He is also a composer-turned-producer. Compared to Tetsuya Komuro, who has clear ambitions and clear plans, Tetsuro Oda is much more pure.
Although Oda Tetsuro's goal is to jump from a music producer to an all-around producer, but in terms of his overly idealistic expectations for Misa Saeki, he is actually still an artist-type music producer, and
Not a versatile producer.
In the final analysis, Oda Tetsuro fell in love with Misa Saeki because he hoped to use her to realize his thoughts about music, not to create his own popularity.
This can be understood from the strong personality of Misa Saeki. If Oda Tetsuro wanted to be an all-round producer, he would not have chosen such a girl as his target. In Iwahashi Shinichi's view,
Misa Saeki is like an incarnation of Tetsuro Oda.
Of course, this point is both important and not very important. Since Oda Tetsuro is an artist-type producer, when he chooses his own incarnation, there is nothing else but support.
Iwahashi Shinichi promised Oda Tetsuro that he would give full authority to Oda Tetsuro about Saeki Misa, and he, as the producer, would decide how to cultivate her and when she could debut. Of course, in terms of the packaging of Saeki Misa,
Oda Tetsuro proposed the idea, and GENZO assisted.
Even if Misa Saeki is handed over to Tetsuro Oda, Shinichi Iwahashi cannot lose the aspect of "making money".
After communicating with Shinichi Iwahashi, Oda Tetsuro will convey the news that his agency has been established to Misa Saeki when he meets her.
"If Misa comes to Beijing, I will prepare an apartment for her," Iwahashi Shinichi said.
At this time, Nakamori Akina added, "However, I always feel that a girl like Misa might be angry if she knew that the record company had arranged a place and guardian for her."
At Misa Saeki's age, if she comes to Tokyo now, her company will rent an apartment for her, but this apartment basically lives in the same building as the newcomers from the same company. Not only that, there is one room upstairs in the same building.
The company's agent is not as strict and cautious as he is with teenage girls, but he is not completely unrestrained.
After watching this night, Akina Nakamori probably figured out what kind of girl Misa Saeki was.
Compared to the two men, Akina Nakamori is obviously more considerate.
Iwahashi Shinichi really didn't expect this. Even Oda Tetsuro, who knew Saeki Misa's temper very well, was only reminded of it after Akina Nakamori said this, and couldn't help but laugh: "Her angry temper seems to have appeared in front of him.
Face."
From this point of view, if Misa Saeki goes to Beijing, how to arrange for her is also a problem.
The topic about Misa Saeki came to an end for now. The heaviest stone in his heart fell to the ground. Oda Tetsuro relaxed and picked up the wine glass.
Iwahashi Shinichi chatted with him, "Oda-san, what are your plans next?"
Although Misa Saeki was the driving force behind Oda Tetsuro's independence, Oda Tetsuro couldn't just stop there and wait for her. Such a question is only natural.
Oda Tetsuro's office is now filled with various invitations from the industry.
Iwahashi Shinichi's question made him smile bitterly, "Since I am a composer, I must continue to do the work of composing... It has been a long time since I released a new song."
In one sentence, he revealed that all the songs released by VERMILLION Records in the past few years were his inventory.
Iwahashi Shinichi pretended not to hear it and said: "The entire industry is probably looking forward to cooperating with Oda-san."
"I have never been surrounded by various invitations like this." Oda Tetsuro showed the clumsiness of a newbie. Although he has been a composer for many years, Nagato Daiko has always taken care of everything for him.
.
Once he became independent, in addition to the clumsiness of a novice, Oda Tetsuro also had the drive to let go.
Iwahashi Shinichi remembered and invited him, "Would Oda-san be interested in participating in a TV show?"
Even Iwahashi Shinichi suggested that he participate in a TV show. Oda Tetsuro thought of the pile of invitations his office had received from TV stations, and suddenly felt like he had found a clue. On the one hand, he was not good at dealing with the camera and did not like to get along with others.
On the other hand, I am full of curiosity.
Iwahashi Shinichi's proposal played right into Oda Tetsuro's liking. It seemed that through Iwahashi Shinichi, a trustworthy person, his curiosity about new things that he had never experienced before could be safely experienced.
