Chapter 123: The incredible talent in the late Tang Dynasty
"Twelve-star hero, my talent is indeed not simple."
At the end of the Tang Dynasty, when he saw the mutated and evolved hero Zhao Yun, he was immediately surprised and became more confident in his talent.
Tang Mo discovered that his awakened talent was not simple. Even compared with other people's SSS-level talents, his talent was still very powerful and unparalleled. It can be seen that although his talent was only SSS-level, it was not simple at all. "If I take control of the Lord's World one day and use my mutation and evolution talents on the Lord's World, what will be the result then?"
At the end of Tang Dynasty, he thought a lot about his talent. He found that his talent had almost no limits.
However, although his talent is very powerful, he himself is not strong enough, and the items he obtains are not powerful enough, so the talent is not fully utilized. In other words, he himself limits the use of his talent.
After all, the strength of the items that Tang Mo can obtain is related to the strength of the items after his talent has mutated and evolved.
The more powerful the treasure is, the more powerful it will be able to obtain through its talent mutation and evolution.
"Continue editing and creating heroes."
At the same time, the emergence of the twelve-star hero Zhao Yun allowed the late Tang Dynasty to see the power of the Altar of Heroes, especially the function of creating heroes. It was first-class powerful, but perhaps not the most powerful to others. But for the late Tang Dynasty, it was the most powerful.
Because at the end of the Tang Dynasty, it was discovered that although the heroes created by the Altar of Heroes had high star ratings, their influence was different from those recruited.
Those recruited, whether they have illusory or historical influences, are living beings when they are recruited. Even if they are copied heroes, they are still unique beings, starting from the time they are recruited.
In other words, these recruited heroes may be humans created by the Lord World, or they may be historical humans resurrected by the Lord World. They are all real people and real lives.
But the heroes created in the late Tang Dynasty are not real lives. They are somewhat similar to flesh and blood puppets. They are the same as the human subjects who were recruited by the late Tang Dynasty and did not exist in history. They are just flesh and blood puppets.
Such beings are intelligent and may not look much different from normal humans, but in fact they are very different.
The biggest difference between them is that real life has a soul, while existence like a flesh and blood puppet has no soul.
In other words, the hero Zhao Yun created in the late Tang Dynasty has no soul. He is just a puppet life created based on his constructed background. This kind of puppet life potential is also very high, but it lacks the most powerful power of life. p>
This kind of power is to break the upper limit of life.
For example, a real life hero, even if he is only a one-star hero, may not be able to break the star limit in the future even without external help, and his strength may not be limited by his star potential.
The star potential of this kind of puppet life is the highest limit to which its strength can be improved. When it reaches the upper limit of its potential, the strength of such a puppet will not be able to increase even a little bit.
But in real life, even if the potential is exhausted, it is possible to continue to improve, or even break the end of the potential, bursting out with more powerful potential.
The potential of life is actually infinite. Those potentials of external manifestations are only the potential of external manifestations of life. In addition, life has many potentials. As long as this potential is stimulated, there will be no end to the evolution of life. This is not something that a puppet life can compare to.
It can be said that although the ability to create heroes is powerful, it is not against heaven, at least for other people.
After all, although flesh and blood puppets are cultivated and are not weak in strength, they lack the creativity and miraculous power of real life.
However, the talent for mutation and evolution in the late Tang Dynasty was able to evolve life like a flesh and blood puppet into a real life, which shows how powerful this talent is.
This talent allowed Zhao Yun, the hero created in the late Tang Dynasty, to become a real human hero Zhao Yun instead of a puppet life Zhao Yun after mutation and evolution.
In this way, although the potential of the twelve-star hero Zhao Yun is only twelve stars, it does not mean that he cannot break the upper limit of the twelve-star potential. It is just that it is very difficult to break the upper limit of this potential.
But if it is a puppet life, it is not that it is very difficult to break the upper limit of this potential, but it is simply impossible.
Therefore, it was only at the end of the Tang Dynasty that he discovered that the Altar of Heroes could play its greatest role in his hands. If it were in the hands of others, it might not be so heaven-defying.
However, the Altar of Heroes itself is not a building that can be born in the world of lords. It is a special building obtained after using the mutation evolution talent in the late Tang Dynasty. Therefore, without the mutation evolution talent, it may not be possible to obtain such a building in the late Tang Dynasty.
Therefore, it is impossible for this kind of building to fall on other people, unless the late Tang Dynasty is willing to take out such architectural drawings for trade.
Closer to home, sensing the power of talent, Tang Mo became even more excited about creating heroes.
After obtaining the twelve-star hero Zhao Yun, the late Tang Dynasty began to recall various legends and stories about Zhuge Liang in the two worlds. He planned to combine Zhuge Liang's various legends and stories with mythological background to create a hero Zhuge Liang. After all, the territory in the late Tang Dynasty needed someone to manage it, someone to help manage the territory in the late Tang Dynasty. Zhuge Liang was the most suitable person.
At the end of the Tang Dynasty, Zhao Yun was asked to command the Suzaku Army. He led the Suzaku Army to clean up the monsters around the territory, obtain resources, become stronger through experience, and kill monsters to upgrade. He himself began to edit the story background of the hero Zhuge Liang.
Not long after, a story with the deified Zhuge Liang as the protagonist began to be edited in the late Tang Dynasty and entered into the Altar of Heroes.
Then, in the late Tang Dynasty, the hero Zhuge Liang was created based on this story.
In a burst of white light, a handsome and smart young man with a feather fan and silk scarf appeared in front of him at the end of the Tang Dynasty. This was the hero Zhuge Liang created by the end of the Tang Dynasty, and he was a younger version of Zhuge Liang.
This is the biggest difference between creating heroes and recruiting heroes. When recruiting heroes, the age of the heroes recruited is random. It is possible to recruit heroes when they are young, or they may recruit heroes in their old age.
But the created heroes can be recruited, and the editor can edit the hero's age. Therefore, in the late Tang Dynasty, it was easy to recruit the young Zhuge Liang instead of the old Zhuge Liang.
And for Zhuge Liang, not only has he not weakened with age, but he has become stronger.
This is another advantage of the heroes created by editors. Otherwise, if there is no mutation and evolution talent, if other lords obtain such abilities, the flesh-and-blood puppet heroes created may not be as good as the recruited historical heroes.
At the end of the Tang Dynasty, the hero Zhuge Liang who was created and recruited by the editor was not used for the moment to use the mutation evolution talent. Instead, he checked the basic attributes of the hero Zhuge Liang who was just created by the editor.