Mr. Zhuang left the table. Without such a big Buddha, everyone's conversation became more natural.
Facing the old man Wei Jingcheng, although Song Ang and others were already very good, they still sighed, "Director Zhuang, your aura is too strong."
Then he asked Xia Yu, "Is Director Zhuang really not planning to make movies anymore?"
Xia Yu shook his head, he couldn't say this casually, even if he was considered "one of his own".
She smiled and said: "I can't tell what the teacher is thinking. I probably don't have it now, but I won't know it in the future."
Wei Jingcheng looked at Zhuang Ling, who shrugged and said something that made everyone present stunned and did not dare to continue:
"What are you looking at me for? I don't know much about him. Listen to Yu Bao. Yu Bao knows much better than me."
Zhuang Ling didn't want to think too much about these people and told the truth, but when a few people heard it, they became a little frightened and panicked.
For those who didn’t know better, they thought Zhuang Ling and Xia Yu were jealous of Director Zhuang, the “father and teacher”.
The next second, Zhuang Ling took off his gloves, divided the peeled shrimp into two parts, and gave one part to Dai Jia and one part to Xia Yu.
Xia Yu took it very naturally.
This move made Wei Jingcheng frown again - 'Well, we ordinary people can't understand other people's way of getting along with each other!'
When it comes to career, we basically cannot avoid the development issues of Xia Yu, Cheng Yun and Yu Junhao.
After Xia Yu, Yu Junhao has embarked on the journey of Europe's three major movies. He was nominated twice for "The Cure" and "A Hero with Arms", which gradually made him more popular in the European film market. He has several top endorsements and made him appear in several popular movies.
There is a place on the carpet.
Some media reporters have already recognized him, and within the stipulated time, many media will want to take photos of him.
"The new film is a literary film, a story about the Republic of China..."
"Is this your second time working with Director Xu Wei and Xu?"
Yu Junhao's collaboration this time is still with Xu Wei, and the heroine is also Wei Fei, who has worked together once before.
It has to be said that it is another big lineup - Xu Wei's original male lead was Wei Jihong, but Wei Jihong's schedule conflicted, so he originally planned to wait. It was also at this year's Berlin Film Festival that I experienced Yu Junhao's explosive acting skills. Compared with the period of "Who Will Die", he also
Moved up a notch.
This made Xu Wei immediately contact Yu Junhao, planning to pair Yu Junhao and Wei Fei to compete in the Cannes Film Festival next year or the year after.
"So far, we haven't received a detailed script for this movie. It's all about filming wherever Director Xu thinks of it..."
It can be said that this is a big change in Xu Wei's shooting method. It is no less stressful than Wei Jingcheng's when filming "The Sound of the Wind". The last time the filming of "The Sound of the Wind" was high-pressure, fortunately, "The Sound of the Wind" still has
There are also comparisons with the original work and the script.
This time it was low-pressure, you had no idea what you were shooting... Many of them were taken on location!
"Did you enjoy the photo shoot?"
Xia Yuxiao asked him.
Yu Junhao shook his head.
“It was so uncomfortable to shoot!”
There is something I didn't say, maybe after this time, maybe next time I take on a film directed by Xu Wei, I have to seriously consider it.
Even if we can achieve good results, without a script, it is too torturous.
"Then I would like to congratulate you in advance on your success at the film festival?"
As for Cheng Yun, after "Black Moon Project 1: Ancient Eastern Country", the focus of Cheng Yun's career gradually shifted to the beautiful country.
Although several incidents were eventually resolved satisfactorily, Cheng Yun's current status in China is no longer what it was before.
Although most netizens are not opposed to her comeback and her career development, some netizens hold a different view - they believe that Cheng Yun, as a SHUI person, has self-supervision in the [Cheng Yun Incident 2].
Execution responsibilities.
After paying back, she does not have to bear legal penalties, but as a public figure, this is not a good guide. Even if she is a victim.
But from another perspective, Cheng Yun is willing to kill relatives for justice but also fulfill his civic duties, which can be regarded as an alternative benign direction.
In short, it is reasonable for the public to speak to the public, and it is reasonable for the mother-in-law to say that the mother-in-law is right. The main issue is guidance. How to deal with it, there are corresponding methods from above.
In other words, the superiors have already implemented the handling of [Chengyun Incident 2] - they will no longer give her official support.
It is also a pity when it comes to awards. For example, Cheng Yun has been silently removed from the China International Film Festival award. In other words, this award has no fate with her anymore. As for the Golden Rooster, the difficulty will also become higher.
For an actor, it has to be said that this is almost devastating and devastating.
At their level, isn't performing and acting just for awards? Honors?
There is another Xia Yu here, and even Cheng Yun here in China is a little out of breath.
Xia Yu developed so fast that even Yan Jingdan, Wei Fei and other Mesozoic celebrities did not dare to confront him head-on, let alone his peers.
In these matters, Cheng Yun, who has always been strong and confident, was also greatly suppressed.
Because of these incidents, she has tempered her temper. It's not that she doesn't fight anymore, but she has changed her approach.
Those who are close to vermilion are red; those who are close to ink are black.
You have to admit that it is an inspiration to meet Tao Tang, Xia Yu, an opponent who has a three-dimensional outlook and is dedicated to polishing himself.
It's like a mirror. If you look at it more, you will have a different perception of life.
'If it doesn't work in China, what about abroad? There is always a way, right?'
The same strong and aggressive character was also restrained by Song Ang. The two exchanged glances and smiled silently.
There was a slight bitterness in Cheng Yun's eyes, which was a tacit understanding that could only be understood by the couple.
She put one hand on Song Ang's big hand, and Song Ang silently comforted her with the other hand, giving her the strength to persist.
This is the price of growth, right?
Speaking of companies.
"I have signed a contract with Victoria Pictures for eight years, and now I have five years left - let's see if there are any changes in these five years?"
Having experienced a lot in the past few years, Cheng Yun has become more mature and ambitious, but is no longer as impatient as before.
At least she already has the movie "Black Moon Project 1: The Ancient Kingdom of the East", and the rest is just to slowly get through the qualifications.
Golden ball, golden statue, the top three in Europe - Cheng Yun will eventually climb to the top, but the direction of development will be much more circuitous.
Gu Zhao gave up the domestic market and survived for thirty years. Why can't she Cheng Yun?
She said with a smile: "If there is a suitable script in China, I will consider it."
But not mainstream.
As for Song Ang, he didn't say anything, or said very little. Although he was still rated as one of the top five directors of the Mesozoic era, his reputation, status, and popularity from the outside world were not very optimistic, and he gave up the idea of developing in China.
.
They didn't know, but Xia Yu knew that he was signed to Victoria Pictures, but he wasn't officially a director yet.
Victoria Films is very strict with the training and selection of directors - and Song Ang's ambitions are not small.