"There's a program from NTV." Shinichi Iwahashi introduced the variety show from TOKIO.
Since the show started airing, many big names in the music industry have gone to show off to those teenagers for the sake of Johnny or Shinichi Iwahashi. Tetsuro Oda has been a guest, which not only adds to the show, but also does not disgrace him.
The identity of the famous composer.
However, what moved Oda Tetsuro more than those things like identity and personality differences was that the nominal consultant of that show was Shinichi Iwahashi.
Since it was Shinichi Iwahashi's invitation, Tetsuro Oda was also willing to make this program his top priority.
…
After saying goodbye to Tetsuro Oda, on the way back, Shinichi Iwahashi and Akina Nakamori talked about their thoughts after this meeting.
During this meeting, Nakamori Akina had a good impression of Oda Tetsuro.
Oda Tetsuro, who is full of artist personality, slightly shy, and very sincere in his words and treatment, really makes people like him. And he fell in love with Misa Saeki, who is full of personality. After seeing the shining points in this girl, he chose to wait patiently.
Guide the discovery until she grows up.
The artist-like production strategy pursued by Tetsuro Oda also appeals to Akina Nakamori.
Listening to Nakamori Akina's praise for the master-disciple pairing of Oda Tetsuro and Saeki Misa, Iwahashi Shinban joked and asked her, "If you were to be a producer, would you be the same type as Oda-san?"
Nakamori Akina rolled her eyes and refused to accept his move, "I have never thought about becoming a producer."
Iwahashi Shinichi smiled, "What a pity."
"It's a pity that I said it with a playful smile, but it didn't sound convincing at all." Akina Nakamori retorted. She waited for a while, but before Iwahashi Shinichi's rebuttal, she suddenly showed a somewhat proud expression.
She looked very happy, "Finally, Shen Yi, you have nothing to say."
Shinichi Iwahashi was a little speechless, "What's the point?"... He looked like he had accomplished something big. Akina Nakamori occasionally showed a strange sense of satisfaction, which left Shinichi Iwahashi scratching his head.
Nakamori Akina didn't mind being treated as a childish ghost at all. After feeling proud, she thought about it and asked Iwahashi Shinichi, "Just now, Shinichi, what were you thinking about?"
"Just now?" Iwahashi Shinichi asked her incomprehensibly and went around.
Akina Nakamori gestured, "When Oda-san was talking about his thoughts, you suddenly showed an expression as if he had thought of something..." I'm just saying this now, which is a bit confusing.
But Shinichi Iwahashi thought for a moment and actually thought of what Akina Nakamori was talking about. He explained, "I saw a sign from Oda-san."
It is not uncommon for composers to serve as music producers. However, even artist-type musicians like Oda Tetsuro want to be a producer who does everything, not just responsible for music, and the composer serves as an all-round producer.
, more or less the signs are showing.
Nakamori Akina was thinking along with Iwahashi Shinichi's words, or in other words, she was recalling her experiences since entering the industry, "In the past, among the composers who provided songs for idols, there were many famous singer-songwriters. But singer-songwriters or composers,
But it’s rare to be an idol’s music producer.”
The prosperity of the idol era is inseparable from the support of the men in black behind the scenes. However, in the idol era, there is still a clear distinction between composers and producers. Those responsible for providing music only provide music, and those responsible for producing only produce.
The composer may also serve as a music producer, but he will not be the overall producer responsible for everything.
Therefore, composers and singer-songwriters in the past were able to successfully produce idol music, but they never produced idols.
But now, times are changing subtly.
Oda Tetsuro selected Saeki Misa and was willing to devote everything to creating this girl. It gave Shinichi Iwahashi the feeling that Oda Tetsuro personally chose an idol and he was responsible for packaging and production.
The media refers to today's recording industry as the "Idol Ice Age". Ninety-nine percent of newcomers who are introduced based on their past experience in making idols will not make a splash, and the remaining survivors are just thrown into the water.
Pebbles.
The era of idols is coming to an end. It is a commonplace that the era of idols will be preserved in another form and ultimately reflected in all aspects in other ways.
However, the experience of idol production has permeated the entire industry. Whether it is new actors, bands, or singers, the techniques and times used in production and promotion of idols can be seen. Even the composers are starting to get ready, which has to let Yan
Hashi Shinichi had some other ideas.
