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Chapter 327 New Plan(1/2)

 Chapter 322 New Plan

"Director Gao, when are we going to hold a celebration party?"

"That's right, Director Gao, a celebration party must be held."

"I have to fly over and attend!"

...

In the "Manslaughter" group, everyone is celebrating that the box office has exceeded the 800 million mark. It has achieved such results before the second week of its release. No one except Gao Bin expected it!

Gao Bin thought for a moment and said simply:

"We will hold a celebration party together with 1 billion. Make it a big one and invite everyone to join in the fun."

"High Guide v5!"

"Director Gao, we are waiting for your red envelope for the Chinese New Year."

"Haha, I knew someone would say that. Don't worry, the red envelope will be big!"

The implication is that I made a good investment in that investment.

In addition, due to the continuous deterioration of the environment, an underground city was built on top of each "planetary engine" (the right to move in was obtained by drawing lots). The seven grandparents and grandchildren bid farewell to the surface and retreated to the underground city.
p>

Act Seven - Confrontation.

It’s not unusual to choose the same equipment based on the same image style. It must be said that if you want to shoot other movies, such as movies that show the distortion of human nature, a small number of photographers will choose Cooke lenses.

The entertainment industry will always chase the winners. With the performance and profits of "Manslaughter", Xiaojia is willing to accompany Gao Bin to do whatever he wants.

Or maybe it's all due to the support of my peers. The schedule of "Manslaughter" was chosen so well that it almost stands out from the crowd.

"Yes, you have read the script yourself. If you think the script is wrong and confusing, you will come."

Fei Gaobin believes, "If there is no conflict, there will be no action; if there is no action, there will be no characters; if there are no characters, there will be no story; and if there is no story, there will be no script."

"Yes, I haven't run out of plans yet. The challenges you prepared for the last movie are the same."

Fei Gaobin's "eight-act drama structure theory" is the most prosaic component in my feature film narrative theory.

During that process, Zhao Xiaoding spoke to Shi Qiu, hoping to ensure that President Wu was in danger, and the seven father and son had conflicts (President Wu had always resented his father's decision that directly led to his mother's death).

The remaining 120 million shares were divided up by the capital of Wan Xiao, China Film, and Xiangjiang without too much effort.

Low Bin approved:

Of course, the genres of the three films are completely different and there is no conflict at all. Gao Bin has reason to believe that "Manslaughter" can still achieve good results under the siege of these two great-directed films.

When De heard this, he was really relieved. If it was 3 billion, I would really have to think about how to agree. It was only 300 million, and the income from "Manslaughter" was enough for De to take a gamble.

And Gao Bin, a new director who is hailed as a rising star, dares to challenge the science fiction film against all odds. Who gave him the courage?

"Let's talk about this complicated thing. What do you think should be done about the lighting design of the underground city?"

"You still know that his eldest son, if he dares to invest so little because he has no confidence, he is being kind. His eldest son is being kind!"

Just seven minutes after the end, the concept of "The Wandering Earth" was presented, allowing the audience to have a brief understanding of the background of the story that followed, and to follow the characters in the play and immerse themselves in the reality outlined in the movie.<

/p>

The seventh act is the main part of the story, especially on pages 30 to 90 of the script.

"There is no way to estimate. Really, you are not ready to spend all your wealth."

Those two plot points are also called plot point 1 and plot point 2.

Among a kind of bad movie, "Manslaughter" was a small killing, and the box office successfully exceeded 1 billion, which was enough, so it went straight to 1.5 billion.

However, only Gao Bin knew that Nima belonged to the bank and opened the vault for him to make money. Only a fool would do it!

After chatting about camera issues, the more we talked, the more speculative they became. Liu Peiqiang was also transitioning in the direction of becoming a director himself, so he was less interested in script creation and director concepts than in controlling the camera.

That incident took the story in another direction: What challenges will President Wu and others face next, and can we successfully complete the task?

"You will find a problem. The script structure of few classic movies is very responsible, and even the story itself is very personal."

The matter was settled like this by De, with a few words and an investment of as low as 300 million. The reporters understood the world of people without money.

On the seventh day, the entire circle was spreading rumors about the 300-million-dollar masterpiece. Who wanted to get a foot in the door? Making money was one aspect, but it was an excellent opportunity to elevate the status of a low-profile celebrity.

At this time, Mr. Wu thought of a new solution.

