I thought it was incredible, so they asked me to walk along the corridor to the end and go to the ear room to have a look.
The ear chamber is not big, about three meters high, with a total area of more than ten square meters. It is very dusty and there are many funerary objects scattered on the ground.
There are a large number of daily necessities such as copper flat kettles, gourd-shaped charcoal stoves, oil-saving lamps, iron spoons, etc. Most of them are made of iron and are very rotten.
These are rags to me, I don’t want them for free.
"Alas! Mineko, look! What is this??"
"Where did you pick up this good thing?"
"It was right under that rotten iron pot. I saw it as soon as I came in."
Dou Yazai was holding a two-headed bird sculpture, with only the head and neck, no body, and the whole body was painted with green color. I could tell at a glance that it was made by the Lingwu kiln in Ningxia, and it came from the same place as the Tearing Buddha.
This two-headed green bird is also a sacred bird in Buddhism, but its quality is not as high as that of the Saraswati.
How can I sell a bare bird head for money? I asked Dou Sprout to quickly find the bird body. If he found it, he could stick it together and sell it when he got out.
"Body, body, where did the body go?"
"Damn! I have no body!"
I searched over and over and couldn't find it!
Dou Yazi kicked the rotten charcoal basin away in anger, and the iron charcoal basin fell to the wall in the corner! It fell again.
Um?
Wrong... the sound is wrong...
I quickly walked to the corner and knocked.
I hit it hard with the crowbar. Brother Yu and Tou heard the sound and ran over.
Dust and broken bricks kept falling.
A black hole suddenly appeared. I covered my nose, probed into it, and shined a light on it before I came out immediately.
"Head! It's the entrance to the tomb! It turns out that the main tomb chamber is hidden behind the ear chamber!"
We got in one after another.
The entire tomb passage was very dark, with almost no light. It was really hard to see without turning on the flashlight.
At the end of the tomb passage is a short stone door that looks extremely heavy. On the left and right sides of the stone door are carved a pie-faced man.
"Pan-faced man" is a slang term in the industry, referring to ancient stone carvings of strong men, because they all have a pancake-shaped face with staring eyes.
In fact, all these strong men are female. The one on the door on the left is called "Makui" and the one on the door on the right is called "Zhai Fu". Ancient people believed that these two women with cake faces were the daughters of dominatrixes who specialized in eating evil spirits.
"You guys give way, I'll try to push it down."
Brother Yu put his hands on the stone door, pulled his legs back, bowed slightly, and took a deep breath.
Brother Yu groaned and started to exert force.
"What are you still doing? Help me!"
Dou Sprouts and I held up the stone door at the same time and pushed hard.
"no!"
Douyazai let go of his hand and said: "There's no fucking reaction at all! It must be locked inside!"
In ancient tombs, any stone door cannot be completely closed, and it may be wide or narrow, leaving a gap. This is a limitation of ancient craftsmanship.
The gap between the stone doors was very narrow. I lay on the door and tried to look inside, but I vaguely saw something blocking it.
"Boss, I'm sorry, it seems like it's stuck with a tap stone."
"Are you sure?" He frowned slightly.
I nodded.
The three big men couldn't move even when they pushed it. It must have been supported by the tap stone.
This is the most annoying thing, we are in trouble.
