On the other side, after getting in the car, Tan Junda still couldn't hide his excitement and said to Jiang Zhihao: "Brother Jiang, you are so shameless this time. You didn't pay attention to that group of people. It was as if you were holding money and begging me to accept it."
!Hahaha, it’s so cool!”
Tan Junda is a young man who likes to be in the limelight. Of course, it is indeed worthwhile to be in the limelight and make a lot of money at the same time.
Song Kanglai had no involvement. He lent Tan Junda some information, and in the end he would only get a small share of the money.
Therefore, he was not too happy. He was only curious about the leaks in the other items Jiang Zhihao asked him to buy.
"Basically, they are fake to hide real leaks. Just like that vase from the Song Dynasty. If you only look at the glaze, it is indeed from the Song Dynasty. But in fact, if you remove the glaze on the surface, you will find that it is actually a vase from the Song Dynasty.
A vase from the Tang Dynasty, and it was leaked from the palace. Because it was so precious, the people who got it in the Song Dynasty deliberately put false colors on it to avoid war, making people feel that it was worthless. As a result, no one knows it until now.
.If you remove this layer of color, the price will at least double. If you meet a buyer who likes it very much, it is not uncommon to sell it for two or three times the price."
Ceramics from the Tang Dynasty have always been the main target for collectors, just like the tri-colored glazes of the Tang Dynasty, which represent the ultimate in ancient glazes.
And those that can be well preserved are even more valuable.
The piece that Tan Junda bought, although the ancients used a special method to separate the two layers of glaze, but because it took too long, some of it has been fused, and the real and fake are mixed together, which slightly affects the quality.
Otherwise, the true value should be higher.
Of course, as Jiang Zhihao said, if someone likes this, it can be sold at a higher price.
The person who picked it up in the previous life sold it for more than eight million yuan, which is quite astonishing.
"Oh, that seems pretty good." Tan Junda said. Although the price of nearly ten million sounds scary, it is nothing compared to the profit from the fluorescent stone.
Something worth 800,000 can be sold for 3 to 4 million, but something bought for 3.5 million can only be sold for 8 million?
Tan Junda can still calculate this math problem.
"What about your painting?" Song Kanglai asked curiously.
"It's hard to say. You have to make sure you bought it right before you know the value." Jiang Zhihao replied.
Song Kanglai did not ask any more questions. Based on his experience, he could naturally see that Jiang Zhihao was not telling the truth. But the painting belongs to others. You can say what you want or don't say if you don't want to. No one can force it.
There is a reason why Jiang Zhihao does not say the true value of this painting, because the value is too high.
Xi Yangrong once said that the authentic "Zhang Guolao Meets the Ming Emperor" is worth at least ten million yuan, and this price is quite accurate.
This Wang Shimin copy painting that Jiang Zhihao bought looks like a copy on the surface, but in fact, there is something hidden inside.
In ancient times, rice paper was very thick, and most painters used very heavy brush strokes. In order to prevent the paper from breaking during calligraphy and painting, several pieces of rice paper were put together in a special way to form multi-layered paper.
The brushstrokes of great calligraphers and painters, such as Wang Xizhi, can penetrate three-thirds of the wood, so it is not surprising that it can penetrate three layers of rice paper.
The first layer of this painting was copied by Wang Shimin, but the second and third layers are the authentic scroll of Zhang Guolao's meeting with Emperor Ming!