After Dai Yin finished playing a piece of music, Jiang Yuan also took the initiative to stand up and take the lead in applauding.
From arrangement to performance, everything is basically flawless.
In addition, the recording this time was obviously more careful than before, and the makeup and on-site scenery also made this performance more textured.
"The change is so good. I had no idea you would change this song." After Dai Yin approached, Jiang Yuan couldn't help but say.
It's indeed a bit surprising, after all, the two practice rooms are connected together these days.
Shen Yi had revealed it in advance, but Dai Yin's adaptation of "Lanting Preface" was completely unexpected.
"It feels like my soul has been cleansed!" Su Xiujin also praised.
“I saw this piece performed by Jiang Yuan before and I thought it was extremely amazing.
Listening to the guzheng version at this time also has a unique charm." Feng Tie once praised the two of them, and their words were flawless.
"Traditional musical instruments are tops!" Shen Yi also gave a thumbs up.
After Dai Yin's performance ended, he became a little embarrassed as he was surrounded by compliments, which was in contrast to the state of his performance just now.
Finally, after confirming with Sun Tao that there was no problem with the version just recorded and that there was no need to re-record, everyone continued to the next location.
As we walked all the way there, everyone was discussing their own works.
For example, Dai Yin shared some of his thoughts and ideas in the adaptation with everyone on the way.
Although everyone did not fully understand it, they all listened with interest.
In the process, I unknowingly walked to the next location, a painting studio about a hundred meters away.
When we arrived at the art studio, it was obvious who was going to display the work.
Liu Zhiyun and Su Xiujin both stood up together, and they shared a scene for the presentation.
"You go first!" Su Xiujin said to Liu Zhiyun, and sat back again.
Liu Zhiyun also responded directly, stood up and walked to the front of the crowd.
Originally, in Jiang Yuan's imagination, this link should not be much different from the last time.
Probably the staff presented the painting, Liu Zhiyun explained it to the camera and that was it.
But this time, a more dramatic form was chosen for the presentation of the painting.
After Liu Zhiyun stood in front, many extras entered the scene and started performing.
The situation Liu Zhiyun assumed when he created this painting was directly interpreted in the form of performance.
At the same time, the paintings Liu Zhiyun prepared this time were also spread out in front of Jiang Yuan and others.
This time Liu Zhiyun painted using a new ink painting method, which is the same style as Jiang Yuan's album cover.
When the painting was unfolded, it gave Jiang Yuan and others a strong visual impact at first glance.
This time, what Liu Zhiyun painted was a landscape painting.
The Wencheng Mountains are depicted extremely completely, and the changes of time are also depicted on the scroll.
From a purely visual perspective, Liu Zhiyun painted different weather colors in different areas throughout the day.
The colors are bright and dark, and the pen and ink are grainy, creating an extremely three-dimensional feeling.
Just looking at it this way, it is already a very beautiful work.
Looking more closely, corresponding literary works are also integrated into different weather conditions.
From ancient times to the present, several very representative works are shown in the details of the paintings.
After the explanation of the painting was completed, everyone at the scene applauded in unison.
It is another beautiful and sincere work full of details. It can also be seen that it is a very energy-consuming work.
Liu Zhiyun's painting alone has deeply shocked Jiang Yuan and others.
Next, Su Xiujin’s display was even bigger.
Su Xiujin had not yet appeared, but more than a dozen embroiderers came on stage and gave a detailed introduction to the works that were about to be exhibited.
Su embroidery is an extremely delicate art. Previously, most embroidery of Su embroidery was small objects, and it was quite difficult to complete it within a few days.
For such a big battle this time, Su Xiujin moved a project that her team had been working on for some time to the show.
A Suzhou embroidery garment, a project in cooperation with a martial arts animation.
From the establishment of the project to the production, it took several months, and more than a dozen embroiderers worked together.
In the past few days, Su Xiujin completed the embroidery of the last part of the costume and moved this gorgeous costume to the show.
After being shocked by the introduction, the lights were turned on, and Su embroidery appeared on the stage dressed in Su embroidery.
Under the flow of light and shadow, the delicacy and beauty of Su embroidery are vividly displayed.
It is a kind of beauty that needs no words, beautiful and luxurious.
The camera recorded every detail of the clothing, and the level of detail amazed the scene.
"In ancient times, owning a piece of Su embroidery was something worthy of showing off." Liu Zhiyun praised it while educating Jiang Yuan and others.
