Akina Nakamori was a little unconvinced, "If that's the case, then those words I just said were about being responsible to the public and telling the public that there is more than one choice... wouldn't they all become beautiful empty words?"
Iwahashi Shinichi replied, "Actually, half of this idea is just wishful thinking."
Then aren't you teasing?!
Iwahashi Shinichi looked at Nakamori Akina's awkward face with him, couldn't help but laugh, and asked her, "How can others help Akiko?"
Nakamori Akina imitated his tone and asked back, "So, no one else can help anyone?"
In the end, Iwahashi Shinichi really nodded, "Maybe that's the case. This is an era where no one can help anyone. If we wait for someone to lend a helping hand, maybe we will sink to the bottom of the sea, or both of us will fall into the water.
"
He looked at Akina Nakamori and changed his subject, "To be saved, first of all, you must have some kind of power."
This kind of power is not the power to find a way to save yourself, but the power to have the courage to move towards the second choice when it is presented in front of you. Just like Zhang Zi, if she has no power herself, then even if the TV series
A character like her appears in the film, telling her what to do, and she will still go to the end on the path she first chose.
"However, although Xiaoshan Sang felt that she did not help Zhang Zi, she actually gave Zhang Zi something very valuable."
The existence of Xiaoshan Miho affirmed Zhang Zi's value as a human being, allowing Zhang Zi to meet her friends without makeup and be honest with her. This is the power Xiaoshan Miho brought to Zhang Zi. It is difficult for people who fall into danger to move forward alone.
Powerful. The encounter with Xiaoshan Miho brought Zhang Zi faith and hope.
Perhaps, for Zhang Zi who left without saying goodbye, this friendship with Xiaoshan Miho can give her the courage to continue living.
Shinichi Iwahashi said, "Practitioners in the entertainment industry should be responsible to the public, and when and what kind of things should be produced. However, it is always the audience themselves who make the choice."
Akina Nakamori blurted out, "Then, what artists should bring to the audience should not be choices, but power."
"That's right." Shinichi Iwahashi praised.
She glanced at Shinichi Iwahashi, showing a rare hint of embarrassment when being praised. This shyness came from the fact that she and Shinichi Iwahashi were able to chat about such a profound topic together at this moment.
After staying in the entertainment industry for so many years, she has experienced the flashy light and shadow of the entertainment industry, and accepted the likes and dislikes from the audience. Akina Nakamori actually has the ability to sense the times. However, power is something that is not in her own consciousness.
It will always be sleeping until you own it.
Miho Koyama went to see Nakamori Akina and handed her this stack of manuscript papers. In this way, in addition to Nakamori Akina being the only person she could confide her feelings to, she also more or less harbored feelings for this big star she liked.
An expectation that can only be felt but cannot be expressed directly.
Because of Akina Nakamori, she and Akiko formed a relationship. Because of her personal experience, Miho Koyama believes in the power that exists in idols more than anyone else. But it is also because Akina Nakamori has power that she can feel it.
After realizing this, I was able to realize my own power when I was chatting with Shinichi Iwahashi about this topic.
At this time, Iwahashi Shin said with emotion, "The next time will be an era that needs Matsumoto Seicho."
Nakamori Akina blinked, "Matsumoto Seicho?"
Even if she doesn’t like reading very much, it’s impossible that she hasn’t heard of Matsumoto Seicho’s name, and it’s impossible that she doesn’t know the famous works of this socialist reasoning master. After all, even if she doesn’t read, Matsumoto Seicho’s works have always been famous
, has been adapted again and again on the screen, from movies to TV series.
Matsumoto Seiho, who was born in poverty and experienced the world, wrote about the social roots of evil and the contradictions in people's hearts. In the era when Matsumoto Seiho and the socialist reasoning he started were active, the main reader group had experienced the war.
and post-war reconstruction. After that, the period of rapid economic growth and the conflicts brought about by the transition between the old and the new era intensified a large number of social contradictions.
This is the background of Matsumoto Seicho's emergence and the reason why socialist reasoning has been dominant for thirty years.
