Although it sounds a bit evil, the fact that Matsumoto Akiko's script was given to Akimoto Yasushi to write it led to the encounter between Iwahashi Shinichi and this fat young man who subverted the old idol model. There is also a bit of "fate" in it.
meaning.
Okay, the heroine of this book is not Yasushi Akimoto.
...The male protagonist is not Yasushi Akimoto either.
Back to the topic. The reason why I say this is because the inspiration and confidence that Shinichi Iwahashi was able to do boldly came from the fact that the old rules were subverted by Kitten Club produced by Yasushi Akimoto.
It was this fat young man who drove a thirty-ton truck that crushed the idol standard that originally stood in the entertainment industry. Iwahashi Shinichi could take this opportunity to challenge the old rules of idol transformation and regard the transformation of an artist as a legitimate and feasible path.
Lay it out.
It can be said that without this fat young man, this step would have been several times more difficult for him.
It is true that Yasushi Akimoto said that "new rules are born on the ruins of old rules", which makes sense. However, whether it is wrong to break the old rules actually depends on what kind of new rules are born on the ruins.
.
It's okay to break old rules, but on top of that, new rules should be established that are positive and orderly. Otherwise, just leaving a pile of debris is no different than tearing down the palace and building huts.
The encounter with Akimoto Yasu made Iwahashi Shinichi see another completely different style of acting.
He cannot judge whether this style of behavior is good or bad. From a business perspective, extracting the value that can be extracted is the so-called normal operation. Even if a large number of fast-moving consumer goods flood into the market and disrupt order, for businessmen
, just throw it away.
After the fall of the old dynasty, even if the occupiers really wanted to build huts on top of the palace, no one could stop them because the victors had the absolute right to speak.
Even though Kitten Club was a crude product, because they became popular, they quickly occupied the market. At the same time, a large number of crude idols who imitated Kitten Club were born.
Absolute power is the original rule, and whoever is popular will be justified. This is a reality that has to be faced.
But then again, unless you never regret and think about restoring the palace after demolishing it, or you are willing to have the orthodox idol disappear and there will be no more, then such a violent act of destroying things will definitely be counterattacked in the future.
The ratings of the first two episodes were high and the response from the audience was good. When the next two episodes were recorded, when I went to the studio, the attitude of the TV staff towards Akiko Matsumoto also changed subtly and she became more polite.
.
On a TV station where ratings determine everything, because she can afford the ratings, her salary increases accordingly.
Even so, in a firm where the rate of return determines everything, Akiko Matsumoto, who has yet to produce any returns, is still not taken seriously. Although as the proposer of the project, Shinichi Iwahashi received 50,000 yuan from Watanabe Manyumi.
yen, but Akiko Matsumoto’s own treatment has not changed much.
Outside of TV stations and offices, Akiko Matsumoto's attitude towards Shinichi Iwahashi has also changed.
Ever since I was sent to be with her, the relationship between the two of them has been quite good. However, this good relationship is more like the mutual warmth between Xiao Transparent and Xiao Transparent, like Slash Chord and the author of four eunuch books calling each other each other.
He's a great god, just blowing stuff for fun.
But now, although the relationship between the two is still very good, Matsumoto Akiko's attitude towards Iwahashi Shinichi is not as casual as it was at the beginning. She asks for his opinions more often and always listens carefully to what he says.
I respect him more and value his opinions more.
This is because the success of the first step made her, who was doubtful and hesitant at first, experience the feeling of being noticed for the first time in a long time. The road ahead was originally a dark dead end, but now there is a sudden change.
She had to look again at this agent who was a few months younger than herself but had brought her a turn of events.
Of the two short plays recorded for the second time, Akimoto Yasushi was only responsible for one of them. It was the episode for which he served as the script. After it was broadcast, Matsumoto Akiko directly won the "We Are Funny People" program.
ranked first in the current ratings.
Just as Iwahashi Shinichi thought, it would be perfect to hand over Matsumoto Akiko's script to Akimoto Yasushi. This guy knows best the changes in the audience's attitude towards idols, and also knows how to capture people's hearts. Iwahashi Shinichi came up with this idea
The idea of getting the audience to play jokes together also showed full power under Yasushi Akimoto's skillful hand.
The audience found it very interesting to see their ideas come true in the program, and this sense of participation also made them pay more attention to the program and Matsumoto Akiko herself. After the broadcast, they asked and continued to provide phone calls for memes.
Continuously.
With such a strong chemical reaction, the production team of "We Are Funny People" hopes to invite Yasushi Akimoto again and let him continue to be responsible for the remaining scripts.
Akimoto Yasushi is a busy man, and he never gets too much money. After the popularity of Kitty Club reached its peak, he began to harvest in all aspects. He transferred members from the group, formed a small team, or simply let the members go solo, so that he could earn more.
It's one portion.
Under such circumstances, he actually agreed to the request of the program crew. The reason was weird enough, "Because it was fun to drink with Shinichi-kun, so I accepted it."
The plump young man who co-wrote was a tireless teacher. In order to continue to take Shinichi Iwahashi to Ginza and Roppongi Nami during the script writing period, and teach him his theory of young ladies, wisdom and self-preservation, and the theory of burning down the palace and building huts, he nodded and continued to help.
However, as soon as he said these words, he unknowingly created a situation for Iwahashi Shinichi.
A little-known agent can have a big producer say that it is for him that he continues to take action. This can not but be said to be a kind of affirmation for him. Akimoto Yasushi said that the TV station will leave him alone.
Make an impression. This is extremely important to the agent.
The influence of the boss is terrifying.
Yasushi Akimoto is a great person. Compared with him, what Shinichi Iwahashi did was just a small fight.
When he took him to drink and chat, he learned a lot from Akimoto Yasushi. Every time, he felt that although this fat young man was not yet thirty, he was already a genius with an incredible mind and wealth.
Iwahashi Shinichi, a veteran who has been in the industry for twelve years and has gained both fame and fortune, has benefited a lot from being able to leave his name here. Listening to him impart some theories that may or may not be part of the story. Once, he followed
Yasushi Akimoto went to renew his stall. On the way, Yasushi Akimoto said he was going to meet a friend, so he took him there with him. When he arrived at the bar, sitting there was Toshihiko Takamizawa from The Alfee.
The Alffe debuted in 1974. When he first debuted, he followed Ken Naoko as a backer. Later, he gradually became famous. In 1983, he hit the song "Marian" and has maintained a good popularity since then. When Akimoto Yasushi debuted as a lyricist
, the first lyric provided was the Alfee song, and the two parties have a deep connection.
By the way, Toshihiko Takamizawa was a handsome man "when he was young". He himself is also one of the "black clothes" in the current idol era, and has provided many songs for idols.
"Who is this?" Toshihiko Takamizawa asked when he saw Shinichi Iwahashi coming in following Akimoto Yasu.
"It's my new friend Shinichi-kun." Akimoto Yasushi introduced Iwahashi Shinichi to him in an understatement.
"Oh~" Toshihiko Takamizawa nodded, "Hello, Shinichi-kun? Is it okay to call me that?"
Iwahashi Shinichi, who has a tender face and a young qualifications, naturally said yes.
Judging from Akimoto Yasu's attitude towards Shinichi Iwahashi, the reason why he has such a wide network of contacts in the industry is because of his attitude that as long as he thinks they are compatible, he is willing to make friends regardless of the other person's background.
Artists can go from being unpopular to popular, small employees can work from the grassroots to the middle level, and even the young master of the bar may become a nightclub boss in the future. The more friends you have, the more roads you can travel, the more enemies you have, the more walls you have to build. That’s it.
