However, Daikuro Moki did not do this for herself. Iwahashi Shinichi revealed her little plan, and she stepped back, leaving the question to Kamai Sachiko.
"Sachiko-chan~ Please!" Daikoku Maki made a gesture to push Kamaiike Sachiko out, as if it was not lively enough.
Iwahashi Shinichi was not surprised by this. Based on his understanding of Daikoku Moki, this child has a straightforward personality. He will naturally hit the ball straight when something happens. No matter whether the success rate is high or low, he has a sense of no hesitation. Such a big boy has a straightforward personality.
Heimo Ji, if she beats around the bush, it must not be for her own sake.
Facing Daikuro Maki's slightly exaggerated posture, Kamaike Sachiko showed her the helpless and tolerant expression of an older sister who can't help her naughty sister.
But in fact, when Iwahashi Shinichi and Daikuro Maki were joking, Kamaike Sachiko was already thinking about it, waiting for the right time to speak.
In fact, compared to Daikoku Maki, Kamaike Sachiko has stronger action and more determined willpower.
Compared with Daikokumoki, Kamaike Sachiko's personality is certainly more subtle and restrained. However, the more so, when he decides on something and wants to achieve his goal, Kamaike Sachiko will show greater ambition than a straight-ball player.
The more determined side of Kuromori.
Between this pair of friends, it seems that the energetic younger sister is pulling her older sister on a rampage, but in fact, it is the older sister who has a sense of control in her heart who acquiesces to the energetic younger sister. This also makes it clear that in some matters, the mastermind is
Kamaike Sachiko, but because of Daikuro Maki's excessive mobility, she led Kamaike Sachiko to "get into trouble".
Daikuro Moki himself may not be aware that Kaname Sachiko is actually stronger than her.
Despite this, or perhaps because of this, she didn't mind playing the role of running at the front. What's more, she introduced Oda Tetsuro to Kamai Sachiko. In this matter, Daikuro Maki had a subtle,
I feel like I can't stay out of it.
Kamaike Sachiko accepted Daikuro Maki's kindness and her slightly complicated feelings, gently bowed to Iwahashi Shinichi, and said: "Iwahashi-san, it's about Oda-san's song last time.
"
Iwahashi Shinichi said "Oh" and suddenly remembered it and couldn't help but smile, "That album is still here with me."
Previously, Sachiko Kamaiike introduced him to Tetsuro Oda's album that had been released for a long time but had no success. Shinichi Iwahashi borrowed that album from her. After listening to it, he wanted to go to the recording studio next time.
I brought it to her, but I was so busy that I forgot about it.
Kamai Sachiko lowered her eyelids and did not respond to Iwahashi Shinichi's words. Even so, this look was, to a certain extent, a response.
Iwahashi Shinichi was shocked by Kamaike Sachiko's silence. He suddenly felt that if Kamaike Sachiko was cut open, the core must be black... and Akamatsu Haruko are the same in every aspect.
people.
No wonder Daikuro Maki lamented that when he went out with Kamai Sachiko and Akamatsu Haruko, he would be reduced to a follower.
With such thoughts flashing through his mind, Shinichi Iwahashi opened the topic himself and revealed the purpose of Sachiko Kamaike's visit, "Have you finally thought of a suitable direction for that piece of music?"
When Sachiko Kamaiike introduced Tetsuro Oda's album and mentioned one of the songs in particular, Shinichi Iwahashi might not have thought that she wanted to cover an old song by Tetsuro Oda. However, at this moment, Sachiko Kamike came to him.
, as soon as she mentioned "that piece of music", her thoughts became obvious.
He was straightforward. Kamai Sachiko seemed relieved and nodded slightly, "I like that piece of music very much..."
Shinichi Iwahashi was actually a little curious, "Why? From the perspective of the song itself, although it is an excellent work, it is not actually very outstanding, at least, not to the point of being outstanding."
Kamai Sachiko also admitted this, "If you put that piece of music among all Oda-san's works, it wouldn't be the best. However, I like that piece of music very much and feel that there is a continuity in the piece.
Constant strength.”
She used words like "continuous", which made Shinichi Iwahashi find it strange, but when I thought about it carefully, I felt that using such words to describe it was vivid and vivid. This is probably the way a lyricist uses words and sentences.
"Continuous power, I think, is very important." When Sachiko Kamaike said this, she suddenly showed a little bit of embarrassment, but she continued, "... especially in today's era."
Iwahashi Shinichi taught Kamai Sachiko not to regard the "era" as something untouchable. He also told her that the entertainment world is not just a world for entertaining the public. Be it singers or other artists, in
In the era, it has its own meaning of existence.
