"Today's performance ended successfully, and everyone performed very well. If it were a 100-point scale, it would be a well-deserved 100 points. Thanks to everyone, we can have such a regret-free performance, thank you!"
Backstage at the end of the concert, Bushming held an amplifier and speaker and addressed the tour team.
The touring team was mostly made up of old people who had worked with Busch Ming many times. Among them, Miwa Yoshida, who had only signed a short-term contract, was an absolute outsider. At this time, she was also standing on the edge, quietly listening to Busch Ming.
speak.
It has been nearly two months since the tour started. During this period, she has been moving around the country with the team.
Working with professional musicians, watching the performance of this big star up close and participating in it is a completely different experience from the previous experience in the underground music circle.
This experience brought Miwa Yoshida unprecedented stimulation and inspiration. She worked with people who were better than herself, realized her own shortcomings, and then gained the motivation to move forward. She was grateful in her heart to get this opportunity.
However, although the cooperation with the professional team was enjoyable, the more it went on, the more Miwa Yoshida missed Shinichi Iwahashi in her heart, the time when we performed together in clubs, summed up each other's strengths and weaknesses after each performance, and made progress together.
Although having a great master to guide you can avoid many detours, fighting side by side with your partners also has irreplaceable enrichment.
Busch Ming, who is in the absolute center and is speaking. Even from a close distance, he is an impeccable male figure. However, because he is so perfect, people cannot look directly at him.
Yoshida Miwa was distracted, thinking that if she were someone like Iwahashi Shinichi, he would be attractive because of his imperfections.
Akira Busch sang in Nagoya for two consecutive days, including rehearsals, and Miwa Yoshida stayed in Nagoya for three days. When there was no performance, the big star Akira Busch stayed in the hotel. She was unknown and light, and went to visit Nagoya Castle alone.
The three heroes of the Warring States Period, Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu were all born in Nagoya. This was once the place where the heroes of the Warring States Period were active. Yoshida Miwa's limited historical knowledge told her this. At that time, Hokkaido was still Ezo.
land.
After visiting the historical sites, she went to eat miso udon noodles alone, not feeling that it was unsociable to be alone.
Normally, although she cooperates with the team members, she doesn't have much communication. She regards this as a temporary job and has never thought about any interactions with colleagues who meet by chance.
After this performance is over, there will be a rest period of nearly two weeks. After disbanding, we can take the Shinkansen back to Tokyo tonight.
The train arrived at the station. As soon as Yoshida Miwa stepped off the platform, she was suddenly stopped by someone from behind, "Yoshida-san!"
She stopped, turned around, and recognized the man as a member of the backing band she was touring with. He looked seven or eight years older than Yoshida Miwa, with a medium build and a friendly appearance.
"Naka...mura-san?" Miwa Yoshida thought for a while and asked.
The young man laughed. He looked very friendly, but when he smiled, it made people feel a little funny for no reason, reminding him of cartoon characters such as Winnie the Pooh.
"Yes, my name is Masato Nakamura, and I work with Yoshida-san in Buschaki-san's tour team."
Masato Nakamura is the bassist for this tour, but like Miwa Yoshida, he is a member who has signed a short-term contract and is an outside member.
As early as the first rehearsal, he heard from the musicians in the accompaniment group that this girl was chosen by Busch Ming to sing the harmony. He paid special attention to her. After careful observation, he was fascinated by her singing talent. He had always wanted to find such a girl.
A chance to talk to her.
"Usually Yoshida-san always keeps to himself, and I can't find a chance to talk to you." Masato Nakamura said, "Yoshida-san's singing voice is really great, especially the control of his voice."
"Thanks."
"I'm sorry if I guessed wrong...but you must like jazz very much?"
"Yes."
Realizing that standing here talking was attracting attention, the two of them walked to the side. After receiving a positive answer, Nakamura Masato became even more excited and said: "Actually, I also like jazz very much. I used to play jazz bass in a club."
"I see." Miwa Yoshida nodded, raised her wrist, looked at the time, and hinted to Masato Nakamura that it was getting late, and if nothing happened, she would take the first step.
Nakamura Masato was very clear, but he didn't say "goodbye" in a sensible way. Instead, he asked again, "Has Yoshida-san been doing harmonies before?"
"I have been singing in nightclubs and livehouses before."
"Really? Since you are singing in a live house, can you write some music yourself?" Masato Nakamura was like a young man selling CDs under an overpass. He caught a passerby and asked him shamelessly, "Boss, do you want a CD?"
However, he is really not a shameless young man selling CDs.
Masato Nakamura, who is seven years older than Miwa Yoshida, has been involved in the music industry for some years. He has formed a band, worked as an accompanist for singers, participated in album recordings, and written soundtracks for games. He is the type of person who can already make a living from music.
.
I often hang out behind the scenes, and I can't help but yearn for the story about Bo Le and Maxima. When I met Miwa Yoshida, a girl with an outstanding singing voice, I thought, if she has good qualifications, I will recommend her to the producer and win her over.
The handle is also good.
In fact, they were just colleagues who worked together, so they just said "no" perfunctorily and left. But Miwa Yoshida felt that the smile of this young Winnie the Pooh boy had a bit of a "not even composing music in the music industry" that he deserved to be beaten. In order to get rid of
I turned on him, half telling the truth, half wanting to scare him, and replied: "Actually, I have been composing music all the time."
"Really?" Masato Nakamura's eyes lit up, as if he had discovered a treasure.
"If you have a chance in the future, can you let me listen to Yoshida-san's music?"
Hearing Masato Nakamura say this, Miwa Yoshida suddenly laughed. She recalled the night when she talked to Shinichi Iwahashi, and it seemed that the situation was similar.
It's just that her identity has been reversed. She is not the nightclub singer Akiko Koshiji who tries hard to talk to people she doesn't know, but Miwa Yoshida, the vocalist who is being talked to by people she doesn't know.
Because of this association, she felt less repelled by Nakamura Masato's pursuit.
However, seeing her smile, Nakamura Masato was a little confused. Could it be that he said something strange? Before she could respond, Yoshida Miwa answered first: "Okay."
The two of them walked out of the station together and crossed the zebra crossing to the opposite side. Just like when she was interviewed by Shinichi Iwahashi, Yoshida Miwa sang the song "Zhou 1 Degree No Lover" a cappella in a relaxed and casual way for Nakamura Masato to listen to.
Found a treasure!
This was Masato Nakamura's first reaction after listening to Miwa Yoshida's a cappella performance.
