Li Tang and Li Lianlian each held the steel wire and stood on both sides of the field where water was dripping.
With a "Action!"
Li Lianlian was seen flying into the air with the help of wires, and broke through the water in the center of the field with one foot.
Camera No. 2 took a close-up of Li Tang, and saw that he had not moved at all, his eyelids were lowered, and his attention was focused on Li Lianlian's steps.
One foot, two feet, and the third foot broke through the stagnant water. Li Lianlian drew his sword and rose into the air again. With one move, he thrust the sword forward and stabbed Li Tang in the chest.
At this time, Li Tang started to move, lifting the silver gun in his leg to a horizontal bar.
After missing a move, Li Lianlian took advantage of taking the initiative and continued to attack, fencing, fencing with the right side, and then thrusting the sword...
"Dang, Dang, Dang!"
Li Tang continued to block, but when the last sword thrust came, there was no way to hide, so he flew back with the help of Wia.
Li Lianlian was unable to take advantage of the victory and turned 720 degrees in the air, landing firmly in the center of the field.
Li Tang also happened to land at this time.
Photographing Ma Zai giving a close-up of the weapons inserted into the legs of two people.
The nameless sword in Li Lianjie's leg is designed according to the sword shape of the Spring and Autumn Period. There is a hollow groove in the middle of the blade. There is a saying: If a person is nameless, he can concentrate on practicing swordsmanship. If a person is nameless, the sword is also nameless.
The silver gun in Li Tang's leg consists of a gun head, a holster, a gun barrel, and a gun spike. Changkong, who he plays, is one of the three assassins of the Zhao Kingdom. His marksmanship is unrivaled. No one has forced him to take it off in the past ten years.
East holster. Even if he was attacked by the seven swordsmen of the Qin Palace, he could retreat from the enemy in an instant without taking off the holster.
At this time, with the camera watching Dong, Li Tang slowly took off Dong's holster. Li Lianjie's consecutive sword attacks just now had left him in awe.
In the second set of shots, Li Tang launches an attack on the Pingzha gun using a move from the Luo family's marksmanship. The Pingzha gun is the basic skill of all marksmanship. The right leg is held on the handle of the gun as the hind leg, and the left leg is held on the middle of the gun shaft as the back leg.
front legs.
There is a proverb about guns: the front legs are like tubes, and the hind legs are like locks.
It means that the front legs should be loose to slide forward and backward; the hind legs should be tightly held in the handle. When Li Tanggang started learning marksmanship, he was one of the basic skills Wu Jing taught him. He has long been familiar with it.
Cruel and accurate.
Li Lianjie was well prepared and swung his sword to swing the gun. Li Tang's moves were still fresh, and he followed up with the momentum of the spear. He put his left foot firmly on the ground, lifted his right leg behind him, and struck Li Lianjie directly on the head with a move of Overlord Nodding.
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The first time the two of them had a leg fight, Li Lianjie was frustrated by that move and hurriedly raised his left leg to block it with his sword scabbard. Ruming improved his move and Li Lianjie steadily blocked it with his sword scabbard.
Li Tang took a step back, shook his spear, and charged forward again, using the Overlord Marksmanship's method of retreating and raising the spear, splitting the spear while walking, standing up and raising the spear...
"Ding ding ding ding!"
Li Lianlian responded calmly, using the sheath as defense and the sword as offense. He switched offense and defense quickly and flexibly. For a while, the two of them were inseparable from each other. Fortunately, the photographer became familiar with the moves and routines of the two of them after more than 20 days of filming them.
Damn it, otherwise Keke wouldn’t even be able to follow the camera.
The third set of shots shows two people fighting with their minds.
Of course, mental combat is a way of expressing the plot, and the two did not fight realistically during the filming.
Li Tang still took the lead in launching the offensive, retreating and splitting the spear, lunging to split the spear to the right, kicking and splitting the spear...
Traditional martial arts pay special attention to footwork, so before the two began to compete, Li Tang first paid attention to the footwork of Li Lianlian's incoming attack. The footwork determines the reality of the moves.
At this time, Li Tang moved behind the spear with a kick, kicked forward with his right leg, took a big step forward, advanced with one move to stir up the spear, and then hit the spear with another move.
Fortunately, Li Lianlian ducked out of the way in time, dodged the fatal shot, and waited for an opportunity to counterattack.
