Pujiang Film Studio was holding a year-end party and sent an invitation to Zhang Tan to attend as a guest.
This year-end party was organized by Pujiang Film Studio for internal employees. When Zhang Tan was a screenwriter at the studio, he also participated once and won the best screenwriter award.
Because Pujiang Film Studio has a long history and high strength and status, although it is an internal party, some popular stars will still be invited to participate.
For example, the year Zhang Tan participated, the studio invited Su Lan, Chen Feiya and others.
Zhang Tan has not attended Pujiang Film Studio since he left. Although the party sent an invitation to this year's party, Zhang Tan declined in the end.
Zhang Tan thought from this that Little Red Horse Film and Television would also hold an annual meeting. Although there were few people, it should be like a comic studio to summarize the work of the year and take the opportunity to get together.
Little Red Horse Film and Television is different from Little Red Horse Comics Studio. The staff of the comic studio work together every day, but the screenwriters of Little Red Horse Film and Television rarely get together throughout the year. Everyone is often stationed in different crews.
There is no need to go to Xiaohongma to work.
Currently, Little Red Horse Film and Television has a total of six screenwriters and two actors.
The actors are Zhang Yuyan and Chen Feiya, and the screenwriters are Jiang Rong, Wu Zhensheng, Xu Shufei, Zhao Lin, Zhang Ling and Xu Jian.
Just do what you think of, and that morning, with Zhang Tan's contact, everyone got together.
The second floor of Building 2 of Little Red Horse Academy is currently a joint office of Little Red Horse Film and Television and Little Red Horse Music Studio. Both of them have small staff, so the space seems to be more than enough.
Everyone was talking, laughing, and chatting together.
There is a big difference between Little Red Horse Film and Television and Little Red Horse Comics Studio. Because the comic studio has a large number of people, its management is more standardized and rigorous, while Little Red Horse Film and Television has fewer staff, and everyone does not usually work together.
He was alone outside, so Zhang Tan was more casual. This so-called year-end summary meeting was actually more like a tea party. Everyone sat together to chat and meet each other. Normally everyone didn't get together, so this was a rare opportunity.
Among the six screenwriters, the one who has been with Zhang Tan the longest is Zhang Ling. Zhang Ling is also the first screenwriter to follow Zhang Tan. He is twenty-seven years old and was a slightly famous screenwriter before, not at Pujiang Film Studio.
Origin. Zhang Tan and he met on the set of the movie "The Wind".
The film "The Wind" was co-produced by Little Red Horse Film and Television and Pujiang Zhongcheng Film Company, and Zhang Ling was the screenwriter hired by Pujiang Zhongcheng Film Company at the time. Zhang Tan was the first screenwriter of the film at that time, and the second screenwriter was a
A man in his 30s named Sun Yadong, the third screenwriter was Zhang Ling, and the fourth and fifth screenwriters were Xu Shufei and Zhao Lin, who had just graduated from college at the time.
Sun Yadong was kicked out of the crew by Zhang Tan soon because he was not doing his job properly and was engaging in intrigues. Then Zhang Ling was promoted to the second screenwriter and was entrusted with important tasks. After the crew got on track, Zhang Tan was no longer a permanent resident, so his daily work
It was handed over to Zhang Ling, who took Xu Shufei and Zhao Lin with him until the filming of "The Wind" was completed.
Zhang Ling won Zhang Tan's approval with his work performance, so before the filming of "The Wind" was completed, he received Zhang Tan's invitation, and he readily agreed and became the number one employee of Little Red Horse Film and Television Studio.
A screenwriter.
Zhang Ling was later assigned by Zhang Tan to the TV series "In the Name of the People" to work as the first screenwriter.
He is also the main screenwriter of the TV series "Dark Blood" that was just completed recently.
Currently, Zhang Ling is working on the "Kung Fu Panda" series of stories in cooperation with the comic studio.
After the filming of "The Wind" was completed, Zhang Tan invited Zhao Lin and Xu Shufei to join the studio. They later joined the crew of "I Am Zhan Er" and studied with Zhang Tan.
Among them, Zhao Lin is also the screenwriter of the animation "The Twelve Hours of Chang'an".
As for Wu Zhensheng and Xu Jian, they both came from Pujiang Film Studio. They were originally screenwriters at the studio. They were in competition with Zhang Tan at the beginning.
Among them, Xu Jian once wrote a story called "Qiqi Zhen Wei Wei", which competed for the studio's animation project, but lost to Zhang Tan's "Unlucky Bear".