In addition to this, Matsumoto Seicho actually has another important significance. Before him, Japanese reasoning was mostly popular among fashionable readers, and reasoning was even a field belonging to specific enthusiasts. It was Matsumoto Seicho who
After its emergence, reasoning became a popular form among ordinary people.
Since then, although the rampant socialist reasoning has brought public aesthetic fatigue, and the original school, which focuses on reasoning itself, has shown signs of recovery, it will not be truly revived until the 1980s.
"The Romance of Fairy Wood"
This newly grown generation is the generation after the realization of the "100 million middle class". They have never tasted poverty, nor have they seen any profound disasters. They are even more indifferent to society and politics. The reasoning of the socialists
, in their view, it is boring, even frivolous.
A new generation of readers began to call for real reasoning, so the New Honkaku School of reasoning emerged. Okada Yukiko’s teacher Yukito Ayatsuji was a representative of the New Honka School. And Ayatsuji Yukito’s teacher was the founder of the New Honka School.
The person is Shoji Shimada.
The new original reasoning with a slightly dreamy feel is very in tune with this new generation of human beings.
Nowadays, when bubbles blow and burst, and dreams turn into nothing, new people are needed to write about this new era. Although classics are enduring, in today's era, some things in Matsumoto Seicho's works have become obsolete.
Somewhat outdated.
With the arrival of a new era, not only the television industry and the recording industry, but everything will change accordingly.
Shochiku Films has made a lot of money by adapting Matsumoto Seicho's original work. With experience in front, adapting the original work of the new socialist mystery writer, or writing a script in this style, can be regarded as a success to some extent.
way.
And the question that Miho Koyama raised in her essays: Why did she fall into such doom when she just wanted to live a serious life? This question is also something that writers and practitioners in the entertainment industry need to constantly ask.
She looked at his startled expression and laughed happily. After all, she did not forget the business and mentioned it to Shinichi Iwahashi, "Miho-chan asked me if I have any plans for a tour this year."
As a fan, it is not surprising to ask such questions after meeting an idol in person.
However, when she asked this question, the expression on Miho Koyama's face was so intriguing that Akina Nakamori couldn't let it go.
She said, "Miho-chan also specifically asked me if I had any plans to go to Nagoya during the tour."
"Nagoya?" Shinichi Iwahashi also became curious.
The specific mention of Nagoya may not be something that needs special attention. Maybe Miho Koyama’s hometown is Nagoya, or she has some feelings for the city of Nagoya. However, after asking this question, Koyama
The look on Miho's face made Nakamori Akina intuitively think that Nagoya might have some meaning.
Iwahashi Shinichi couldn't help but smile after hearing her intuitive analysis.
He is indeed a good friend of Yukiko Okada, a rising star in the field of reasoning.
Nakamori Akina glanced at him, "Is it funny?"
Shinichi Iwahashi praised her, "It's a very sharp and wonderful analysis."
Akina Nakamori did not accept this trick and warned him, "Don't treat people as fools."
"Of course not. I really think so."
Iwahashi Shinichi said, thinking of something, and confirmed with Akina Nakamori, "So, will this year's tour have any performances in Nagoya?"
Nakamori Akina first gave an affirmative answer, "According to the tour plan, there will be two performances in Nagoya over two days." Then the subject changed, "Am I thinking too much?"
Iwahashi Shinichi shook his head, "I think you are right."
After meeting, Miho Koyama kept thanking Akina Nakamori and said, "With Akina-san here, I gain strength by looking at her." Afterwards, Miho Koyama specifically asked if the tour would be held in Nagoya.
Miho Koyama said that looking at Akina Nakamori was like staring at the same sky as Akiko. So, is there a possibility that the concert in Nagoya could be the sky that Miho Koyama and Akiko looked at together.
As soon as Shin Iwahashi thought of this, he told Akina Nakamori, "I have an idea."
"What?" Nakamori Akina's appetite was whetted, and she couldn't wait to put her face in front of him.
Iwahashi Shinichi poked her forehead, "Since Koyama-san specifically asked about the show in Nagoya, when the tour opens in Nagoya, give a ticket to Koyama-san and invite her to the show..."
Akina Nakamori was a little disappointed, "That's it?"
