Anyone who has read the latest chapter should be able to guess why I have to update it late tomorrow. I won’t discuss the plot. In fact, this book has too much foreshadowing. If you look carefully, there are hints in the front. It’s not that I wrote it where I thought. This book
The outline of the book is very rigorous.
The intersection of historical materialism and historical heroism creates sparks. You can empathize with historical figures and figure out their positions and thinking. The plot is in line with what they should say and do. This book still has a focus.
Some people are destined not to be redeemed. They have their own destiny. No matter how hard they go, their destination will be the same.
Just like you can't lock a bus, you can't make a slut who does her best work, or you can't make a person who is used to lying down and making money work hard.
The trajectories of historical figures may be easy to change, but their style of "it's easy to change, but hard to change" will always remain the same.
Just analyze them, understand them, empathize with them, and then sublimate their images. The supporting characters in this book, especially the historical figures, will not revolve around the protagonist and be controlled by the protagonist's mind.
A handsome young man is destined to be unable to carry a sword, draw a bow, wear armor, and go to the battlefield. He is destined to be unable to control arrogant soldiers and powerful generals. This is a historical law.
I am a person who respects objective laws. I will not think that if I tell everyone to walk backwards and speak classical Chinese from tomorrow on, everyone will do so.
The author is the creator and recorder of the work, but not the creator of the world. Historical novels must follow basic rules.
So the protagonist will grow up to be strong and handsome. You are an honest person, tell them directly now.
Even if I lose everything, these powerful people who eat people and spit out their bones still dare to do anything to me.
Although you wrote about that kind of spiritual opium, you actually understand similar thinking. Your ability to empathize was greatly reduced before the divorce. You have a basic understanding of what it means to live a miserable life.
Again, the readers treat you as a fool, and you treat the readers as a fool, so we can just insult each other.
You also understand the routines of these Dabai text settings, and you really know how to write. You just want to write. You understand these routines. Your driving skills are also wrong. As long as the starting point allows, you can drive in every chapter, and you can even repair cars.
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A small number of readers usually receive too little anger from outsiders. The protagonist of a big story cannot vent for us.
There are very few protagonists outside of historical fiction. When they were still white, they were subduing the governor and becoming their eldest brother; when they were still soldiers, they were plotting to recruit generals as their subordinates; when their origins and origins were all a mystery, they later became prime ministers and emperors.
confidant.
Observe that world and learn everything outside it.
There are more times when you feel good, but there are less times when you feel good.
After all, Xiaojia usually dares to do that, because in reality, people who dance like that often die in the first episode, leaving novice villages.
Those clever plots are not only poorly written, but they are also written slowly and are much more tense than what you are struggling with now.
That's why you ask trolls to clean up the comment area and make a speech in the comment area. The routines, funding, and gameplay are all ready-made. In addition to the author's need to save face, the price paid is actually not low.
That's not the cool part.
There is nothing new under the sun. No one will weigh the weight of the work, and time will judge the degeneration of the work. Very few people and very few works will be placed under the pillar of shame in the history of Internet literature in the future.
The text also puts the words of history into perspective.
These historical celebrities, before meeting the protagonist briefly, will leave because their trajectories are the same. Will anyone kneel down and lick the protagonist for a reason, and take the initiative to bring their own dog food, saddle and horse?
As for what little things the protagonist wants to do now, you can't say for sure. I also want to do every little thing, and I think I can do it. I just really want to survive in the future.
That may be too consistent with the rules of traditional Shuangwen, but it is consistent with realistic logic.