Although Taira Tetsuo is very convinced of Baba Shunichi's talent, he will not blindly follow his decision.
At this stage of uncertainty, if you take too big a step, you will put yourself in an unfavorable situation. Tetsuo Taira and Jun Baba brought Amuro Namie back to Tokyo from Okinawa. This girl is the most important thing in their hands.
A trump card. Whether you can seize the opportunity to make a comeback in the new era depends on how to unleash the potential of this girl. Because of this, it must be carefully considered.
After Baba Junichi listened carefully to the cold water poured over by Taira Tetsuo, he did not show any displeasure. Instead, he expressed approval: "Taira-san is very thoughtful."
Tetsuo Taira breathed a sigh of relief. At least Baba Shunichi was not in a hurry for success. He continued to add persuasiveness to his words, "Until the situation is undecided, let Namie-chan continue to act as a group. In this way,
It also keeps her fresh and topical. It can be said that it is a safe zone prepared for her."
Group activities and solo debut are two different things. A change in identity means a complete transformation. Since Namie Amuro is making her debut as a group, don't resort to the big move of "solo" easily.
Tetsuo Taira was able to turn his career as a Yakuza member into an agent and successfully made Yoko Oginome famous. He was the first to think of setting his sights on Okinawa before Junichi Baba, and when Junichi Baba came to him, he was able to decisively cooperate with him.
Everything proves that he has a solid vision in judging the situation. At the same time, he also has the courage to make decisions.
However, Baba Shunichi's desire to let Amuro Namie make her solo debut was not entirely out of short-sightedness. After listening to Tetsuo Taira's analysis, he suddenly mentioned Tetsuya Komuro.
"That Komuro-san became a gold medal producer by producing electronic dance music and created his own popularity. Now, he has set his sights on young female singers."
"TRF's style is unique and they are a very outstanding group. But because they are outstanding, it is difficult to copy. If you want to really set off a trend, you still need to create products that are easy to copy. That's why GENZO has set its sights on female singers."
Idol male singers have always found it difficult to win the audience's favor, not to mention the Johnny family, which focuses on male idols. The Japanese like idol female singers with different styles, but it is rare for non-creative male solo singers to win.
focus on.
What Baba Shunichi said was a simple fact on the table. But he changed his words and said with profound meaning, "In this way, the person who is most in line with Komuro-san's ideas should actually be a person who is good at singing and dancing.
girl singer."
Ping Zhefu showed a shocked expression, and a thought flashed through his mind:
Isn’t this Namie Amuro?
When Taira Tetsuo realized the true meaning of Baba Junichi's words, he also understood his intentions. However, for now, such an idea is unrealistic.
At this time, Baba Shunichi broke the news, "Namie-chan seems to be more like a GENZO singer than a VERMILLION singer."
Taira Tetsuo's expression returned to normal, and he politely reminded: "However, Namie-chan is the singer of VERMILLION. This has become a fact."
If GENZO discovered Amuro Namie first, it would undoubtedly have gained a new talent with full potential. Taira Tetsuo and Baba Shunichi brought Amuro Namie back from Okinawa first, which at least eliminated the possibility of GENZO getting another general.
From this point of view, Taira Tetsuo and Baba Shunichi don't know whether they will lose or win.
In Tetsuo Taira's view, if Namie Amuro belongs to VERMILLION, it is impossible to have anything to do with Tetsuya Komuro, who is backed by GENZO.
VERMILLION and GENZO are not only competitors on the table, but the relationship between the BURNING and GENZO series is even more tense. Under such circumstances, how could Tetsuya Komuro, who signed an exclusive production contract with GENZO, produce newcomers for the hostile forces?
It is true that Tetsuya Komuro produced a single for Ryoko Shinohara, but Ryoko Shinohara is a Sony artist, Tetsuya Komuro's band contract is with Sony, and there is a human relationship between the two families. Ryoko Shinohara even had a relationship with Tetsuya Komuro.
The romantic affair of a talented man and a beautiful woman. Apart from Ryoko Shinohara, Tetsuya Komuro has never had any involvement with anyone other than GENZO.
Baba Junichi took Tetsuo Taira's reaction into consideration, but he didn't care: "At first, Oda Tetsuro-san was VERMILLION's exclusive composer, but Iwahashi-san still facilitated his cooperation with the GENZO singer."