As for Wu Zhensheng, he lost to Zhang Tan's "Woman Thirty".
Although these two people had never competed with Zhang Tan, they were very capable. Later, Zhang Tan left Pujiang Film Studio and was short of manpower, so he sent an invitation to them, and the two of them were very straightforward and readily agreed.
After joining the studio, they were not disappointed. Zhang Tan was assigned important tasks. Wu Zhensheng participated in the movie "Kung Fu" and the TV series "The Silent Truth". One was a hit movie and the other was a hit TV series.
Xu Jian participated in two popular movies, "I'm Not the God of Medicine" and "Latent".
Both of them are talented, capable and ambitious people. When they were at Pujiang Film Studio, they had no place to use their talents. After following Zhang Tan, they had a stage to display their talents and became well-known in the circle.
screenwriter.
Except for their five male screenwriters, the last female screenwriter is Jiang Rong.
Jiang Rong entered Pujiang Film Studio earlier than Zhang Tan. She is similar in age to Zhang Tan. She did not come from a major, but she persisted with her love for screenwriting.
When she was on the review panel, several deputy team leaders commented on her. They thought that although Jiang Rong did not have a professional background and had limited professional knowledge of screenwriting, she had a flexible mind, many clever ideas, and an aura, which was very rare.
.Reiki is innate and difficult to cultivate, while professional knowledge can be learned to make up for it, so they think Jiang Rong has great development potential.
Later facts proved their judgment. Jiang Rong continued to accumulate and grow during the practice, and her progress was very obvious.
After she joined Little Red Horse Film and Television, she participated in many projects. Although she was not the chief editor of these projects, but only the second, third or even fourth screenwriter, being able to participate in these big productions was very important for a newcomer like her.
rare.
This chapter is not over, please click on the next page to continue reading! She has participated in the screenwriting work of two animations "Coco" and "Qin Shi Mingyue", and later participated in the screenwriting work of "Kung Fu" with Wu Zhensheng, and then participated in
The TV series "Dark Blood" and "My Love from the Star".
Despite her young age, Jiang Rong already has a lot of screenwriting experience.
After several years of training and training, the six of them are now able to stand alone. There are not many people in Little Red Horse Film and Television, but they are more valuable than expensive.
As everyone chatted, Jiang Rong and Zhang Tan had the closest relationship, so they spoke more directly. She said: "Now that our Little Red Horse Film and Television has become very large, do we need to build a personnel framework? We can't just have just a few of us.
Let’s go it alone. If we want to achieve greater development, we must standardize our operations.”
Wu Zhensheng echoed: "Our company is now well-known in the industry. We launched so many excellent works last year. We are confident that we will reach a higher level this year. But Jiang Rong is right. In order for the company to have long-term development, it must have a successful career."
For long-term planning, the company can no longer just have a few of us."
Zhang Tan quite recognized their words. Last year, Little Red Horse Film and Television produced a number of hit works. In terms of TV series, there are "Dark Blood", "In the Name of the People", "My Love from the Star", movies
On the other hand, there are "I'm Not the God of Medicine", "Kung Fu", "The Wind", and "I Am Zhan Er". The cumulative box office has exceeded 5 billion, which is comparable to that of a medium-sized film company.
Zhang Tan said: "You are all right. In fact, I have been thinking about this issue and already have some ideas. Since you mentioned it today, I will throw out these ideas and discuss it with everyone."
"I also think that our company's personnel strength is too weak. There are only six of you, plus me, Zhang Yuyan, Chen Feiya and a few others, which is far from enough. This year we plan to make more good movies and TV series, so we alone will definitely be
If it’s not enough, we need to recruit more troops.”
Zhang Tan first talked about the company's development plan.
"I am going to release two plans to the outside world, one is called the Little Red Horse Growth Plan."
Jiang Rong asked with interest: "Little Red Horse Growth Plan? What is it about?"
Others also looked at Zhang Tan curiously.
Zhang Tan said: "This plan is for everyone in the society. To put it simply, it is to attract talented screenwriters to join us. One way I think of is to launch a long-term screenwriting competition for the society and spend 10 million every year.
Set up multiple awards and create a film award for screenwriters. On the one hand, we can discover and purchase some excellent scripts, on the other hand, we can recruit some potential and capable screenwriters..."
Everyone was very interested in this plan and kept asking about the key points. At the same time, you and I added and perfected the details. The "Little Red Horse Growth Plan" slowly took shape and became full.
"What about the second plan?" Jiang Rong asked impatiently.
