Summary of the Heroic Soldiers Series (please read it if you are interested)
This volume of Super God has finally been written. According to past practice, I will make a summary, answer some questions, and also mention the next volume.
Compared to the volume of Da Feng's Watcher, this volume of Chaoshen is undoubtedly written more easily and fluently. I have basically written everything I wanted to write. In fact, there is not much to say in this volume, and I have not tried anything new.
It's just a step-by-step, very ordinary volume.
Next, answer some questions (because I haven’t replied to Zhang Shuo in the comment area recently):
First, everyone feels that this book is getting worse and worse as it is written, and it is a step down compared to volumes like Yitian and Yiren.
this problem……
First of all, I admit that the author's writing skills are limited, and his writing skills and plot design are both deficient.
Secondly, have you noticed a problem?
The protagonist is no longer the protagonist of the previous volumes. The current protagonist is very strong, and the writing style of the previous volumes is no longer suitable for the protagonist.
What can I say? Some of the plots mentioned by the editor were more suitable for the protagonist in the early stage, but they are no longer suitable for the current protagonist. Now the protagonist's realm and strength are no longer the same as the little shrimp before. If the protagonist acts like a little shrimp, it is not suitable for the protagonist.
current status.
When writing, you need to consider the current strength and status of the protagonist, so the plots written in the previous volumes are not easy to repeat for the protagonist.
To break through this, I can think of two ways:
1. Set enemies that can compete with the protagonist, defeat a strong enemy, and another strong enemy will appear, and continue to defeat monsters to upgrade;
2. Weaken the plot of the protagonist and write about other people under the influence of the protagonist, but there are also problems with this. After all, the protagonist almost never appears (this writing method was used later in the fantasy world, but Chen Yixi has strong writing skills and writes
It's very good, but I'm not as good as me. I actually haven't read the entire fantasy story, because as far as I'm concerned, the later stages of the fantasy story are other people's stories. Although it's very exciting, I don't want to read it).
I don’t know if you guys have seen "The Great Dao Zheng Feng" and "Xuanhun Dao Zhang" by the leader of the Misguided Daoist?
Comments on these two books have a similar point of view: the first and middle stages are exciting, but the later stages are mediocre.
In fact, it is because the protagonists in these two books are at such a high level. The protagonist is about to climb to the top. How can he still fight with the same passion as the little monk before?
When I was writing the volume of One Person, I said that in the world after One Person, most people might be dissatisfied with the plot that will be written later. One of the reasons is here.
Before I wrote it, I had already judged that "One Person" might be the best volume in this book, but this is difficult to change.
I have read some books that are similar to mine, but none of them have particularly good methods. The nuclear-powered battleship guy is an exception (but this guy’s method is not suitable for me, at least for this book)...
The protagonist is too strong, so considering the strength and condition of the protagonist, it is difficult to write the plot the same as the previous volumes. This is why I tried a new writing method in the volume of Dai Bong's Watcher, and also wanted to establish a main god in the volume of Naruto.
One of the reasons is space.
If I write another novel in the future, I probably won't write it according to the structure of this book. I'll try to make the protagonist's strength match each world, so that the protagonist can have more things to do.
Second, how does Zhu Tianwen choose the world to write about?
First of all, I would like to thank you all for your suggestions (the suggested worlds), but based on my personal experience of writing this novel, the world of Zhu Tian Wen Xuan is somewhat different from what you all thought.
What most people think about is whether the world is good for the protagonist and how many benefits can be obtained, but this is not actually the primary condition for the author to choose the world to write.
The first condition is that there must be a plot to write, not benefits to be gained.
Furthermore, it is best for the chosen world to have a certain degree of popularity. This does not mean that unknown worlds cannot be written, but it is less attractive and more difficult to write.
This is why Zhu Tianwen often starts with Master Jin's martial arts novels, because they are well-known and more attractive than other unknown ones.
Of course, this will lead to a result. When you read Zhutianwen, you will see a lot of them start with a smile and make you want to vomit. Just like a lot of fanfiction about Naruto and Pirates, the same reason is that the higher the popularity, the bigger the audience.
many.
Zhu Tianwen has a very good advantage, that is, it can cover everything and write about many worlds, but this is also a shortcoming, because most readers like different worlds. Some people like it, and some people hate it. It is difficult to satisfy everyone's taste, so in the end
It is best to choose something that is acceptable to you as much as possible.
For example, this volume is about Super Seminary, and some people said in the book review section that they would not read it. The next volume is about Naruto, and some people said it is unacceptable...
There is no particularly good way for this author mushroom. Even RMB is not liked by everyone. How can the world written by the author mushroom be possible?
Third, about the end of this volume on Super Theological Seminary.
The plot of Super Theological Seminary has been written, and I am definitely very dissatisfied with it. Here is my answer.
In the final chapter, it is written that the entire universe is the protagonist's experimental ground. The next step is for the protagonist to continue experimenting and researching in this world, acquiring knowledge, until he understands this universe.
I will see if I can add some content to the final chapter of the volume, but it should only be a few short paragraphs, that is, what happened in what year AD, and the volume of Yitian will also add some content (asking for opinions here: this kind of
Chronological supplement, what do you think?).
Of course, although this volume is over, the ending of the super-god world is not yet. I plan to write about this in the final volume (when mentioning some of the results of traveling through the world).
4. The current structure of this book.
This is actually related to the third question. At the end of the story, the main character splits and travels to different worlds. Therefore, the worlds written in the book are not actually the end of one world, and the main character then travels to the next world.
It's multiple worlds synchronized. It's just that when writing, it's written one by one. Can you guys understand?
My arrangement is that in the final volume, the protagonist's identity will be reunited, and then some of the results of traveling through the world will be mentioned incidentally.
Next, it’s about the new volume.
The world of the new volume is Naruto. In this volume, I plan to try a new writing method. Xu Qian will no longer be the single protagonist of this volume. I want to see the effect of this writing method to change the situation because the protagonist is too
It is so strong that it causes many problems that make the plot difficult to write.
This is a new attempt in this book, and I don’t know if it can be written well, but I still want to give it a try and try my best to write it well.
The above is the summary of this volume, thank you for your support!