Since Shinichi Iwahashi can use his means to openly use other record companies' exclusive composers for his own use, why can't he, Shunichi Baba, do the same?
Baba Shunii said to Tetsuo Taira: "It is true that Namie-chan is the singer of VERMILLION. So, what we have to consider is how to take advantage of this - VERMILLION has a singer who is more like GENZO."
Taira Tetsuo was a little confused, so he simply asked him for advice: "What does Baba-san mean?"
"SUPER MONKEY'S will change its style starting from the next single. Today's audience is not interested in American youth style. Even if it wins over a few middle school fans, it will not help at all. What the audience likes is studio-style electronic dance music. We want to
Just do what the audience likes."
Baba Shunichi smiled and said, "Hei-san reminded me that even if Namie-chan still carries out activities as a group, it will not affect us in changing the style of the group. In fact, this is better."
VERMILLION cannot get help from Tetsuya Komuro, but it is not difficult to ask composers in the industry for songs and ask for a few dance songs with Tetsuya Komuro's flavor.
Next, he wants the style of SUPER MONKEY'S to be closer to that of Tetsuya Komuro. Although they are not Komuro-style singers, the public will see something familiar in them.
Not only that, this is a non-Komuro group with a Komuro style. The girl standing in the middle is more suitable for Tetsuya Komuro's style than the female singers selected by GENZO.
If the counterfeit goods come to the attention of licensed goods, it means that a turning point is coming, whether it is a good turning point or a bad turning point.
Taira Tetsuo was amazed when he heard Baba Shunichi's almost whimsical plan.
But Junichi Baba was already immersed in his own plan. He once again expressed his approval to Tetsuo Taira, "Taira-san is right, this combination should be allowed to continue to exist until they are discovered."
Even if they imitate the Komuro style, they are imitating it as SUPER MONKEY'S and have nothing to do with Amuro Namie. Keeping this group is equivalent to giving Amuro Namie a chance to debut again.
"Let's negotiate with the Okinawa Performing Arts School and ask them to select another member to come to Tokyo to maintain the current formation. In this group, Namie-chan is absolutely shining. Just look at this matter.
Those who combine will know.”
"One day, Komuro-san himself will also know."
When Baba Shunichi said these words, Taira Tetsuo felt the impact in his heart again. Unexpectedly, Baba Shunichi really had such thoughts.
...It's basically gambling.
Taira Tetsuo had reservations about Baba Shunichi's imagination. Amuro Namie was both a bait for Tetsuya Komuro and a fish waiting to be chosen by Tetsuya Komuro to leap over the dragon gate. Such a thing is unbelievable.
Junichi Baba compared his own approach with Shinichi Iwahashi's cooperation with Oda Tetsuro. However, Taira Tetsuo always felt that the two were not the same thing.
However, no matter how fanciful the future envisioned by Baba Shunichi is, at least for now, his idea of changing the group's route and producing electronic dance music is extremely feasible.
In this case, he put down his opinions and made full preparations for the reorganization of SUPER MONKEY'S.
The members of SUPER MONKEY'S didn't know what kind of private discussions the adults who decided their fate had had in private. They were only told later that the agency would select a new person from the Okinawa Performing Arts School to fill the vacancy after Makino Anna left the team.
, and ask them to recommend their favorite candidates.
The girls were quite excited. For them, Anna Makino, who had always been their trusted senior and sister, suddenly announced that she was quitting the team. It was the time when they were secretly playing drums. At this time, they learned that they would learn from the group they had practiced with.
There are new members among the classmates. They are still a group from the Okinawa Performing Arts School, which undoubtedly brings a sense of security.
The girls thought carefully, but before writing down their favorite teammates on paper, they whispered and exchanged opinions. Several of them came to Tokyo from Okinawa together, and they got along well with each other. Even after their debut, in the group,
Namie Amuro was the absolute centerpiece, occupying most of the shots, and she did not attract any rejection from her teammates.
It seems quite incredible to onlookers that a team with different personalities can still have such a harmonious relationship.
After a private discussion, the girls finally wrote the same name on the paper. Their classmate at the Okinawa Performing Arts School, 14-year-old Nakamune Rino, filled in for Makino Anna's position after she left the team, from Okinawa Mae
Come to Tokyo.
