The envelope has some thickness and is no longer just a thin piece of letter paper.
At this moment, Lu Li hoped that it was a love letter from the Slavic lady. Although that would cause some trouble, at least it would not make Lu Li fall into that horrible and weird speculation.
But often, when you hope an upcoming event isn't bad, it often is.
There is no gorgeous rhetoric by a third-rate writer, but a pile of four-panel comics.
Lu Li recognized a little figure in the first frame, it was himself - a pair of unique black eyes painted black.
In the first picture, a little man squats outdoors with his back facing outward. The black-eyed little man represented by Lu Li stands behind him.
The deep eyes composed of swirling black lines make people tremble inexplicably.
In the next picture, "Lu Li" stretched out his hands and placed them on both sides of the villain's head, which was facing away.
In the third picture, the villain's head is turned to a ninety-degree angle, and his mouth is drawn, as if he is shouting something.
In the last picture, the villain's head is completely turned behind him, and there are some random twist-like lines on the neck. Not only that, the villain representing Lu Li also turns his head at the same time, as if the two villains are in the same place.
Looking at Lu Li beyond the paper.
However, if you don't understand the deeper meaning of the painting, you will only think that this four-frame comic is a bit cult rather than scary.
Lu Li paused for a few seconds on the last painting, took off the first piece of paper, and looked at the next one.
A little person is leaning on a simply sketched bed. Two ponytails extending from the head in an arc indicate that this is a woman - or a man with ponytails.
Lu Li's figure was not among them.
In the second picture, the figure on the bed has maintained the same posture as in the first picture, and in a corner that she cannot see, the figure represented by death appears in the picture.
The dark eyes represented by the messy lines are impressive.
In the third picture, the little person "Lu Li" is standing beside the bed, and the little person on the bed finally makes new movements. She looks at the "little person Lu Li" by the window, and the round face is outlined with a few strokes to represent fear.
Simple lines with panic.
Lu Li noticed that the villain "Lu Li" had a gun in his hand.
Without stopping, Lu Li looked at the next painting.
In the last picture, the "Lu Li" villain's arm is raised, and the gun in his hand is pointed at the villain on the bed. The villain on the bed lies on the bed, his eyes turn into X.
The wall behind you, or the empty space for the painting.
This is the first time that a color other than black has appeared in comics, and the effect is surprisingly good and... impactful.
Bang.
The comic has no sound, but the pictures can make people think about it.
Just like the first cartoon, the "Lu Li" villain raised his head after finishing everything and looked at Lu Li outside the painting.
Those black eyes were cold, evil, and contained no emotion.
Lu Li quietly stared at the eyes in the drawing paper, said something for a long time, and drew the next picture.
"Nice painting."
I don’t know whether it refers to the composition of the comic or the impressive eyes.
The first picture of the third cartoon is a new scene this time: the bathroom.
The shape of the toilet and the compartment door are easy to identify.
A fat little man wearing a tie at the collar is washing his hands in front of the sink. The figure of the fat little man is reflected in the blank mirror.
Lu Li had already foreseen what would happen next.
In the second picture, the back of "Little Lu Li" appears on the edge of the picture, while the mirror opposite completely reflects his face.
In the third picture, "Little Lu Li" walked straight to the toilet on the right side of the picture, and the fat little man was dragged behind him, holding the tie.
This was somewhat beyond Lu Li's expectations. He thought that in the four-frame comic, he would take out a flintlock gun and shoot, and then blood-red would fill the blank space——
The fourth picture is the end of the routine. The obese little man is lying in front of the toilet, with his head stuffed into the toilet. The wavy black lines represent the water level in the toilet, and the obese little man’s head has been submerged in the water, and his eyes have become
Same as the previous paragraph X.X.
Lu Li finally had an impression of this scene. During the Misseliya incident, some newspapers published the strange way of death of some victims - although most newspapers were sympathetic, there were still a few who were gloating about the misfortune.
In the newspaper content, it was described that a victim died of suffocation and fatal injuries - his head was completely stuffed into the pipe under the toilet.
As the answers were revealed, the comics in the envelope finally changed from cult works of unknown significance to content targeting Lu Li.
The usual "Lu Li" villain turned his head and looked outside. Lu Li didn't pay much attention this time. Looking at the same picture for a long time will lose its freshness.
The fourth cartoon, this time is no longer indoors, but outdoors. The uneven lines indicate that it is in a ruins or rugged mountainous area. What is a little special is that this time the picture becomes an oval from above.
The circle represents the head.
The fourth victim stood in the middle of the first picture. Since there was nothing special about him, Lu Li could only temporarily call him the victim.
In the second painting, the "Little Man Lu Li" appears, also represented by an oval circle. In order for Lu Li to distinguish it, an arrow and a word appear next to the circle.
【←you】
"Little Man Lu Li" pushed the panicked victim into a carriage, and drove the victim's carriage off the cliff in the third painting. This scene was perfectly restored from a bird's eye view.
"Horses are innocent." Lu Li frowned slightly and muttered to himself, almost whispering.
Looking at the fourth painting, it seems to depict the bottom of the cliff, with the carriage falling apart and blood-stained hands and feet protruding from the wreckage. The "little man Lu Li" and the horse are standing in the corner of the painting, safe and sound.
Lu Li didn't know how Misseliya managed to make the carriage fall off the cliff without the horse getting hurt, but his brows gradually relaxed.
Just like the previous cartoons, "Little Lu Li" raised his head and looked at Lu Li outside.
Four cartoons reveal each way of death: "Villain Lu Li" digs out a man's heart and stuffs it into his mouth; "Villain Lu Li" stuffs a woman's long hair into her throat and suffocates her to death;
"Villain Lu Li" pushed the girl from the rooftop downstairs, causing her to be pierced by a pole and slide to the ground to her death.
There are still twenty-three of the same comics left. There are thirty-one comics in total, which exactly match the number of people that Miselia killed when she turned into a wraith and took revenge: 31 people.
And every method of death for these victims is exactly consistent with the results at the murder scene.
The only difference is that it was Misseliya who did these things, not Lu Li.
Lu Li read the thirty-first piece of vellum, thinking it was the last battle, but then he discovered that there was another one at the back.
There is no comic graffiti on the last piece of paper, only two lines of writing.