After the photographer finished taking pictures of the details, Su Xiujin read a short poem while wearing this outfit, which better showed her temperament.
After the display, Su Xiujin left the stage wearing this work of art and changed back to her normal clothes.
The next shooting location was right next door, and everyone completed the transition very quickly.
Jiang Yuan also changed into his performance clothes at this moment, and it was finally his turn to go on stage.
In this issue, the song Jiang Yuan chose to sing is "Red Dust Inn".
The performance scene was relatively simple and crudely arranged by the program team in the inn.
Jiang Yuan changed into a black-based Chinese-style haute couture outfit, and the musicians were already in place.
After trying the equipment first and confirming that there was no problem, Jiang Yuan began to announce the curtain by himself.
""Red Dust Inn" is given to everyone!"
After Jiang Yuan finished speaking, the performance officially began.
The camera is facing Jiang Yuan, with the doors and windows of the inn behind him.
The program team lit the door and window to create a sense of the natural light of the setting sun shining into the inn, which is somewhat similar to the scene in the song MV.
The prelude starts with a piano solo, then the string section, bass begins, and Dai Yin's guzheng also starts playing.
A sense of grandeur comes over the scene, and the tone of the song is set.
After the prelude, Jiang Yuan raised the microphone and started singing.
"The end of the world is windy sand, and the story of the world of mortals is called concern."
"The seal is hidden in ordinary people's homes, under the east fence, in the ancient Yehe Temple of Xianyun..."
As soon as Jiang Yuan opened his mouth, his singing voice had a strong sense of narrative, and he sang a sense of the world in just a few lines.
The singing is blended with the piano, guzheng, guitar and other accompaniments without any sense of disharmony.
For Shen Yi, a fan of martial arts novels, there is a feeling that the world is open to him just by opening his mouth.
"Fast horses fighting in the arena are nothing more than fame and fortune."
"How can a person who has a country in his heart be happy and unrestrained? I just want to share our prosperity with you..."
Jiang Yuan sang with devotion, and the difficulty of the song was not too high for Jiang Yuan's current singing skills.
Both the breath and the strength are mastered just right, the emotions are also very sincere, and he has a strong expressive power on the scene.
With a verse of the main song, a picture of love, hatred and hatred in the world was shown to the scene.
Feng Tie was also thinking carefully about the lyrics of Jiang Yuan's song at this time.
During this period, Feng Tie listened to many excellent lyric works, and after some consideration, he felt that lyrics and poetry were both written works.
But there are still differences in nature. Although his poetry is good, combining it with the melody may not necessarily produce a good effect.
And this song "Red Dust Inn" gave Feng Tie a desire to learn.
The song transitions to the chorus section, and the string section that disappeared in the verse section starts up again, and at the same time, drum beats such as castanets are struck.
With the piano, guzheng and other musical instruments, the level of the entire accompaniment suddenly became richer, and the live experience was especially obvious.
"Who will laugh when the sword is unsheathed? I just want to hold you in my arms today."
"The wind in the Hongchen Inn is like a knife, and the sudden rain brings down the fate!"
With the phrase "the sword is out of its sheath", the mood of the entire song is aroused.
The chorus of "Red Dust Inn" is more difficult to sing than "Blue and White Porcelain", with the highest note reaching a4.
But for Jiang Yuan, whose singing skills have evolved a lot, this part was easy to sing.
A kind of unpredictable and turbulent artistic conception of the world is reflected in Jiang Yuan's singing.
The sentence "Sudden rain falls and fate knocks" expresses this artistic conception more vividly. The high note of A4 is also sung in this sentence, which is full and powerful.
"Whoever takes the lead in the martial arts world..."
After Jiang Yuan finished singing a chorus, Feng Tiedou also focused on the line "Sudden rain falls and fate knocks", singing out the swaying feeling of the world in just a few words.
I was attracted by the music again, it was already the interlude part.
The interlude is where the live musicians perform. Jiang Yuan is still immersed in the emotion of the song while listening to the music.
The camera focused on the musicians at the scene, and one of them had an outstanding sound.
That is Bawu, a kind of yellow wind instrument, popular among ethnic minorities.
Bawu's timbre plays a major role in the interlude, and it has a feeling of resentment and the lingering sound of a bird.
The camera also featured a close-up of the musician specially invited by the program team.
After Bawu's performance stopped, Jiang Yuan started singing again, and the song entered the second verse.
