The watchman and mausoleum guard transformed by Kong Sang stared at Kamo Guangrong, and immediately said in unison:
"With Teacher Qingming and I by your side, you don't have time to do anything."
Kamo's glorious expression showed a hint of pride: "What you said is correct. However, some curses do not require you to cast them yourself."
With that said, Kamo waved his glorious sleeves and left with Minamoto Boya and Kikukawa Daiko.
For a moment, Kong Sang frowned, and as the spell ended, he gradually returned to his original appearance.
"If we look at the pattern of what happened this time, it should have happened when Fujiwara Michinaga married his third daughter. During this time period, something mysterious happened, including the death of Miyazaki in the previous term."
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"Well... Michichi Fujiwara and Abe Seimei are also missing. Could it be..."
For a moment, Kong Sang seemed to have thought of something and left quickly.
At this time, in the huge world of soul-returning incense, as Kongsang continued to move towards the inner circle, the outer parts began to dissipate.
When we arrived at the core location, it was not the Emperor's Palace that was closest to the Central Palace, but a magnificent temple.
Although the situation was strange, Kong Sang showed a hint of understanding:
"As expected."
At this time, with a chuckle, Abe Seimei suddenly appeared next to Sora-san.
Kong Sang raised his eyebrows: "There are traces of battle on your body...who did you meet?"
Abe Seimei smiled: "Of course she is a daughter of the fox clan."
Kong Sang nodded, it was obviously Yang Yuhuan.
"You don't seem surprised that this temple appears?" Abe Seimei asked rhetorically.
"This must be Hoseiji Temple. Historically, Fujiwara no Michinaga became a monk after marrying his third daughter to the emperor as his queen. His hard work for the rest of his life was this Hoseiji Temple."
"Furthermore, Michinaga Fujiwara is also a loyal reader of Izumi Shikibu and Murasaki Shikibu. He especially likes The Tale of Genji. It is said that this is because there are characters based on Michinaga Fujiwara in this novel."
"Now it seems that the final scene of this soul-reviving incense lies in the Facheng Temple in front of us."
Abe Seimei smiled and said: "However, this time when we came here, it was not Boya and I, but Ashiya Doman and I."
Kong Sang smiled and said nothing.
The moment the two stepped into the temple:
"Boom!"
The huge palace completely collapsed at this moment! In the world surrounded by smoke, Facheng Temple stood alone.
…
Sora-san slowly opened his eyes amid the unique fragrance of cherry blossoms. At this moment, he had already put on Abe Seimei's hunting clothes.
It seems that at this moment, he is Ashiya Michimi, Abe Seimei, and even more Sora-san.
"Can't the incarnation of the split consciousness survive here forever?" Kongsang murmured to himself.
What is in front of us is not the magnificent Buddhist hall as imagined, but a night scene surrounded by stars. Only this time, there is a hillside and a cherry blossom tree in full bloom!
Kong Sang walked slowly onto the lawn, only to see that everywhere he looked he saw the brightly lit Heian Kyoto.
Just as it indicates the most prosperous and prosperous period in Japanese history, there is a mixture of elegance and luxury.
"Seimei-kun, you are finally here." A woman in kimono was sitting there.
Kong Sang looked at her for a moment and couldn't help but smile. It was indeed the legendary legendary woman - Murasaki Shikibu.
"Your Highness Zi Ji." Kong Sang bowed slightly.
"After thousands of years, I never thought we could meet again. However, although you are Seimei, it seems... you are not." Murasaki Shikibu smiled.
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"Indeed. I am not the one you saw during the Heian period." Kong Sang simply sat down and looked at the legendary woman: "Where are the distinguished guests who came before me?"
Murasaki Shikibu smiled and said, "What do Seimei-kun think books are like?"
Kong Sang was stunned for a moment, and then said: "Books are the carrier of words. Books are also the author's description of his own life and the magnificent world in his dreams."
"In general, the information that the author thinks can resonate will be presented in the book in the form of words."
Murasaki Shikibu nodded: "Yes, sometimes I think about it, isn't a person's life just a book?"
Kong Sang opened her hand, and a cherry blossom petal fell into her palm, exuding a quiet fragrance:
"I heard this sentence said by a certain person before." Kongsang murmured.
"But... my understanding of books is different from Seimei-kun."
"Oh? I'd like to hear the details."
But they saw Murasaki Shikibu slowly picking up a book from beside him and placing it in front of the two of them.
Tadu@ The simple cover and the ancient and graceful text convey an indescribable sense of weight.
"Genji Monogatari." Kusang murmured: "Just as Shonagon of the Qing Dynasty created the prose genre of the Kingdom of Japan, Her Highness Murasaki Hime, who is also one of the Thirty-six Song Immortals in the Middle Ages, developed the 'Monogatari' together.
It’s so vivid and vivid.”
Murasaki Shikibu held up the book: "What we see is the cover and the text, right?"
"But what is the part being held by my hand at this moment?"