Now, in terms of age, this group has become a veritable girl group.
It is a group that has never been famous, and its personnel changed quietly. But at the same time as the members were changed, Shunichi Baba reorganized the production team of SUPER MONKEY'S and began to plan the transformation of the group. To be precise, it was to explore a new route.
Just as the members of SUPER MONKEY'S change quietly, no one cares about Junichi Baba's actions. Only he himself is filled with ambition.
For Shunichi Baba, just catching Namie Amuro is not enough. If you want to truly defeat Shinichi Iwahashi, you must not only catch the trend, but also cut off his lifeline.
Just like what Shinichi Iwahashi once did to Nagato Daiyuki, until he had nothing to do.
…
In mid-April, Hitomi Furuya’s new single was officially released on the shelves.
As the first work released by GENZO after Tetsuya Komuro focused his production on female singers, Hitomi Furuya’s debut promotion was extremely grand.
Tetsuya Komuro is a topic of his own. TV stations and broadcasting bureaus are happy to support the single he produced. The record sellers are also convinced that sales are guaranteed. Hitomi Furuya’s background as a model and her outstanding appearance have also become a
As part of the publicity, her arrangements include regular publicity for singers, magazine interviews, TV interviews, and in addition, small meetings.
In terms of promotional methods, these arrangements have a hint of idol promotion. But as long as you make sure to maintain the right sense of mystery for Hitomi Furuya, don't use yourself as a selling point like an idol, but focus on the music.
, you can ensure that you will not be considered an “idol” while using idol-like promotion methods.
This is how the experience in the industry is applied. At the appropriate time, some will be added or some will be reduced, and then it will become a completely new form.
Even if the public is doubtful at first, as long as you are firm on your side, it will eventually become the truth.
Tetsuya Komuro's creative efficiency is astonishing, and his arrangement of songs can be described as batch production, taking the high efficiency of electronic music to the extreme. Hitomi Furuya's debut single and debut album began production at the same time, with a total of twelve songs, all of which are
Tetsuya Komuro's fresh new song.
This chapter is not finished yet, please click on the next page to continue reading the exciting content! At the same time, he also created a new album for TRF and began to arrange the debut of the next newcomer Kanda Uno.
With such strong creative power, even those who bring their own hard drives will feel inferior.
Like firing cannonballs one after another, after Hitomi Furuya officially entered the debut promotion period, Tetsuya Komuro focused his work on another newcomer Kanda Uno.
This eldest lady, who seemed a bit troublesome to him, but was attracted by Shinichi Iwahashi, made Tetsuya Komuro suffer a lot in the recording studio. Kanda Uno, who came from a wealthy family and grew up like a little princess, Tetsuya Komuro became more and more
If you show your authority as a producer in front of him, you will be in trouble.
Although after leaving the recording studio, if Tetsuya Komuro and Uno Kanda met in a club or disco, the two players would definitely have a great time, but as soon as they entered the recording studio, they would hate each other.
Komuro Tetsuya was not happy with this newcomer. Inexplicably, he became angry with Ayumi Hamasaki, whom he had only met once before.
She is also a newcomer who is favored by Shinichi Iwahashi, and she is also a girl who gives him a difficult impression. Not only that, Hamasaki Ayumi left him with a difficult impression, but there are also some qualities that Kanda and Uno do not possess: the courage to challenge authority.
.
A girl who is only a teenager is already so sharp!
This trait in Hamasaki's character just pokes at the hidden taboo in Komuro Tetsuya's heart.
Tetsuya Komuro has not yet met Ayumi Hamasaki for the second time, and is still not sure about Shinichi Iwahashi's arrangements for her. He has already secretly decided not to be Hamasaki's producer.
Tetsuya Komuro didn't like Kanda Uno who had his own way, but Hitomi Furuya, who was always obedient, had many shortcomings in Tetsuya Komuro's eyes.
Counting Ryoko Shinohara, they have worked together to produce three newcomers. Tetsuya Komuro already feels comfortable with how to produce a female singer, and a sense of expectation is ignited in his heart.
You must explore more new people until you find the perfect new person who can fully realize your ideas.