"He is a selfish person who never does anything for anyone. If I hadn't faked my death, I would have been a part of the body hanging in the forest."
It turned out to be a fake death, no wonder.
She is a woman with some brains.
The most speechless thing in Mu Wanqing's life was reading the novel and seeing the end of the novel chasing his wife in the crematorium. Wherever there is a crematorium, the hero basically apologizes, sheds tears, and finally reconciles, and even claims to be reunited.
No matter how round the mirror is, it is still a broken mirror. Who will use a cracked mirror to look at it?
These are considered good. Some of them are torture stories from beginning to end. The way to get revenge on the male protagonist in the end is to make the female protagonist die when the male protagonist loves her most. There are also so-called rebirth stories.
After rebirth, she still gets close to the male protagonist to gain his love, and then dies in the end, making the male protagonist feel the pain of not being able to love her.
Thank you! What the hell? Every time he saw these novels, Mu Wanqing was a little suspicious. The heroine had killed the author's family or robbed the author's man in her previous life. Why did she have to die to take revenge on the hero?
For a person who doesn't even love herself, why do she think others will remember her and love her forever?
Maybe they will forget about it in a year or two, marry a younger and more beautiful bride, and have children and a happy family.
Mu Wanqing has read many types of novels in that world, such as youth campus novels, boss workplaces, ancient dolls' house fights, female heroes, Tanmei, Lily, time travel, fast time travel, beast world, science fiction, etc., female genres
There is a common morbid phenomenon in romance literature.
The heroine in ancient times was from an ordinary family background, but she had a heart to work independently and never give up. The male protagonist and her were just the icing on the cake.
Today's heroine must have a stunning appearance, an extraordinary life experience, and extraordinary talents. The male protagonist must be stunningly beautiful, have an extraordinary life experience, have an IQ of 250, treat the heroine as a daughter, and there must be such characters around her who are chasing after him.
The heroine is the cousin of the heroine who is loved but not loved. He is a cannon fodder male protagonist who can be called brothers to the hero and can sometimes ease the relationship between the hero and heroine.
The entire novel, whether it has millions or even tens of millions of words, can be condensed to just this formula. The cannon fodder male supporting character who has a crush on the heroine and the cannon fodder female supporting character who has a crush on the male protagonist alternately appear, creating a stumbling block for the love between the male and female protagonists.
When one cannon fodder falls, thousands of cannon fodders come up. Sometimes the cannon fodder male and female partners will join forces to frame the male and female protagonists.
Whenever there is a villain who is purely pursuing a career, Mu Wanqing will give the author a thumbs up and a few words of praise.
It’s okay if the cannon-fodder male and female partners serve the male and female protagonists emotionally. In current novels, the male and female protagonists rarely appear poor, and even if they do, they mostly appear as villains. Why, most of those who write about them have dozens of villas and luxury cars.
Dozens of vehicles?
There are also redemption stories. I don’t know what the situation is. Nowadays, when authors write redemption stories, they just write about the female protagonist being indifferent to the male protagonist. She does everything to serve the male protagonist. She takes what the female protagonist has and uses what the female protagonist has. Sometimes she gets angry with other women.
If it were unclear, if it were Mu Wanqing, she would have kicked him away.
Sometimes she wonders if she has watched fake female videos. The female protagonist is like a decoration, and the male protagonists are all excellent writers. The behavior of the female protagonist often makes her brain hurt after watching it. Logically speaking, the female protagonist is male.
The main character is better written than the female main character. This is an unqualified female channel. It should not occupy the position of a female channel. It would be better to just switch to a male channel.
Even in romance novels, the female protagonists have their own lives, ideals and pursuits. Each of them is unique and should not be used as tools to serve the male protagonist and highlight his so-called favor.