Li Tang defused his attack with one move and drew his spear, then turned around and fired, jumped to sweep the spear, jumped to slash the spear...
With a set of domineering marksmanship in his legs, Li Lianjie could fight and retreat at the same time.
Seeing that the fire was almost done, Li Tang finally used the Luo family's unique skill in marksmanship, the ten-style door-breaking gun.
The main part of this move is the word "piercing", one piercing the eyebrow, two piercing the legs, three piercing the shoulders, four piercing the elbows, five piercing the chest, six piercing the knees, seven piercing the strange python walking through the crotch, eight piercing the golden rooster nodding randomly.
Nine stabs of the Milky Way pierce the throat, ten stabs turn back and the enemy is unable to escape.
Those ten shots were the most difficult in the entire fight between the two of them. Li Tang and Li Lien were facing each other, and the connection between shots was dazzling. The most difficult test was Li Lien’s adaptability.
It hurts people, and of course Li Tang can't count his legs after practicing for so long.
Li Lianjie had no way to retreat, so he leaped forward and jumped on the railing of the pavilion. The ten-style door-breaking gun was about sticking the gun in a straight line. Li Tang had been practicing the gun shooting for several years, and the gun here was fast and straight. But Li Lianjie jumped on the railing of the pavilion.
After the pavilion railing, they were in a high and low position with Li Tang, breaking the oppressive situation that Li Tang had just attacked in a row.
But Li Tang reacted very quickly, and his spear moves changed again to overlord marksmanship, including lunging to chop the spear, raising the step to lift the spear, and half-horse step to sweep the spear.
Li Lianjie used Wia's anti-gravity body to float in the air. Taking advantage of Li Tang's moves to become old after sweeping the gun, he used the Taigong Fishing move in Qingping's swordsmanship. He instantly switched from defense to offense, and then kicked off the railing.
, using Qingping's sword technique to use the wind-sweeping leaves similar to the chaotic cloak, forcing Li Tang to retreat continuously.
Li Tang retreated without any hesitation. He saw the opportunity and finally used the carbine move. Of course, it was not for the purpose of viewing. He did not use the carbine move that he had learned from Mr. Yu, which looked ugly but was very practical.
But instead, he jumped into the air, turned 360 degrees and used the carbine in Luo's marksmanship.
Li Lianjie struck out at the iron bridge, and the tip of the spear almost pierced the tip of his nose.
"stop!"
The third set of shots is completed.
It is said that one minute in Taitung and ten years of work in Taitung. None of the moves in the third set of shots. Li Tang and Li Lianlian tried constantly in the previous filming and concluded that they had formed the set that made Director Zhang
Satisfied with the action.
That’s why fighting scenes must have people with martial arts background to make them look good. Such a long shot of a fierce fight is a great test of the actor’s reaction and adaptability. If there is no kung fu or long-term practice, it will not be possible to shoot.
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Of course, I can also use fragmented close-up shots, close-up splicing, and supplemented by slow-motion shots, but such a picture will inevitably be greatly compromised in terms of viewing quality.
For that set of shots, Ye Yi used four cameras at the scene, including panoramic, medium shots, close shots, and close-ups.
After shouting stop, Lao Mouzi walked in front of the monitor and looked at each shot several times to make sure there were no flaws before finally shouting.
After the three sets of shots were shot, most of the day passed, and the crew served dinner. The crew has a chef who specializes in serving the actors and behind-the-scenes creatives. Lao Mouzi is from Shaanxi and eats noodles very much. Tomorrow’s lunch will be oily noodles and
Dumplings stuffed with three kinds of fresh food.
That kind of noodle soup is good enough for one or two meals, but it won't work if you eat too much and you'll choke.
"Let's eat at his place."
Li Lianjie saw his frown and invited him with a smile.
He didn't have to lower his salary to star in the film, and the crew didn't treat him badly. Not only did they provide him with a RV just for him to rest alone, but they also equipped a team specifically to serve him.
"Is it convenient?" Li Tang was a little embarrassed.
"It's nothing inconvenient. If his wife is from Shanghai, the food she arranges will definitely suit my taste."
In fact, Li Lianlian is not a man of temperament. When he reaches his status, his behavior becomes very casual. In his words, he relies on data to make a living. If his data is good, I have to use him.
Li Tang shamelessly followed Brother Jie in the RV.
The space in the RV is limited, and Li Zhi is living alone.
"Mrs. Li, excuse me." Li Tang greeted slightly from behind the car.
"Xiao Li, please leave quickly!"
At this time, Li Zhi was completely different from usual, warm and friendly, and even his smile became very sincere.
Because he was brought here by Li Lianlian today, and her enthusiasm, kindness and sincerity are all manifestations of a good wife who always considers her husband's position.
At the same time, it gave Li Tang a feeling of spring breeze.
The dishes are very simple, a black pepper beef ribs, a steamed cod with pickled vegetables, two vegetables, stir-fried bean sprouts with leeks and red-roasted lettuce, plus a mushroom chicken soup.
You will know at a glance whether it is a combination of sea vegetables and Cantonese cuisine.
In the difficult conditions of the crew, this was definitely a low-key luxury. Li Tang couldn't help but twitch his index finger when he looked at it.
"You're welcome, let's eat."
Li Lianjie wiped his legs with a hot towel, picked up his rice bowl, picked up a piece of cowboy bone, and ate it heartily.
Li Tang was stunned for a moment.
"What's wrong?"
"No, uh...he heard that Brother Jie, are you a vegetarian?"
Li Lianjie suddenly laughed and said: "I don't want to listen to the media's nonsense. He has never said that he is a vegetarian. Besides, it is impossible for him to be a vegetarian after so much exercise. Doesn't he do it occasionally?
Eat a vegetarian diet, but do not follow the recipes prescribed by a nutritionist."
Does Li Tang know that in the United States, it is common for poor people to eat meat and rich people to be vegetarian? After all, organic vegetables and specially customized recipes by nutritionists are not allowed.
Ordinary people can afford it.
As the saying goes, if you are poor in culture and rich in martial arts, the first thing to do when practicing martial arts is whether you have nutrition and follow-up.
Li Tang stopped being polite, and the four dishes and one soup were completely wiped out by the two of them, and almost two-thirds of it went into Li Tang's stomach.
"That's good, and it's not a waste. In fact, he had a bigger appetite than I did when he was young."
Li Tang understood Li Lianjie's mentality that he was envious of young people because he was older, but refused to admit defeat.
Taking advantage of the meal break, Li Tang also listened to a lot of dazzling past stories about his career in Hong Kong and Hollywood. In fact, the highest level of flattery is to be a good flatterer. The exclamatory words at the right time will undoubtedly make Wei Wei
Emperor Jinfu was even less useful.
Li Lianlian, who was initially very satisfied and happy, patted him on the shoulder and said, "Li Tang, I can play well and my image and acting skills are good. Work hard and don't raise your tail. There will definitely be a future in the future."
Work hard and don't stick your tail up. If Li Tang maintains his own portrayal, it also reflects his life experience. Li Tang listened carefully and said sincerely: "Thank you, Brother Jie, he understands."
At two o'clock, we continued shooting.
Lao Mouzi was very satisfied with the scene where he made a mistake in the afternoon. Before the shooting started, he ran over to pat his legs and encourage him: "Everyone, keep up the good work and try to pass the next three sets of shots in one go!"
The fourth set of shots shows Li Lianlian's counterattack after breaking the carbine.
The marksmanship used by Li Tang was very complex, combining a variety of marksmanship. Li Lianlian, on the other hand, was famous for his Qingping swordsmanship, which was light, agile, free and elegant.
That set of swordsmanship is very consistent with his elegant and unrestrained fighting style.
The Qingping sword technique used by Li Lianjie seemed to be advancing but retreating, just like Qingping floating. Moreover, his movements were extremely fast, so Li Tang had to be very alert to respond to mistakes.
Although the movements were designed after a long period of exploration, Li Tang was never able to catch Li Lianlian's series of attacks 100% in the previous rehearsals.
But if Li Lianjie moves slowly, it will undoubtedly greatly reduce the viewing value of that set of actions. At the same time, Director Zhang wants to use a one-shot lens to completely record the set of actions, which is wrong for Li Tang. It is also a great test.
But there is no other way, just bite the bullet and if it doesn’t work, just take a few more pictures.
Fortunately, he was lucky tomorrow. Li Tang almost perfectly caught Li Lian's attack with a set of fast and fierce Qingping sword techniques, and took advantage of the wrong side's flaws to turn defense into offense.