Just for listening to this ordinary "idea", she got poked in the head. Akina Nakamori felt a little unhappy at the loss. When Shinichi Iwahashi saw her, he laughed at her, "It's so quick to fall out."
"Not only is she quick to turn against her, but she also refuses to admit her fault." Nakamori Akina was furious.
She said happily, but she felt that it was not that simple, so she continued to ask, "Is that all?"
Iwahashi Shinichi took it for granted, "Of course it's more than that."
Akina Nakamori disliked him, "He really knows how to sell things."
Iwahashi Shinichi retorted, "If you hadn't kept interrupting, I would have finished talking long ago."
Nakamori Akina stared at this face that loved to dig holes for others quietly, raised her hand, covered her mouth, and signaled him with her eyes to hurry up and tell her next idea.
Iwahashi Shinichi saw her acting like a kid and thought it was funny. But thinking that she really expected him to come up with some ideas, he gave up the idea of teasing her and explained seriously, "Over there, Koyama-san.
, just giving away tickets is enough.”
"The next thing to consider is Zhang Zi's side." He said.
Nakamori Akina's eyes widened. However, although she was a little reckless and a little impatient, she had a delicate and clear heart. After being reminded by Iwahashi Shinichi, she immediately reacted.
The two of them had this meeting because of Zhang Zi.
In this case, it is impossible for Miho Koyama to suddenly think of other things when parting, especially to ask this sudden question. Then, Nagoya is very likely to have its own special meaning to Miho Koyama and Akiko.
Shinichi Iwahashi revealed the answer, "What we need to consider is a natural way to make Akiko notice the concert."
For Shinichi Iwahashi and Akina Nakamori, or for onlookers, no one should blindly do something without the consent of the parties involved. For them, what they can really do is to do something for the couple.
Dear friends, create an opportunity to look at the same sky.
Friends who gaze at the same sky will always meet one day.
…
The topic about Miho Koyama finally came to an end. At this time, Akina Nakamori finally realized that she felt tired both physically and mentally.
Shinichi Iwahashi stood up, went to get another bottle of wine, and poured a glass for Akina Nakamori. She seemed to be impressed by him and teased him, "Suddenly, so generous."
Iwahashi Shinichi filled it up for himself, "Didn't I tell you, I want to drink as many drinks as you like." Of course he knew that after meeting Miho Koyama and reading the essay, Akina Nakamori felt heavy in her heart.
The two of them clinked glasses. Nakamori Akina told him in an exaggerated manner, "I still have a lot of recordings waiting to be completed."
Iwahashi Shinichi smiled, "Really?"
Akina Nakamori was a little dissatisfied, "What a casual 'really?' sounds the same as being pretentious."
Iwahashi Shinichi teased her, "She looks like a drunkard talking nonsense."
"You really dare to say that." Akina Nakamori muttered and talked back to him, "It's all because Producer Iwabashi loves to put on airs."
Shinichi Iwahashi was eye-opened by her messiness and couldn't help but laugh.
"Shenyi, you know how to act like a producer."
As expected, Nakamori Akina was already a bit drunk and started to punch Meow Meow randomly, "When I get married and prepare to have children, I will do the same. You are not allowed to drink or smoke. If you dare to come back drunk,
At home, I will leave you at the entrance."
The best thing about talking about children is that you can make all the demands you want and the other person will just listen to you.
Iwahashi Shinichi laughed happily, "Isn't it too early to say this now?"
Akina Nakamori asked, "Are you going to regret it now because you were frightened?"
"Of course not." He replied, "I already told you that I have to take everything as ordered."
Nakamori Akina then said proudly, "That's pretty much it." She stared at the reflection on the wine bottle, fascinated, "Even so, Akina, I will definitely be a good wife to prevent you from regretting it.
But you still have to accept the entire order..."
The life you have always dreamed of is right in front of you. As long as you complete the journey step by step, you will naturally open the door and step into a new life.
However, at this moment, Nakamori Akina's innermost ideals, which she had always believed in, were vaguely shaken.
Was it after the meeting with Miho Koyama, or was the seed planted before that?
