Shinichi Iwahashi sat down opposite Keiko Terada and said in a business-like manner: "As an executive member of this planning committee, I am here to carry out necessary communication with Terada-san. Could you please give me some... advice?"
At the end of his words, Shinichi Iwahashi's tone hesitated, because Keiko Terada opposite was looking at him seriously.
To be fair, although Sister Terada Keiko's Typhoon is as brutal as a dinosaur, her appearance is still not that of a dinosaur. Although her two small buck teeth are not so regular and her nose is not delicate enough, but on her face that is not very Oriental,
Combined with her identity as the lead singer of a heavy metal band, she is actually a bit cute...the so-called contrasting cuteness?
But even so, it is really unbearable to be stared at by a woman like braised pork, even if the person sitting opposite is an impeccable beauty like Sayuri Yoshinaga.
Keiko Terada sensed his discomfort and deliberately looked at him from bottom to top without scruples, as if ogling him. This was blatant, and her bold style was well-deserved.
After it was over, he looked away and smiled. This time he was more serious and said, "Okay, please give me more advice."
The reality is completely opposite to the imagined thirty-year-old mature and prudent man... However, once the young and prudent younger brother in his early twenties accepts this setting, it seems quite interesting.
After completing the strange first meeting, Shinichi Iwahashi quickly got to the point.
Although the plan for this music festival was initially proposed by Keiko Terada, which led to the subsequent series of operations, as Keiko Terada suffered a setback at the record company, Watanabe Productions took over the plan and then contacted the venue.
, managing media, negotiating record companies and song copyrights will all be managed by Watanabe Productions, therefore, it has become an activity led by Watanabe Productions.
Although Keiko Terada was the initiator of the event, her record company was not strong enough and she was not interested in the project. She signed a full contract and did not have a separate agency behind her. As a result, she lost her job after the record company failed.
Opportunities to strive for further.
She also recognized the reality, took a step back, and expressed her own opinions with reservations on the charter set by Watanabe Productions.
Just because you do whatever you want doesn't mean you don't know anything about these things.
How do you sing a song? You can do whatever you want in your own world. When you leave your own world, you have to restrain yourself appropriately.
Although the leadership was with Watanabe Productions, Iwahashi Shinichi still maintained the necessary respect for this nominal sponsor. He asked her opinions seriously and recorded them carefully in the book.
His serious treatment fell in the eyes of Terada Keiko and she was very touched.
"I heard that the proposal was submitted by Iwahashi-san." Keiko Terada looked at Shinichi Iwahashi who was writing quickly and said.
"Why."
After Iwahashi Shinichi finished writing the last sentence, he raised his head and said, "I personally appreciate this project very much."
"There is still a large gap in this field, and I think there is a lot of potential. Therefore, no matter who is the initiator and what adjustments and compromises have been made, we and Terada-san are working towards the same goal after all, and we are considering
It’s the same thing: how to carry it forward.”
Unlike when he was talking about things that had already been decided in a business-like manner, Shinichi Iwahashi who was speaking these words now looked very humane.
Not only that, he had a saying that deeply touched Keiko Terada’s heart, “How to carry it forward”. And this was the reason why she wanted to start this project in the first place, the purest original intention without any adulteration.
"I don't know why, but I have a feeling." Keiko Terada said, "In this case, if I were another person, I might think that it was a social rhetoric situation and justify the project I am doing now."
"Haha." This sister spoke directly.
"However, these words were spoken by Iwahashi-san," Keiko Terada said with a smile, "and they sounded particularly sincere."
Iwahashi Shinichi also laughed, "Isn't this a kind of prejudice?" Although it is a prejudice in a good sense.
"That's right." Keiko Terada admitted, "But when Iwahashi-san said that, I felt from the bottom of my heart that Iwahashi-san did think so. So, I feel relieved that you are in charge."
Trust is very important.
Compared with the complicated process of preparing for the entire music festival, the meeting with the promoter Keiko Terada can only be regarded as a small piece of the puzzle.
From setting up a planning committee, to communicating with the promoters, to setting the theme and tone of the music festival through meetings, and finding a suitable venue, if the venue cannot be decided, the live stage planning will not be possible, and if these decisions are not made, it will be impossible.
You can't win over co-organizers, seek support from the media, let alone contact the singers who perform.
The entire process is intertwined, and no link can be skipped.
In the process of completing this big puzzle, countless human, material and financial resources need to be used, which makes the power of an individual extremely small. No one can transcend his own team and must work together.
Individualism in the team is disliked by others, so the best way is to speak clearly when you have something to say in meetings. Regardless of whether your opinions are adopted or not, you will work hard after making a decision.
The title of the music festival was finally determined to be "", which is a name that is a bit difficult to pronounce based on Iwahashi Shinichi's idiom.
The title was inspired by the promoter Keiko Terada, who decided it in her own mind when she was still in the stage. It means "Female Wild Sound".
Although it is not very friendly to the slogan, visually speaking, this title is very impressive. At the same time, the endless homonymous memes used here also have a bit of girlish playfulness.
Just looking at the quality of the name, you can also feel how much consideration Keiko Terada has given to this music festival.
After the title is determined, it’s time to choose the venue.
Large-scale outdoor venues almost always need to be applied for one year in advance. For less stringent conditions, you have to apply half a year in advance. In addition, the venue's schedule must also be taken into consideration.
Considering that in the field of rock and roll, the appeal of women is not as good as that of men, this music festival is held for the first time. There is no corresponding accumulation of popularity, and it cannot be easily tried in a venue that is too big.
However, if it stays at the niche level of the park, it will lose the meaning of a "music festival".
In addition, outdoor venues also have high requirements for security, logistics, and first aid. To hold this music festival, it is obvious that you have to lose money to earn money. The key question is whether the money you earn back is worth it.