The bubble era has arrived, and magazines that teach you how to eat, drink and have fun, or publish luxury goods and popular restaurants are extremely popular. Everyone is pursuing luxury. In this case, you should cater to this mentality of pursuing luxury.
However, the uncertainty that it is very likely that the attempt will be in vain seems to be an invisible irony of this world.
Even those who participate in the show, if they are popular, can make their debut as actors, singers, etc. through the show, which is full of various possibilities.
Iwahashi Shinichi started, and Akimoto Yasu thought of a lot. The more he thought about it, the more interesting it became.
As for promoting money worship, it doesn't matter at all. Just like his "Twilight Meow", he just found a bunch of female high school students to talk about things that are not suitable for minors to say.
topic.
From this point of view, Iwahashi Shinichi's idea played into his bad taste.
"Isn't this very interesting? Shinichi-kun, it would be possible if it were actually made into a show." Akimoto Yasushi praised him, "My brain works very fast."
Iwahashi Shinichi smiled, "Although the current era is the best era for girls, on the other hand, there are always people whose popularity will never change no matter how the times change."
Speaking of this, he joked with the hostess, "For example, someone like Mr. Akimoto."
The escort girls are like human beings who put the pleasure of their guests first. Because of this, sometimes they can take advantage of their excessive thoughtfulness.
Yasushi Akimoto, who had just used Iwahashi Shinichi as a bait to start a joke, was in turn taken advantage of by Iwahashi Shinichi. Akimoto Yasu noticed Iwahashi Shinichi's thoughts, smiled slightly, and accepted him
This little "counterattack".
However, rather than saying it was a counterattack, it was more like making the same joke.
However, to be able to achieve this level in his early twenties, Akimoto Yasu looked at Iwahashi Shinichi, thoughtfully.
…
The next day, Shinichi Iwahashi sent the music to Yasushi Akimoto's office. Yasushi Akimoto acted quickly and sent back the written lyrics just two days later.
Shinichi Iwahashi reviewed it first, then called Yasushi Akimoto and negotiated a few lyrics with somewhat general meanings. After confirming all of them, he handed the lyrics to Warner Pioneer, who also made the decision, and the title song was officially released.
Get in position.
After getting the lyrics and before the recording started, Yasushi Akimoto contacted Shinichi Iwahashi and asked him to go out for a drink.
When Iwahashi Shinichi arrived, he discovered that this was not a meeting between him and the fat young man, but two other middle-aged men were present.
Yasushi Akimoto introduced the two people to Shinichi Iwahashi. One was the script writer who had collaborated with him on "Twilight Meow Meow", and the other was Chihiro Kameyama, the producer of Fuji TV.
After saying hello, Akimoto Yasushi explained the specific situation, "I told Producer Kameyama about the idea that Shinichi-kun mentioned last time. He thought it was very interesting and wanted to meet you and talk about it in more detail.
Let’s talk about related things.”
"Akimoto-kun said you were Matsumoto Akiko's former manager, so I know who you are."
Kameyama Chihiro said, "The idea this time is also quite interesting. I think it can be enriched and made into an interesting program. This is your idea, so it cannot be separated from your opinion. Let's have a good chat.
.”
Countless TV shows, when they were first created, were all in a bar or nightclub, with producers, script writers, agents, or agency presidents, in short, all kinds of people working in the industry.
People with different divisions of labor come together to express their opinions and finally create a complete program.
Although Iwahashi Shinichi and Watanabe Manyumi have booked a program at TV Asahi, this is the first time that he has come up with an idea and discussed it with the script writer and producer.
This experience is of great significance. If this program can really be approved and finally put on the TV screen, then Shinichi Iwahashi, who participated in the production of variety shows, will have a wider path in the TV station.
From this point of view, the fat young man Yasushi Akimoto is providing help to Shinichi Iwahashi and bringing him into the television industry.
After finishing drinking, the four people changed places again.
In the first booth, everyone expressed their opinions on the program. This second booth was purely for entertainment. The four people had a good time, and then each went back to their respective houses to send the bills to Akimoto Yasu's office.
Chihiro Kameyama got into the taxi first, and Shinichi Iwahashi, Yasushi Akimoto, and the scriptwriter got into Yasushi Akimoto's car together, and his driver took them home.
The first person to get off the bus was the script writer. After he left, Akimoto Yasu said to Shinichi Iwahashi: "Shinichi-kun, I originally planned to go to the United States for further study as soon as the Kitten Club ends."
"However, after hearing this idea, I was suddenly stimulated by the practice of drawing ghost cards. I thought it was very interesting. So I decided to put off my schedule for the time being and produce this show first."
With new things of interest, Akimoto Yasushi's spirit returned.
Shin Iwahashi got out of the car, and the driver turned around and sent Yasushi Akimoto home. When he got home, the indicator light on the phone showed that there was a message, and Yasushi Akimoto pressed the button.
"Good evening, Mr. Akimoto, I'm Takai."
It's Asamiko Takai, a member of the Kitten Club.
His co-composer and good gay friend Gotojiri is very close to Kawai Sonoko from the Kitten Club. Takai Masiko has also been actively contacting him recently. He gets phone messages every now and then, and she even has the courage to ask him out.
go to eat.
Yasushi Akimoto, who has become a human spirit, knows exactly what Takai Asakiko is thinking.
After listening to the message, he was thoughtful.
…
The lyrics and music of the title song are ready, and the production of Chisato Moritaka's new song has officially begun.
This time, although Warner Pioneer outsourced the production rights to Genzo, the recording was not done in the studio rented by Shinichi Iwahashi, but in a studio owned by Warner Pioneer.
The sound engineer had previously been responsible for Chisato Moritaka's debut single, and Shinichi Iwahashi took over as producer, temporarily changing the scope of activities from his hometown in Yoyogi to Warner Pioneer's recording studio in Shimbashi.
Regardless of any previous prejudice against this young producer, or whether he was reluctant, it was a done deal. Chisato Moritaka also came to the recording studio, and before the recording started, he greeted him and introduced himself again.
For the next period of time, in the recording studio, it was this somewhat annoying person who controlled everything about her.
Sentaka Chisato felt a little repulsed and a little curious at the same time.
Iwahashi Shinichi knew nothing about her thoughts and responded to her self-introduction, "Hello, Mori Taka-san. I hope we can maintain a pleasant cooperation in the next period of time."