"The window under the eaves reflects the branches slantingly, and I sit across from you on the floor and drink tea."
"I will remember you firmly with meticulous paintings. It is not elegant to draw a pen."
In the second verse of the verse, Jiang Yuan sang more affectionately.
If the first verse sings more about Jianghu, then the second verse sings more about love.
The description, image and narrative of the entire lyrics are even stronger.
"Sighing at the beauty near the sunset under the lamp"
"When I talk about fate, it's like meditating without talking."
"Your tears are like pear blossoms, filling the world on paper."
"Love and hate are like freehand landscape paintings"
The third is like singing from Jiang Yuan's mouth, like practicing Zen, like pear blossoms, and like freehand landscape painting.
Fang Wenshan once proposed in his lyrics that there are three classes, three resentments, three provocations and three beauties.
Waiting is "Fireworks Easily Cold", "The Preface to the Orchid Pavilion" is "The Preface to the Orchid Pavilion", "Blue and White Porcelain" is the one, and this is "The Inn of the Red Dust".
When these three songs were sung, Feng Tie exclaimed how wonderful they were.
Compared with Feng Tie who focused on the lyrics, the others paid more attention to the overall situation.
Such a song also made Yu Shan feel intoxicated.
Compared to Shen Yi, he read martial arts novels earlier.
This song "Red Dust Inn" also sings about a certain world in his heart.
"Who will laugh when the sword is unsheathed and there is a grudge..."
The chorus was sung again, leaving the audience intoxicated.
The top band performance, coupled with Jiang Yuan's equally perfect singing voice, fully demonstrated the charm of the song.
"No matter who takes the lead in the martial arts world, I will only bend my back for you."
"Crossing deserted villages and wild bridges to find ancient roads away from the world, far away from the hustle and bustle of the world, with catkins floating in the air and holding the child's hand at ease."
In the second chorus, Jiang Yuan became more involved.
When preparing for the stage, Sun Tao once proposed adding a female backup dancer to make the song more visual.
In the end, people were found, but after the rehearsal, the plan was still rejected.
Sun Tao felt that if only Jiang Yuan appeared in the singing scene, in line with the mood of the song, there would be a feeling of loneliness and sadness in the blank space.
The interlude after the second chorus is the time for the band to perform.
This section is a show of both humans and ghosts, in which the piano, guzheng and string parts are all extremely exciting.
Dai Yin and others also played very enthusiastically.
After a very pleasant interlude, Jiang Yuan's singing voice sang again, integrating into the entire performance.
"No matter who takes the lead in the martial arts world, I will only bend my back for you."
"You look back at me so beautifully. There is a smile in my eyes. The wine is waving, the flag is rustling in the wind, and the sword is unsheathed."
In the last section, at the end of each sentence, Jiang Yuan will sing with a sense of drama.
But when I sang the last line, everything came to an end. It really felt like the grievances in the world were over.
After Jiang Yuan finished singing, he put down the microphone, but the live performance continued.
In the final performance, the erhu made a shining appearance, adding a touch of charm to the whole song.
As soon as the sound of the erhu came out, the sense of narrative and vicissitudes brought a perfect ending to the song, and it ended just right.
Jiang Yuan stood in the shadow of the sunset, listening to the live performance, still in the middle of the music.
It wasn't until the moment the performance ended that he slowly pulled away from the situation of the song and took a bow.
Then he began to call out the names of the live band teachers to express his gratitude.
Finally, a special mention was made of the backup dancer who came to the rehearsal but was not able to appear together in the end.
The audience also gave Jiang Yuan warm applause for his performance.
There was not a large audience, but the applause was warm enough.
Many staff at the scene were very excited because they could hear the first performance of Jiang Yuan's new song in advance.
After Jiang Yuan left the performing position, Liu Zhiyun and others also praised him.
Shen Yi, in particular, was particularly exaggerated and bombarded with a series of remarks.
Jiang Yuan was still somewhat immersed in the aftertaste of the song, but now she was pulled out by Shen Yi.
After the performance, the door of the inn opened.
The sunset light shone in. Looking at the street scene outside the inn, Shen Yi suddenly stopped talking.
Everyone at the scene was also stunned for a moment.
Ignoring the modern equipment on site, the street scene outside makes people feel as if they are really in the arena.
And just now in this small inn, the song "Red Dust Inn" was played in the minds of the audience as if a martial arts love movie.
Feeling the aftertaste of this artistic conception, everyone headed to the last shooting location.
