didn't take him long to produce a draft manuscript.
Well, there are more than three hundred words.
It is cumbersome enough for "The Ancient Characters of Ritual Sacrifice". But if it were not so, it would be impossible to express Ronan's understanding clearly.
Next, Ronan made corrections based on the manuscript and visualizing time and space.
Correction is a two-way street. Once some things are put into words, even if they are carriers of multi-dimensional changes such as ancient ritual characters, they will definitely be restricted; but sometimes the purely logical arrangement of words will seem to reveal some inconsistencies in the events.
If the side is too obvious, you need to make some choices here, add, delete or change it.
Ronan didn't spend too long. After all, it was just a test. It felt generally smooth and there was no obvious ambiguity, so that was enough.
Well, I still feel like there is a little problem.
Ronan hesitated for a while, but finally learned from his previous study experience, added the word "I" that exceeds the limit of divine writing, and adjusted the writing - this can make it more simplified, probably just down to three.
Less than 100 words.
As for possible risks…
It is just a visual memory, but it is not reflected in the flow of "True Word Art". It is regarded as a mascot. After all, it is also a "national talisman".
Ronan convinced himself this way.
With everything in place, Ronan silently praised this article in his mind, and at the same time restarted his visualization of time and space based on the context of the article.
Then everything became extremely smooth, the visualization in the mind and the layout of the text were manifested almost simultaneously, and the sentence was completed to complete a cycle. Finally, the key words were selected and the method of "real writing" was tried.
There was a buzzing sound between Ronan's lips, which always seemed to last for a minute or two. Since he had been reading this article for too long, his Qi accumulated and changed enough. He didn't even need his fingertips to move, and there was a natural aura of light shining outside his body.
Part of the glyphs of the ancient Chinese character "Liji" manifested themselves, changing in appearance and death, and finally condensed into two characters.
As a summary of the last sentence, the item about Yan Jun is still selected, which means: