The director soon realized that what was about to happen tonight would definitely exceed his imagination.
Perhaps all the weird Kazuto characters, including Midori Rie, were manipulated by Mamoru Yoshida. Although he carefully revised the draft of the story provided by the guest, Mamoru Yoshida had no plan to use that story from the beginning.
When Midori Rie was completely immersed in the story told by Mamoru Yoshida, the director saw two men suddenly appear in the back row of the carriage from the camera to the public screen. One of them, the director once viewed it from the perspective of Hitomi Obayashi.
When they met, the other party's code name was writer.
As for the other person, the director quickly learned the identity of the other person - the guest - from the "Plaything" (script) written on behalf of Naya from the live broadcast perspective.
When the director looked away from the public screen and looked directly at the writer and guests, they disappeared again. Sitting on their original seats were two lovers with elephant trunks and lizard bodies.
Demon God.
When the director looked at the public screen again, the carriage became empty again, and the writer and guests returned to their sight.
The director quickly figured out the reason why the two Dongdu investigators appeared in the carriage - it all stemmed from the writer's actions.
After completing the version of the story provided for Mamoru Yoshida with the guests, the writer created another version of the story. The director knew that the writer's story also had the ability to become reality, and this ability did not rise to the level of rules.
But it can also allow the characters in the story to do things that ordinary people can't achieve.
"Kumada,"
The director looked at the two uninvited guests and said, "Give them a shot, push them over quickly, and then do a close-up."
Nobuhiko Kumada said OK and immediately pushed the rocker arm.
"How did you do it?"
The guest stared at the green friend Rie and the Weird Alliance camera crew not far away, and asked the writer: "One second ago, I was making cat poop coffee for Mamoru Yoshida."
"This is not important." The writer took out a lighter from his pocket and tried to light the half-extinct cigarette that was extinguished due to time travel. "Before arriving in Dongdu, this train has a stop in Daejeon. This is my setting.
We get off there and complete the victory escape. If we miss that stop, we will reach Dongdu, which is the Demon Cave. This is Mamoru Yoshida's setting, do you understand?"
The guest asked: "You wrote a story just for me?"
"Don't be too moved,"
The writer put the cigarette in his mouth, took out another one from his arms and handed it to the guests, "It's all for damn creation. I've been bursting with inspiration recently, but when I write, I always feel that it's almost meaningless. I think I have to experience something special.
I have a hunch that after this, my next fucking novel will be a hit, the kind that can blow up the entire East."
The guest did not take the cigarette, "You know, I never smoke."
"Don't be so unkind," the writer's hand passing the cigarette was still hanging in the air, "think about it, this is your first cigarette in this life, and it may also be your last."
"All right……"
The guest puffed out a puff of smoke stiffly, "I still can't figure it out - Mamoru Yoshida's restrictions on me are rules, and your story is at most a superpower. How did you use superpowers to liberate me from the rules?"
"Your cigarette didn't get into your lungs. Please, this kind of cigarette is very expensive,"
The writer spent a lot of effort to teach the guests the correct way to smoke, and then said:
"Perhaps his attention tonight is all on Midori Rie, so he let you go. Maybe this is part of his story tonight, or maybe it's something else. It's hard to think clearly about this kind of thing for a while. I
When I was making up the story, it was just a blind attempt, and I never thought it would actually come true... In short, you come out of the damn studio, let's find a way to escape from this damn train, and then everything will be fine."
The guests hesitated to speak.
"Tell me," the writer said, "What do you want to say?"
"Did you ever think about...writing the two of us directly outside the train? On the platform, or even outside the train station..."
"idiot,"
The writer rolled his eyes, "My story is an accessory to Yoshida Mamoru's story, or a branch line, a sub-line. The closer it fits his story, the more likely it is to be realized. Otherwise, why don't I write you in my home?"
"Wouldn't it be delicious if I asked you to make me a cup of cat poop coffee?"
The guest once wanted to ask why the writer wanted to include himself. But soon, the guest figured it out - probably the story is more likely to be realized only if the writer himself appears. Or, the writer himself appears, which is also the story object.
necessary conditions for the present.
In the following time, the two investigators fell into a long and anxious wait. They were in a strange world, but their mobile phones could still be used normally. The investigators from Dongdu provided advice to the two through internal chat software, constantly
Send them the story Mamoru Yoshida told in real time from the death row inmate tonight.
The content of the story was far from the final draft, but they were powerless to change it. All they could do was to find a way out of the changes as much as possible——
They compared the differences between the five story versions before and after. The first was Mamoru Yoshida's graffiti version, the second was the revised version by guests and writers, the third was the final version revised again by Mamoru Yoshida, and the fourth
It is the writer's own version, and the fifth one is the version actually told by Mamoru Yoshida in tonight's program.
Then, they were surprised to find that in every story, there was a creature named the grotesque Hunter lurking in the dark lines of the story, but never really appeared from beginning to end.
"I don't remember clearly," the writer said, "Is this something in Mamoru Yoshida's graffiti?"
"He came up with the name." The guest finally finished his cigarette and vowed never to smoke such a disgusting stick in his life. "If this basic setting is modified casually, it may arouse Mamoru Yoshida's vigilance.
so……"
In the five versions of the story, the characters that can be seen throughout are Midorito Toshiro, Yoshida Mamoru, Monster Hunter, Train, and Train Station. After analysis, the two people agreed that the key to escape lies in the Monster Hunter, but they are unable to figure out how to do it.
, we can only wait for the arrival of Daejeon Station.
They also tried to ask for help from another wave of guests in the carriage - the Weird Alliance, which has recently become famous in the National Weird Investigation System and is suspected to be in the good camp. At this moment, they are fully armed, setting up tracks, cranes, and cameras, and are filming.
Movie scene.
The two tried to communicate with the members of the alliance, but whenever they did, the other party would collectively disappear from their sight. When the two gave up communicating, they came back into sight. After several repetitions, the two had no choice but to
Think of them as mirages.
The train moved forward at a leisurely pace. After an unknown period of time, the on-board announcement suddenly sounded, reminding passengers who got off at Daejeon City to prepare in advance.
The broadcast had just ended, Midorito Rie raised her head and looked out the window...
————
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