After Iwahashi Shinichi went out, not long after, Nakamori Akina also left home.
Old manager Omoto came to pick him up. After not seeing him for a long time, Akina Nakamori looked cheerful and said hello to him: "Omoto-san, how are you doing?"
Oben smiled and said: "Mingcai Jiang looks good."
Nakamori Akina has deliberately reduced her work since she got married. She no longer has to work around a difficult Tao Pustar as she did in the past. Although Omoto is secretly relieved, he still feels a little lonely when his daughter gets married.
After getting married, she decided to focus on her family. Nakamori Akina's stubbornness that she once said she always had seemed to have disappeared.
On the one hand, the old manager was pleased that Akina Nakamori had opened the door to happiness as she wished, but on the other hand, he couldn't help but feel a little pity for her subtle change.
After finishing her impromptu trip to Hokkaido, Akina Nakamori came to the office after a long absence.
After not showing up for a long time, she selected the ones she was interested in among a bunch of job offers sent to her. The manager of the agency sent a script to her and told her: "...it was sent to the agency by the script writer Mitani Yuki-san.
I hope I can give it to Akina-chan for a look."
Yuuki Mitani is a well-regarded screenwriter nowadays, so the script he sent unsolicited is naturally no small matter. The office also treats it with special seriousness.
Akina Nakamori had never met Yuki Mitani, but because of Shinichi Iwahashi, she had heard a lot about this robot-like man. Suddenly I received the script from him, and I felt a little curious. I opened it and read a few lines.
I couldn't help but say "Hey".
Iwahashi Shinichi had mentioned to her before that Mitani Yuki wanted to invite Akina Nakamori to star in the script of a husband-killing movie.
This idea was casually mentioned by Mitani Yuki and Iwahashi Shinichi while drinking, and nothing was said about it after that. Nakamori Akina did not expect that Mitani Yuuki would directly send the script to the agency.
She subconsciously relied on Shinichi Iwahashi and felt that he should start talking about the ideas he brought back. But Akina Nakamori was not aware of this for a while. She focused on the script.
superior.
A pair of school friends meet again after a long separation. Two women, one is Yuki, a professional woman, and the other is Kumiko, a housewife.
Yuki works in a well-known company, and Kumiko has a elegant husband. They both have bright futures in their respective lives.
Yuki said she envied Kumiko's happy life, but in fact she refused to join the family. Kumiko envied Yuki's independent attitude as a professional woman, but she was too weak in her heart to return to society.
In fact, Yuki, a professional woman, has a difficult career in the workplace. Although she has excellent abilities, she has never been able to get into the department she really wants. Kumiko, a happy housewife, has long endured violence from her husband.
By chance, Yuki discovered the secret of Kumiko's happy life.
Kumiko could not escape her husband's violence, and was filled with fear when faced with his threat of "I'll kill you if you dare to escape." However, despite enduring the violence, there was a small fire hidden deep in her heart.
Yuki felt bored with the current state of work and life. When Kumiko suffered fierce violence again, she not only wanted to save her friends, but also had some self-destructive thoughts, and proposed a plan to kill Kumiko's husband.
The fire hidden deep in Kumiko's heart was ignited by Yuki's suggestion.
The two women worked together to kill Kumiko's husband, and then drove a car and started their first trip after their reunion, a trip after the two regained their lives. When the two women officially hit the road, the real story begins.
…
Akina Nakamori read the script carefully and was fascinated by it.
When Iwahashi Shinichi came home for the first time and talked about Mitani Yuki's idea, although she and her husband joked about the story and were somewhat interested in it, she did not expect that it would be such an attractive story.
But the appreciation for this story may also come from a slight change in mentality.
After she put down the script, the manager of the office looked at her expression and asked in a nonchalant tone: "What do you think of Akina-chan? Mitani-san is indeed a famous playwright, and it is indeed an amazing story. But in terms of subject matter..."
Not long after Akina Nakamori got married, she had to play the role of a wife who was subjected to domestic violence and then killed her husband, which seemed to damage her image.
Although there has always been a "fine tradition" in the entertainment industry of actresses being presented with unethical scripts as soon as they get married, this target is Taopu Shida and her big shot husband after all. Kenyin is not very enthusiastic about this script, but it is Nakamori Akina's words
She has great power, and there is no reason to refuse directly without going through her hands.
If it were an ordinary artist, if the agency thinks the script is inappropriate, the artist himself won't even be able to see it.
Akina Nakamori looked at the cover of the script and flashed through her mind the scene of Shinichi Iwahashi and Ayumi Hamasaki talking and laughing at the dinner table this morning.
"After school today, you can come to the company and have a look."
When Shinichi Iwahashi asked Hamasaki to work part-time at a record company the night before, it was not just a casual talk. Faced with an adolescent girl who went to Beijing alone, Shinichi Iwahashi assumed the mentality of a natural guardian.
However, Hamasaki's admiration for him made him look and behave like his father.
...Is it Shinichi Iwahashi who shows a fatherly attitude to Ayumi Hamasaki, or does Ayumi Hamasaki's attitude towards Shinichi Iwahashi make him look like a father?
Ayumi Hamasaki developed a father-like attachment to Shinichi Iwahashi, but did not regard Akina Nakamori as his mother. He admired Akina Nakamori and wanted to be like her——
Such an association made Nakamori Akina feel ugly inside. However, if she was jealous, she couldn't tell what exactly she was jealous of.
If he is jealous of Hamasaki, that doesn't seem to be the case.
Akina Nakamori looked away from the cover of the script, raised her head, looked at the manager of the agency, and said, "This story is very interesting, isn't it?"
The office manager laughed, "That's right. But..."
"Mitani-san wants me to play the role of Kumiko." Akina Nakamori smiled.
The old manager Ben who was accompanying him couldn't help but be stunned for a moment. It was a familiar and long-lost look, the look on Nakamori Akina's face when she made a decision and made it clear.
The difficult Taopusida did not disappear with the marriage. The old agent looked at the face of the office manager calmly, feeling that Nakamori Akina's long-lost willfulness was kind of friendly, and secretly sweating.
Not only for the office manager, but also for myself. Even a little bit for Shinichi Iwahashi.
The girl who broke into the house not only disrupted the Iwahashi family, but also made Akina Nakamori suddenly full of energy.
