Due to illness these days, my condition is really not good, and the update time is unstable. I'd better take a rest and adjust the time.
Also, let me say a few words about these recent plots.
This plot has nothing to do with illness or anything like that, because the sense of immersion in this plot is definitely lacking.
It is not like the previous situation where the protagonist is involved in some difficult situation and tries to break it - maybe it is just about surviving on a deserted island, and that is not what the big plot is about.
As for the whole plot, Lao Zhao is actually involved in other people's stories. Through this, he shows a picture of the characters in the sea, including loyal ministers, heroes, traitors, and the game between forbearing emperors and gods and demons.
In other words, these plots are written by someone else, not Zhao Changhe. Zhao Changhe is just a detective character, unfolding these pictures for everyone.
He has no pressure to survive and no sense of urgency. Things have nothing to do with him in the first place. It is understandable that he will get a boring feeling of "it's none of my business, I don't care" when reading.
And due to the limitation of Zhao Changhe's personal perspective, many details are invisible, which makes it appear "fast", because he can only see these and want to elaborate, but there is nothing to say.
The reason why I chose this way of writing is not to seek a breakthrough or to create a group portrait, because that's the logic.
Things at sea have nothing to do with him. No one is targeting him, and his strength is not as difficult as before when he was weak. He is already a character who can preside over the situation. Now it is he who takes the initiative to cause trouble for the Emperor of the Sea. So far,
, he doesn’t even know where the Poseidon is, so he naturally has to get involved through other side stories. Of course, he can also deepen his relationship with Turtle by the way.
In other words, these current chapters are a side story about other people, not the story of the protagonist. I think there are many people who are interested in other people's stories who say it is well written; but they feel that other people's stories are "none of my business."
", I probably feel that I don’t know what this paragraph is about.
But a book cannot be without other people’s stories.
I remember when I asked about the postscript, I once said that I wanted to expand the story of Yuzhenren and his friends and write more about them from their perspective. But I gave up later because I felt that many people would not read it. At that time, many people said no, no.
Yes, it should be like that. Facts have proved that the choice made back then was correct. There is a lot of lack of sense of immersion in other people's stories.
Spread your hands.
Anyway, there won’t be much writing like this in the future, it’s just a lead-in, so you don’t need to worry about it. If you like this paragraph, read it carefully, and if you don’t like it, just skip it.
As for those who say "conspiracy can't be written well", please, there is no conspiracy from beginning to end... I really can't write something that doesn't exist.