Make sure he clearly knows the protagonist's dramatic needs, and he cannot set up obstacles for that need. In that case, the story becomes a process in which the protagonist continuously overcomes obstacles one after another to achieve my or your goals and realize his own dramatic needs.

."

The so-called construction means "building the story, characters, dramatic premise (what the story is about), and depicting the scene of the story (that is, the environment around the action).

Next, let’s introduce the background of the entire story. The sun ages slowly and continues to expand. Humans have built 10,000 “planetary engines” on the surface of the earth to provide power for the earth to fly out of the solar system.

It must be said that no one in the room was moved by my words. In our opinion, he was not a movie lunatic.

"You are too willful, Teacher Zhao, that is a script, do you want to read it first?"

Zhao Xiaoding called President Wu and Han Ziang on the space station to find the nearest shelter for them.

At the same time, the space station's high power consumption mode is activated, and Zhao Xiaoding is about to retire to sleep mode.

"Director, how much money do you expect to invest in that movie?"

After some twists and turns, President Wu encountered a new task, which was to rush to the equatorial area and restart the "steering engine".

"Yes, it is a novel that has nothing to do with wandering. The story is very complicated, but it is also difficult to film."

"Lao Wu!"

"The overall image style of the film should be designed in sections according to the story plot and the emotional progression of the characters."

And establish the relationship between the main character and other characters who surround me and move around me." That part of the brief requires about 30 pages of manuscript paper to build his story.

After plot point 2, the protagonist gradually loses the upper hand in the fight with the villain and is about to be completely defeated by the villain.

"It's wrong for you to have a relationship with Liu Peiqiang. I have some work recently. What if you invite me here?"

"He mentioned cyberpunk outside the script. Do you think you should try it yourself? After all, it is pre-modern.

"Okay, isn't that person a low-level guide?"

Liu Peiqiang's aura is very weak, and he has no intention of coming to the 'interview'.

It mainly depends on your own usage habits and whether you can control the equipment.

"Of course, choosing shooting equipment and lenses based on the image style requires that the equipment meets a certain quality standard. There is no big difference in which one you choose.

Outside of "The Wandering Earth", in the first scene, the protagonists appear, and eight generations of grandparents and grandchildren show family affection (throughout the entire story), while also laying out clues to solve the most recent crisis: hydrogen under Jupiter.

"Idiot, can I ask what is the same?"

Throughout Act Seven, the obstacles Mr. Wu and Shi Qiu Shan need to overcome dominate the dramatic action of that story.

The problem that "The Wandering Earth" must face head-on is not how to break the inherent viewing experience of the audience, break the thinking of white superheroes, and make domestic audiences psychologically accept the setting that their country does not have a superhero to save the world.

Di Bin smiled:

I took a sip of coffee and continued:

As soon as this statement came out, the whole audience was in an uproar. As we all know, Chinese science fiction movies have always been taboo, and whoever touches them will die!

The so-called plot points are accidental accidents, plots or small events set for narrative needs.

Plot point 2 is also the point where the protagonist changes.

It's because Gao Bin didn't have to wait to confirm the actors. If you want to make the film a success, the team in front of the camera is even more important.

Liu Peiqiang waved his hand:

Of course, this is a surprise, and everyone doesn’t know it yet.

In the eighth week of screening, the box office reached 1.37 billion, which is far away from 1.5 billion, and we have not yet successfully obtained the extension key. We have continued to work hard to reach 1.5 billion, which is not a figure that is expected or attainable.

Di Bin deeply agrees:

Originally, "The Wandering Earth", as the country's first hard science fiction film, reached a very low level in terms of visual effects shots.

There are not many photographers in China who can meet Low Bin's requirements. I suggested a few names, but De said:

Use its obvious narrow screen style to express something beyond the screen.

At first glance, few people felt familiar with that name, but those reporters, who were not fans of science fiction, reacted immediately:

Liu Peiqiang obviously had no idea and said in a pretentious manner:

This time the investors made a lot of money. Gao Bin and Mr. Wu together planned to use 50 million to distribute dividends. Everyone has a share!

The function of that dramatic structure is "like gravity, like glue that holds the story together. It is the foundation, the spine, the bones of the story."

In the seventh act, the main creator's task is to show confrontation, that is, to create contradictions and conflicts, and to set up obstacles for the protagonist's actions, so that "the main character encounters and conquers obstacles one after another, and finally realizes and achieves my or your dramatic needs."

."

At this time, we were outside a cafe, and we had originally made an appointment to discuss the shooting location.
To be continued...
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