The items Iwahashi Shinichi is talking about now sound quite interesting.
Make the event bigger and create a buzz. Once it becomes lively, even the audience who don't know much about the band may become interested in the band's concert.
The mobile stage and fireworks display are the selling points of the concert.
Watanabe Mayumi thought for a while, "Whether it's a mobile stage or a fireworks display, these can indeed bring topicality. However, there is still something missing."
Iwahashi Shinichi made a listening gesture.
Watanabe Mayumi didn't give in, "It's the audience's expectations for the content of the concert." After relying on topics to attract the audience to the venue, it is also necessary to satisfy the audience's expectations for such a special concert.
Since we want to create a unique concert stage, we must meet the rising expectations of the audience. If we just sing in an ordinary concert venue, the audience will treat it as an ordinary concert.
But once a circus tour is set up, the audience has to expect to see something different.
"This really needs to be considered." Iwahashi Shin nodded.
Since we are going to do an outdoor tour like a circus, not to mention the gorgeous stage, the band itself is very free and unrestrained. During the performance, you can add various interesting little links, write a few songs that will only be sung at the concert, and you can
When you hear a new song, you can even find a backup dance group to liven up the atmosphere.
Because Typhoon is a band that is not so serious on TV, they can arrange whatever they want.
In addition, Iwahashi Shinichi told her, "Then it's about the song selection for the concert. I want to decide it in another way."
"oh?"
He didn't give in, "Let's let the audience vote. Let the audience vote and tell us what songs they want to hear. We will decide what songs to sing based on the audience's feedback and how to decide the order in which the songs should be sung."
This is to increase the audience's sense of participation. A similar thing happened once before when I was making suggestions for "We Are Funny People" starring Akiko Matsumoto.
At that time, Shinichi Iwahashi suggested that he invite the audience to play jokes together, provide ideas for the plot of the short play, and work together to tear apart idol masks.
Repeat the old trick.
However, as long as it works well, it doesn’t hurt to use it a few times.
Watanabe Manyumi thought about it and said, "When we get back to Tokyo, we will have a meeting with Sony."
This is a must-have step. Iwahashi Shinichi had nothing to say. However, he still mentioned, "It's best to make a decision as soon as possible. The venue must be reserved half a year in advance. And the stage must be customized and sponsors must be found."
Larger concerts will need to seek sponsors, and the agency alone cannot afford them.
"Okay." Watanabe Manyumi agreed, and then said to him, "I brought up another idea that makes people feel hard to listen to."
Iwahashi Shinichi smiled and said, "Is it going to be okay this time?"
Watanabe Manyumi made him laugh by saying this.
Let’s put the topic aside for now, and we’ll decide later when we return to Tokyo.
There wasn't much time for lunch break, so before leaving for Kansai TV Station, the two of them checked out their itinerary.
"After visiting producer Igarashi, the band asked Akamatsu and other staff to take them to the livehouse where they will perform tonight for a rehearsal. The official performance will start at 7 p.m."
Iwahashi Shinichi said to her, "You should also go and see it, Wanyumi-san."
"This is natural."
Although Watanabe Manyumi did not have a management contract with zard, she was also the boss of the band's record company. She agreed and flipped through the itinerary in her hand, "But forget about the rehearsal. After meeting with producer Igarashi, I'm going
Visit Ishihara-san of the Cosmos Theater Company.”
"Theatrical troupe?" Iwahashi Shinichi thought for a while, showing off his poor knowledge, "I only know Takarazuka Theater Company and Four Seasons Theater Company."
The reason why I know about the Takarazuka Theater Company is because of the literary giant Yukio Mishima, who dated a Takarazuka star and occasionally wrote in his articles that a character in a book went to see a performance by the Girls Theater Company.
Watanabe Wan Yumi followed his words and joked, "It's amazing."
Shinichi Iwahashi made a funny expression as if he had been hit by something.
"However, when I arrived in Kansai, it would be a pity not to go to the Takarazuka Grand Theater performance. Although my understanding of the theater company is still in the era of Daichi Mao. In the past, I went to see the theater company's performance in Tokyo for Daichi-san. "Manyumi Watanabe mentioned casually.
Mao Daichi was once the chief male actor of the Takarazuka Tsuki-gumi and a big star of the Takarazuka Theater Company. He was so popular that, to put it bluntly, he was called an outcast. He was so popular that not only fans of the Takarazuka Theater Company, but also the general public knew about it. name.
Because of her, countless girls were attracted to sign up for Takarazuka’s music school.
To the Takarazuka Theater Company, Mao Daichi is truly a character.
Such Daichi Mao, as early as 1985, she and her partner, the chief female servant Hitomi Kuroki, and his wife both retired together. Watanabe Wan Yumi has always been obsessed with Daichi Mao, and Iwahashi Shinichi is somewhat impressed by the name Kuroki Hitomi.
Junichi Watanabe's "Junior Girl". After quitting the Takarazuka Theater Company, Hitomi Kuroki's first movie was "Incarnation" adapted from Junichi Watanabe's original work, and she devoted herself to it... There will be further collaborations in the future. Woolen cloth.
Speaking of which, the last time I knew anything about Takarazuka Theater Company was three years ago. Watanabe Manyumi is almost as poor as Iwahashi Shinichi, who only knows Kuroki Hitomi.
It's rude to come and go without reciprocating, so Iwahashi Shinichi also made fun of her, "It's amazing."
Watanabe Wan Yumi laughed hard when she was slapped in the face.
Joking aside, Kansai's theater culture is not inferior to Kanto's in any aspect. At the same time, theater troupes also send a large number of actors to the entertainment industry, and actors from theater troupes form the bottom of the actor's world.
The influence of the leaders of major theater troupes has also penetrated from the theater troupe to the film and television industry.
For Watanabe Wan Yumi, who has opened an actor training class and plans to be a singer and an actor in parallel, it is also necessary to contact the bosses of the theater company.
Of course, she was able to visit like this because she obviously inherited the connections from her father's generation.
Practitioners of the older generation value human relations and principles the most.
Although the connections that Watanabe Mayumi inherited from her father will not give the TV series producers the green light, it is always no problem to get an audition opportunity. If it is a minor role, she can probably play it well.
"Do you want to come too? Shinichi-kun." Watanabe Manyumi followed suit and asked him one more question.
The manager of her agency who was responsible for accompanying her to social events did not come to Osaka with him this time. It seemed that he wanted Shinichi Iwahashi to make a guest appearance as her follower. Of course, the real purpose was probably to bring his people in the industry with him. Show your face there.
The recording industry and theater troupes may not seem to have much to do with each other, but in fact the nature of the "circle" in the entertainment industry has led to a line of cooperation for some reason.
"Okay." Iwahashi Shinichi naturally agreed.
This trip to Osaka seems to be a partnership with Watanabe Manyumi.