It was precisely because of Shinichi Iwahashi's words that Sachiko Kamaike had the consciousness to look around her. Furthermore, she realized the changes of the times and understood the fact that she was living in the era.
Kamaike Sachiko felt no shame when she heard these words to Iwahashi Shinichi. However, Daikuro Maki and Moritomo Arashi were also present, which made her a little worried that she was too self-righteous.
When the word "era" came out of Sachiko Kamaike's mouth, both Daikoku Maki and Moritomo Arashi were a little surprised.
Moritomo Rashi's lyric writing style tends to look at the inner world. Although he is not unaware of the changes in the outside world, he subconsciously chooses to escape. Therefore, I can't help but look at Kamaike Sachiko with a certain disdain for the fact that he has spoken out about this.
As for Daikokumoki, he had never considered these heavy and grand words. Listening to Kamai Sachiko say these words, it was like hearing some extraterrestrial words.
However, despite being embarrassed, Kamai Sachiko quickly recovered her mood.
After all, what she wants to convey is not just to one person, but to everyone. With such an idea, she is already a self-righteous person. However, writing lyrics is a self-righteous thing.
Daikuro Moki and Moritomo Rashi were deeply surprised, but Iwahashi Shinichi nodded in approval. After thinking about it, he added: "That's what I said, but if power is too strong, it will
It will become a burden to the public.”
In other words, when cheering up the public, don't yell "Come on!" and push them to cheer up. Instead, be gentle and say, "You are the best if you try your best."
For the general public, they not only need to be comforted by literary and artistic works, but at the same time they avoid and reject overly strong forces. This is a subtle self-protection mentality.
Sachiko Kamaiike listened carefully and then explained: "That's why I think Oda-san's song is very powerful, because it has a sense of gradual progress."
The power contained in the song is continuous because of the gradual progression. Such a song, according to Kamaike Sachiko's feeling, is very suitable for filling in an encouraging lyric.
Kamai Sachiko is able to realize this. It must be said that she is not only a genius in writing lyrics, but also has an extraordinary ability to see into people's hearts.
Iwahashi Shinichi thought this and couldn't help but laugh, "It sounds like you want to make a cheering song."
Sachiko Kamaike responded implicitly, "I just hope it can encourage the audience and make everyone feel that they can work harder, so I will be very satisfied."
This piece of music that she accidentally heard left a deep impression on Kamai Sachiko, and after repeated reflections, she finally made up her mind to rearrange it and sing it.
However, Kamachi Sachiko knew in her heart that the source of the strength that enabled her to make up her mind probably came from looking around her. She saw that in just a few years, many things around her had changed drastically, including the fate of her friends.
They are all different, and the emotion that arises spontaneously in their hearts is that the tide of the times is irreversible.
In addition, looking at his younger brother who missed the golden age as soon as he graduated and struggled to find a job, Kamaike Sachiko saw many people like him who were ignorant and ignorant, so he stepped into the new world.
young people of the era.
For Sachiko Kamaike, she considers herself lucky.
After graduating from junior high school, she rode the wave of the golden age, and had the opportunity to meet Akamatsu Haruko and be brought to Shinichi Iwahashi. When the bubble burst, her recording industry faced a crisis due to the recession.
Unprecedented prosperity.
Just because she felt that she was lucky, Kamaike Sachiko wanted to do something even more.
Although I am unable to resist the torrent of the times, I still hope that I can bring a little sense of peace to the people in the torrent.
After truly feeling the "era", Sachiko Kamaike understood the meaning of Shinichi Iwahashi's words, "Don't treat the era as something untouchable."
The times are not untouchable, on the contrary, people are living in the times.
It was because I had a suitable theme in my mind that I discovered the brilliance of Oda Tetsuro's piece, and I hope to work hard for this piece.
Sachiko Kamaike looks shy and inarticulate, but she is determined and strong in her heart. If it were not for her inner tenacity, she would not stick to her heart, step by step, until she reaches the opportunity that belongs to her.
In the times, Sachiko Kamaike is certainly lucky. But this luck comes from her own perseverance.
"I understand." Shinichi Iwahashi told her.
He thought about it for a moment and told Kamai Sachiko, "I'll contact Oda-san and try to get the right to use this song..." After thinking about it, he asked her first, "Does anyone else in the band know about it?"
Kamai Sachiko replied, "I played the music to everyone and explained my thoughts." She mentioned Akamatsu Haruko again, "Besides, Haruko also helped."
Akamatsu Haruko is very supportive of Kamai Sachiko's idea.
