There are always many talented composers, and they continue to create best-selling works, ensuring that every year new songs will become famous songs sung in the streets.
However, only a composer like Tetsuya Komuro who can write best-selling songs after breaking away from the so-called creative truth can create a new era of popularity.
Because of this, after cooperating with Tetsuya Komuro, every step he took and every success he achieved was of great significance to Shinichi Iwahashi.
That was Tetsuya Komuro's success as a composer and producer, and perhaps, it was the prelude to a new era that was about to begin.
Iwahashi Shinichi never thinks that trf's success is an "accident".
With such thoughts and expectations in his heart, Shinichi Iwahashi is determined to fully support Tetsuya Komuro. However, in order to achieve a win-win situation, there must be interests that satisfy all parties. Similarly, in order to be able to feel at ease, one can let go and the other can support.
, there must also be a contract that can be accepted by all parties.
Before the new label is officially established, the most important thing is to draw up this contract. Genzo is related to the interests of several parties, and Kenyin is involved, as well as Tetsuya Komuro, the "center" of the new label. It is so complicated,
Contracts must be treated with caution.
Since Tetsuya Komuro pursues the selection strategy of "singing skills are not that important", on the one hand, the range of options for the next selection of newcomers has expanded. On the other hand, the selection conditions have become more stringent to a certain extent.
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After all, you can tell that a good singer is good by hearing it, just like you can tell that a dignified beauty is beautiful by looking at it. But it is really difficult to choose a charming and ugly person.
TRF debuts through a selection meeting, and then selects new members. According to the usual operation method, an internal selection meeting should be held to select suitable candidates.
However, with Tetsuya Komuro's talent selection strategy in mind, Iwahashi Shinichi felt that in addition to the newcomers with a blank sheet of paper, it was not impossible to choose the next production targets from artists who had already debuted.
The era of idols has come to an end, and there are still a large number of people who enter the industry with idol dreams. These young idols either seek transformation, continue to soak in the cold and biting water and wait for the end of their careers, or choose to return to their hometowns. In addition, there are
Sliding down to be a photo model, then going down one level to take a photo of Quanguo, and even entering the world starting with the word "a".
The era of idols has passed, but this passing era has lit up too many imaginations and dreams about "idols". These unrealizable dreams will push those who believe in all this to another situation.
If you look through photo magazines now, you will find that the quality of photo idols has increased significantly.
After the bubble bursts, you can imagine how "developed" these industries will be.
Since the photo industry can select newcomers among these people, so can the recording industry.
No longer putting singing skills first, it doesn't matter whether these idols can sing like professional singers. Perhaps, an idol who is slightly out of tune, by some strange combination of circumstances, becomes the voice that Tetsuya Komuro appreciates.
Besides, those who are qualified to be idols must at least have decent looks and meet the passing standards for debut in all aspects. Selecting newcomers from among them is equivalent to a preliminary test with the help of their agency.
And this strategy of selecting people has another use.
There is an agency behind a newcomer who has already debuted. If you want to take over this newcomer, you need the approval of the agency. If you want an artist who has already debuted to sing, it is not a deal between the record company and the individual, but a deal between two forces.
As soon as you start to interact, there are all kinds of opportunities hidden in it.
In the past, Shinichi Iwahashi would have been worried about being targeted by major forces and would have tried not to pay attention to artists from other forces. However, today, Genzo has come to a time when it needs to be even stronger.
Since Tetsuya Komuro wants to be the producer who shoulders this responsibility, he is naturally qualified to discover new talents. Because of this, it is necessary for Shinichi Iwahashi to reach some consensus with him in advance on the matter of discovering new talents.
, get to know each other.
…
"so,"
After chatting about the business, Komuro Tetsuya didn't forget to inquire further and asked Shinichi Iwahashi, "What did that Kouko-san say?"
He looked like he was just watching the fun and not taking it too seriously.
Iwahashi Shinichi was too lazy to pay attention to him. There was a hint of cruelty in Tetsuya Komuro's frivolity, and he seemed to be happy to enjoy the performance of a mad woman, and he was quite amused by the way people he knew were involved.
Realizing this, if you respond to Tetsuya Komuro, it will be no different than offering yourself as a joke.
In fact, since Iwahashi Shinichi started to participate in the television industry, this kind of thing has happened from time to time.
There was Kurobutou who asked him to take care of him, Mitsuko Miyazawa who took the initiative to show his kindness, and in the middle there were all kinds of unknown newcomers who met by chance on social occasions and seized the opportunity to express themselves.
In the record industry, if you want to make a singing debut, on the one hand, there are various restrictions. If you cannot meet certain conditions, you will not have a chance. On the other hand, even if you start from an underground label and release a single, as long as you have the talent, you may not be able to
Turn around. Only the television industry must get opportunities from television stations to have the opportunity to express themselves.
The record industry is a place where a sparrow can turn into a phoenix, and an inch-and-a-half-long worm can defeat a big snake. But in the television industry, if you don't get support, you can't make progress.
Not only actors and entertainers need to fight for opportunities for themselves, but even Genzo was not qualified to participate in the sponsorship of TV programs until it reached its current scale. Only after establishing a TV production company in cooperation with Yanyin did it truly set its sights on the TV industry.
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"Speaking of which, Miyazawa Rie-chan, Makise Rie-chan, Kanzuki Arisa-chan..."
Komuro Tetsuya didn't care whether Iwahashi Shinichi picked up his words or not, and made a joke-like plan with great enthusiasm, "In 3m, since I wrote a song for Miyazawa Rie-chan, the next production target will be to find another two-year-old."
How about bit m?"
Such words that seemed to come out of nowhere may not be a test of Shinichi Iwahashi.
To what extent does Iwahashi-san's promise of self-reliance go?
…
As long as Tetsuya Komuro does not violate the industry's taboo on cooperation and has freedom in music production, Shinichi Iwahashi will take action to realize his plan no matter what he does.
The cooperation with Tetsuya Komuro has unlimited prospects.
However, Iwahashi Shinichi knows better that eggs cannot be put in one basket.
This spring, on the one hand, I was working hard to promote Tetsuya Komuro, but on the other hand, Shinichi Iwahashi followed the original plan to discover new bands and solo singers, and acted as the producer himself.