Two minutes later, Chi Feichi pulled out the blood collection needle for Koshizui Nanatsuki and asked Koshizui Nanatsuki to press the needle hole with a cotton ball. He found that Koizumi Anko was still using the tablet computer to check classics and said, "Ako
, come and see if there is enough blood."
"You put the blood bag in the refrigerator first, I will look at it later," Koizumi Hongzi held the tablet and looked down at the information with a serious look on her face, "I will look for the information first..."
Chi Feichi put the blood bag into the refrigerator, turned to look at the obsidian altar and said, "In the ancient Mesoamerican ritual language, the term for absorbing energy is yipo..."
A slender golden light emerged from the center of the altar. After Chi Feichi stopped chanting, the golden light disappeared.
"yipom..."
Chi Feichi read out a longer pronunciation.
As Chi Feichi chanted, another faint golden light emerged from the center of the altar. It rose from the center of the altar and flew to Chi Feichi's outstretched palm like a snake, and was absorbed into Chi Feichi's body.
"Reciting in ancient sacrificial language, 'Absorb a ray of energy the size of a human hair and seal it in the Divine Mirror of the Sun,' seems to be able to extract a certain amount of energy and put it into the mirror." Chi Feichi said.
, and read out a series of characters with fluctuating tones.
After Chi Feichi finished reciting, a ray of golden light emerged from Chi Feichi's palm and flew back to the altar.
After Chi Feichi finished the experiment, he concluded, "Use the ancient sacrificial language to chant, 'Extract a ray of energy the size of a human hair from the Divine Mirror of the Sun and put it into the altar.' This way, the energy can be put back into the altar.
Already."
Afterwards, Chi Feichi recited the ancient sacrificial language again, summoned a ray of golden light from the altar to absorb it, and then spoke another ancient sacrificial language that was completely different from before, putting that ray of energy back into the altar.
.
After the experiment, Chi Feichi added, "It seems that it would be okay to recite in the ancient sacrificial language, 'Put the ray of energy you just extracted back into the altar'..."
After that, Chi Feichi began to experiment with commands such as 'cancel the previous operation' and 'continue to extract energy to the Mirror of the Sun'. Each of them could cause corresponding changes in the altar.
Finally, Chi Feichi recited the ancient sacrificial language and put all the energy back into the altar.
Koshizui Nanatsuki watched it with great interest. After reading it, he couldn't help but comment, "The altar's response is very flexible, just like communicating with people. No matter which words are used, as long as the meaning is expressed clearly, the altar will be able to understand.
…”
"Yes," Koizumi Hongzi pondered over the ancient sacrificial language that Chi Feichi just recited, and said seriously, "but the grammar of the ancient Mesoamerican sacrificial language is different from the Japanese grammar, and is somewhat similar to the English grammar.
Similarly, although I followed the guidance of the Divine Mirror of Night in my body and finished carving the formations on the altar, I am still a little uncomfortable with this syntax..."
Chi Feichi looked at the altar and reminded, "Judging from the content on the altar array, the grammar of the ancient Mesoamerican sacrificial language is more similar to the grammar of Chinese. If you don't understand its grammar, you can
Let Ark help you provide Chinese grammar, and then you can use Chinese grammar to recite this ancient sacrificial language..."
Mesoamerican has many similarities with Chinese.
When the Spaniards arrived in the American continent, the Roman phonetic notation appeared in Mesoamerican. Before that, the characters used in Mesoamerican were hieroglyphics, which were very similar to the oracle bone inscriptions in ancient China.
In terms of pronunciation, Mesoamerican has many similarities with Chinese. Chinese pronunciation has four tones, and Mesoamerican also has four tones. At the same time, Mesoamerican has the same pronunciation as Chinese.
n','ng' as nasal consonants.
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In addition, Mesoamerican has some special overlapping words like Chinese, such as "天天" in Chinese, and Mesoamerican also has a corresponding "kinkin" with the same structure, the same meaning, and even the pronunciation.
Somewhat similar.
There is a slight difference between the ancient sacrificial language that he and Hongzi learned from the divine mirror and the language developed after Mesoamerica, but the overall difference is not too big.
When he delivered the stone slab to the altar just now, when he looked at the inscribed sentences on the altar diagram, he discovered that the grammar of the ancient Mesoamerican ritual language was very different from that of Japanese. On the contrary, it was very similar to the grammar of Chinese.
For example, the sentence 'I am not a magician' is a very classic subject-predicate-object sentence structure in Chinese. It consists of the subject 'I' + the predicate 'not' + the object 'magician' to form a complete sentence, and this
The grammatical expression of a sentence in Japanese will become a subject-object-predicate structure, which consists of the subject 'I' + the object 'magician' + the predicate 'not', to form a complete sentence, plus some middle words in Japanese
, the expression becomes 'my—the magician's—is not'.
Of course, when expressing sentences like "I am not a magician," English grammar also has a subject-verb-object structure. However, judging from other sentences in the altar inscriptions, the grammar of the ancient Mesoamerican ritual language is still closer to Chinese.
, not English.
Hongzi is used to speaking in Japanese grammatical structures, has a certain understanding of English grammar, but has basically no understanding of Chinese grammar. Of course, she is not used to the grammar of Mesoamerican.
Although under the influence of the divine mirror in the body, Hongzi can understand the meaning of every hieroglyph on the altar at a glance, and can also carve out all the inscriptions on the altar according to the guidance of the divine mirror of night in the body, but faced with some unfamiliar structures
Hongzi still can only judge the meaning based on experience.
It's like a Chinese who has never understood Japanese grammar. It's the first time he hears someone say "My magician's fault" in Chinese. He obviously understands every word, but he can only guess based on experience.
What I want to say is that I am not a magician. I can guess what the other person means, but I am not 100% sure.
Hongzi looked at the ancient sacrificial language inscriptions on the altar and probably had a similar feeling.
In short, if Hongzi wants to speak an ancient Mesoamerican ritual language smoothly and correctly, I'm afraid he has to understand the grammatical structure of Chinese. He still has things to do and doesn't have time to explain every Chinese language to Hongzi.
As for the structure of grammar, Hongzi can only use Ark to learn Chinese grammar.
Moreover, Fang Zhou is more suitable than him for organizing information, summarizing knowledge and providing suggestions.
After reminding Koizumi Hongzi, Chi Feichi said to Sawada Hiroki again, "Noah, tell Afu Po about our plan to help some believers strengthen their physical fitness, and ask her to bring the believers from Fifteen Nights City. Joshua Na
I'll leave it up to you. By the way, you can remind the researchers to confirm the dinner menu, so that people outside can hurry up and order meals. After breakfast, we will officially start creating your body."
"Yes, I understand!" Sawada Hiroki's projection nodded seriously and asked, "Godfather, you just collected a lot of blood. Do you need some blood-replenishing food for your dinner?"
"Let Yueshui and Hongzi decide this. I can do whatever I want."
Chi Feichi walked to the magic light film. After Koizumi Hongzi opened the magic light film for him, he walked to the science area, said hello to the researchers in the science area, stretched out his hand to pull up the hood of the black robe, and walked
Without stopping, he left this hall where magic and technology coexisted.