When the idol era flourished, many talented people hid behind the scenes. The end of the idol era had a lot to do with the fact that these talented people came to the stage. In the future, these talented people will retreat to the background again. Just like
A kind of cycle.
"To say that the era of idols is over, it is better to say that they are reborn in a different way." said Iwahashi Shinichi and Nakamori Akina.
Akina Nakamori listened very carefully. Her experience as an idol allowed her to quickly understand what Shinichi Iwahashi was talking about on this topic. She thought about it, but corrected: "Idols are really reborn.
?"
"Ah." Iwahashi Shinichi was stopped by her question.
He thought for a while, couldn't help but smile, and said in approval: "Indeed, the current situation cannot be said to be the rebirth of idols. It can only be said that the industry is sharing the spoils after the idols fell."
Just now, when Shinichi Iwahashi was speechless by saying something, Akina Nakamori was elated. But at this moment, after saying something that made Shinichi Iwahashi speechless at first, and then showed approval, she calmed down.
.
Although she occasionally wanted to make Shinichi Iwahashi feel frustrated with her words, when she really impressed Shinichi Iwahashi, she did not have the idea that she had won or had the upper hand, but was more happy to be able to do so.
Talking about business with him like this.
"Akina, you know how to grasp key points." Iwahashi Shinichi said.
After being praised, Nakamori Akina felt a little shy, "After all, he is a person who has been an idol for many years..." She wanted to say that it was a mistake.
Faced with this humility, Shinichi Iwahashi said: "That's why I say experience is very valuable."
After all, Taopusida is a determined person who has led the staff by the nose since his debut and built himself into the "finished product" on the stage today. He has never been a new idol waiting to be made.
The experience Iwahashi Shinichi mentioned is not only her experience as an idol, but also her experience as her own producer.
"Even if you say so, Shinichi," Nakamori Akina walked closer to him and said to him with a smile, "If you want me to be the producer, Akina, one day, I will be like Oda-san, and I will meet someone who looks...
It’s a newcomer who shines right in front of me. It’s not until then that I think about whether I want to be a producer.”
Shinichi Iwahashi also laughed, "I sold myself a lot, but the answer is not to be a producer like Oda-san."
He teased Akina Nakamori about how she avoided the question he asked when she said she didn't want to be a producer. Of course, whenever he mentioned the old topic again, he would inevitably receive the comment "How stingy" from Akina Nakamori.
Stingy and stingy, he loves to eat soft food. Among Iwahashi Shinichi's valuable traits, "stinginess" is the one most recognized by Akina Nakamori.
…
After Oda Tetsuro left VERMILLION Records and became independent, the first TV program he participated in was a program for which Shinichi Iwahashi served as a consultant.
When such news spread, on the one hand, the production team at NTV was very excited, as if they had the password to the ratings in their hands.
There are some famous and mysterious composers who don't appear often, and they clearly attract the attention of the audience.
On the other hand, TOKIO is able to bring composers like Tetsuro Oda to their programs. Is it because Kitagawa Hiroshi has reached some kind of cooperation with this talented composer, or is it Iwahashi Shinichi’s face that plays a role, or is it Oda Tetsuro?
What are my thoughts... This has caused everyone to speculate.
Only VERMILLION Records, after hearing the trailer released by NTV, gave Nagato Daiyuki another obstacle.
As soon as Oda Tetsuro became independent, he participated in Shinichi Iwahashi's program, which made it clear that he had some connection with Shinichi Iwahashi before he became independent.
With the name Iwahashi Shinichi, Nagato Daiyuki would not think that Oda Tetsuro participated in that show because Johnny's Kitagawa expansion gave him benefits.
Nagato Daiyuki recalled Shufang Ikuo's attitude towards Iwahashi Shinichi and BURNING's past events of suppressing news for Iwahashi Shinichi, and he deeply realized that the reason Shufang Ikuo let him go was because Iwahashi Shinichi was causing trouble.
And he himself couldn't even know whether this was Shinichi Iwahashi's plan or Tetsuro Oda's commission.
At the beginning, the naughty boy he hated so much has now become a big shot that he can't touch.