Kong Sang smiled: "Of course it's from the back."
"Yeah... the cover, the back, in my opinion, the book is so magical. If we open the front, we can see beautiful and magnificent stories. But what if we start from the back?" Murasaki Shikibu asked.
Kong Sang thought for a moment: "Of course it's...messy words."
"But the messy words are also a world." Murasaki Shikibu explained.
Kong Sang nodded. At this moment, he understood the meaning of Murasaki Shikibu's words.
Or perhaps, he understood the relationship between Murasaki Shikibu and Kaoru Snow Tao.
Kou Kou Wu Lu 彡 七四 御 七五
I also understand why when the coffin flower incident started, I met too many people with two sides.
If I have to say it, at almost the same time period, Sang in Kyushu and Murasaki Shikibu in Japan discovered a kind of power at the same time, a kind of power with two aspects in one body.
The difference is that Sang had doubts about himself because the twin snakes flooded Luo City and his colleagues died tragically during the Anshi Rebellion.
Because he had doubts about his own thoughts, over time, another half appeared, that is, Abe Seimei, who came to live in Japan during the Heian period.
What about Murasaki Shikibu? She had the luck and talent of the Japanese island country at that time. Her responsibilities were the same as Seishonagon. She was born for the book "The Tale of Genji".
In the process of writing this book, Murasaki Shikibu conceived the so-called concept of two sides in one body through the front and back of the book.
However, Murasaki Shikibu is not a warlock or a miko after all, she is just a writer.
So, she had an idea but couldn't put it into practice.
However, as one of the sources of any culture, words have magnificent power.
Therefore, "The Tale of Genji", as a highly circulated novel, has naturally formed many "spirits of writing" with realistic human nature.
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"Xunxue Tao must be the Zi Ji in the book, the person whom Genji loved throughout his life." Sora Sang said leisurely.
"That's right. Back then, Lord Qingming folded a peach blossom and gave it to me. I used the peach blossom as a bookmark. I never thought that over time, such a wonderful fate would develop."
Murasaki Shikibu slowly opened the first page of "The Tale of Genji" and saw a well-preserved peach blossom inside.
Kong Sang caressed the pages of the book:
"So, whether it is Minamoto Boya or Seishonagon, the changes in them are actually opposite to those of Minamoto Shuogen, even though they are the soul-splitting method used by Abe Seimei."
"But at that time, the soul separation method was not yet complete. Presumably...he also saw a lot of inspiration from your method."
"So when I used the six-yao divination this time, the line of cause and effect was also drawn to you."
"Xunxue Tao must not know that you have actually been alive and not dead."
"It's just that you chose another way of living. You put yourself in words, and you achieved a kind of eternal life, the kind of eternal life that Yang Yuhuan (Izumi Shikibu) dreamed of."
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"Although the relationship between me and her was not very good at that time. But... Fujiwara-sama really appreciates her talent."
Kong Sang smiled: "Don't you plan to go out? It's rare that you still have this soul-reviving fragrance?"
Murasaki Shikibu shook his head: "So what if I go out? Today, I can also understand the outside world through people who read my books. Frankly speaking, it is still the same as when I was there, absurd and boring..."
Kong Sang smiled and said: "Zi Ji thinks so, but... others don't think so..."
Almost at the moment Kong Sang finished speaking, the night view filled with cherry blossoms began to vibrate.
Seeing the appearance of Kamo Koei, neither Kongsang nor Ziji took any action.
At this time, Kamo was like a ghost, and his body was extremely violent. Behind him, Kikukawa Daiko was holding Minamoto Boya.
"Where's Abe Seimei?" Kamo Kokoro's eyes were fierce.
At this moment, Kong Sang did not stand up to fight. He just smiled with a trace of pity and slowly shook his head.
"why are you laughing!"
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Murasaki Shikibu smiled: "This is to..."
"Yes." Kong Sang nodded slowly: "Following the trend of history, let's have a... Taishan Mansion Lord Festival..."
A little knowledge:
The so-called Monogatari is actually a literary carrier in Japan.
To put it bluntly, it is an early Japanese narrative.
Monogatari literature was born in the Heian period. Before the appearance of "The Tale of Genji", there were two schools of monogatari literature.
They are Creation Story and Waka Story.
The former uses magnificent words to describe an illusory world, while the latter is an objective narrative based on Japanese songs.
It can be understood that Creation Story is a fantasy novel.
Waka Monogatari is a realistic novel.
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Later, after the publication of "The Tale of Genji", the medium of Monogatari became a true masterpiece, and it was also the first full-length Monogatari novel in Japanese history.
And what is very interesting is that Murasaki Shikibu, the author of "The Tale of Genji", and Seishonagon, the author of "Pillow", both admired Bai Juyi very much.
Their literary works also include many poems by Bai Juyi.
Therefore, although their literary styles are very different from these two talented women in Japanese history, they both share a hint of Bai Juyi's poetic style in his later years.