Three consecutive kicks with the pole, Li Lianlian stepped back to dodge. Li Tang took advantage of the situation and made another move to sweep the gun with his horse, Li Lianlian stood up his sword to block and dodge.
Li Tang jumped into the air with the help of Wia, and with a straight line in the air, he used the killing move of Wu Mu's Thirteen Spears, Taishan Crush.
At this time, the silver gun in his leg had been replaced by a long gun with a red wax barrel.
The biggest characteristic of the red wax rod is its extremely strong bending toughness. When Li Lianlian turned around and raised his sword to block, the spear bent eastward, and the tip of the spear hit directly at his chest and abdomen.
Li Lianjie did not hesitate at all. He used a red horse kick from Qingping's sword technique to kick the spear head back. At the same time, they each jumped a step back to distance themselves again.
"stop!"
After shooting the fourth set of shots, Director Zhang carefully watched the playback. When Li Lianlian blocked Li Tang's horse rifle move, he had his eyes closed in the close-up shot, with an unusually ferocious expression. Judging from the picture effect, there were slight flaws. Fortunately, There is no need to start all over again, and there is no need for Li Tang to move his legs himself. Let Li Lien Lien's stand-in Zhang Ai sweep across with a spear, and then add a close-up shot of Li Lien Lien's sword-standing block, and then he leans back to dodge.
After taking four close-ups in a row, I finally got what Director Zhang wanted.
In the fifth set of shots, the highlight of that shot is Li Tang's presence.
The rain kept beating on the weapons of the two men. Suddenly Li Lianlian moved and used Qingping's sword technique Feihong Hengjiang. In other words, the sword is very powerful.
The beef at noon was not red. Li Lianlian's swords were extremely fast and violent. The trembling power of the swords almost made Li Tang unable to hold the gun.
Immediately afterwards, there was another move of lunging and stabbing the sword. Li Tang had no way to hide, so he jumped up with a pole to avoid it.
Originally, a stand-in was not required for this shot, so with the help of Wia, I supported the gun barrel and hung it upside down on a gold hook, and hung my feet on two eaves respectively.
Li Tang tried two things and felt that he was good at it, so he joined the battle himself.
Director Zhang's intention in that fight scene was that the collision between high legs and high legs would create a perfect spark, so the two of them had to be both offensive and defensive.
Li Tang, who was hanging upside down on a golden hook and hanging in mid-air, used the Seven Exploration Snake Coil Spear in the Zhao family's marksmanship. The so-called Seven Explorations are seven attack methods, and the so-called Snake Coil means that the gun can be fired quickly, making the gun in his leg like a
A snake that keeps circling.
Just as Li Tang was hanging upside down on a beam, the silver spear in his leg was spinning rapidly, forming an airtight barrier that prevented Li Lianjie from attacking for a while.
In fact, the Zhao family's marksmanship comes from the same lineage as Zhao Zilong's Eighteen Spears. The virtual and real are changeable, and the mystery is hidden. Often there is another move hidden behind one move. Sure enough, Li Tang was covered up by the rapid gunfire, and his front legs were loose.
The silver spear thrust out.
A red spit shot almost hit Li Lianjie. The shot was unexpected and a bit more dangerous than the previous carbine. Li Lianjie also used Wia to fly back.
Li Tang took the opportunity to turn his body over, and without stopping, he used the Yang family's marksmanship as a poisonous snake to get out of the hole, and continued to attack Li Lianlian.
Li Lianjie was forced to land, and Li Tang followed suit.
Bawang Marksmanship: Half-horse step to raise the gun, press the handle to raise the gun, and retreat to draw the gun;
The Yang family's marksmanship is like a sea of waves;
Qing Ping's sword skills are like shooting stars chasing the moon;
Gao Family Marksmanship Hongmen Spear.
For a while, the two were fighting evenly.
In the last scene, the string of the piano suddenly breaks, and the two people who are having a mental duel open their eyes at the same time.
Li Lianjie used the unique skill he had developed to assassinate King Qin - one kill in ten steps.
Ten steps away, one strike will kill.
Li Tang held his spear and was about to attack, but the unknown sword was already at his waist.
Li Lianjie stabbed Li Tang with his sword and cut off the silver spear.
"Okay, stop!"
That scene, which later generations praised as "the best fighting scene", was finally filmed.