Chapter 141 The audience had a great time watching 'Good Will Hunting'
Chapter 142 The audience had a great time watching "Good Will Hunting" (sixth update)
"This Tangze is so unique, awesome!"
Li Yongkang heard the poor Chinese of Quentin Tarantino, who was standing next to him, and complained:
"This word has almost become a proper noun for you Quentin, but I always feel that the words that come out of your mouth have another meaning."
Nicholas Kristof held back his laughter and said: "This is Quentin's style, vulgar and profound."
"That's right, I never brag, I only praise my awesomeness!" Quentin was not ashamed, but proud.
Li Yongkang shook his head and did not discuss much, but said: "The one who praises people for being awesome, tell me why Tang Ze didn't come this time?"
"How do I know? I'm not the roundworm in his stomach." Quentin said indifferently.
"Oh?" Nicholas was very interested: "What do you mean, Tang Ze didn't come on purpose?"
"Of course!" Li Yongkang said: "While everyone doubts that Tang Ze will not win the award, I have no doubt about him."
"If you analyze him carefully, you will know that he is a planning and purposeful person."
"Everything he does is prepared in advance and has a clear direction."
"And what he wants to do, he never fails and always exceeds the limit."
"Would he not have confidence in his film in this opening film? Will he miss this moment?"
"Let's look at the audience's reaction! I guess Tang Ze has expected it a long time ago. This is also his purpose, to get the head start."
"He himself was not present, but it became a suspense outside the movie."
"As long as "Good Will Hunting" is good enough, Karasawa will be the biggest winner of this trip to Cannes, and people will remember him."
Nicholas nodded: "It makes sense! Although I feel that you think about Tang Ze too much."
Quentin said something awesome again, but he thought of Jiang Wen's high praise for Tang Ze.
I feel that people like Li Yongkang and Jiang Wen praise Tang Ze so much, and Tang Ze should be worth making friends with.
Later, Zhou Jielun left the stage after saying his feelings, and people couldn't wait to watch the movie.
But the form is not over yet, and people have to wait even if they can’t wait.
First, the official came out to express their attention.
The last nine judges, some local French stars, also appeared one after another.
Displaying an elegant floor-length dress under the spotlight of major reporters is actually a catwalk.
Zhou Jielun, who had already sat back down, felt that Natalie Portman, one of the judges, seemed to blink when she looked towards them.
Finally, the famous French documentary director Claude Lanzmann officially announced the opening of the film festival with a lengthy speech until the audience was almost sleepy.
Many people, including reporters, breathed a sigh of relief and could finally watch a movie.
Whether Karasawa is as good as the introduction suggests, you will know through his works.
When the movie opens, the first thing that catches the eye is the refreshing faces of Tang Ze and Zhou Jielun.
Everyone knew that Karasawa was the leading actor, and found that he was as cool and handsome as they imagined. They had higher expectations for the movie, and it also aroused small-scale discussions.
"This genius Tang is definitely the most handsome director in the history of Cannes."
"Isn't that right? Such a handsome and talented man, I wonder if he lacks a girlfriend."
"You're only 21, so you definitely don't have a girlfriend. I think you all have a chance, ladies."
Among Chinese audiences, Tang Ze has aroused heated discussions before the plot of the movie has even begun.
It's both honorable and somewhat delicious.
God is unfair, doesn’t Tang Ze have any shortcomings?
Then there was no line in the opening, and the scenes were transitioned only through colors, images, and distant and near shots, which made many directors nod.
Tang Ze is still young, but his level is still good.
"Good Will Hunting" is a standard Hollywood three-act movie.
The first act of the plot focuses on the daily life of Tang Ze and his best friends.
The audience had a lot of fun and had a lot of bad friends, so they had a strong sense of immersion.
What follows is the plot of Karasawa starting to fight with people.
Domestic audiences may not be too interested in this kind of plot, but this group of foreign audiences exclaimed in surprise.
"Oh my God, have you noticed? The power and explosiveness of the fists on the face of the genius Tang Daoren are so strong that my face feels painful just looking at it."
"That's right. I am a fitness coach. Just by looking at Genius Tang's muscle outline, I know that he is very strong. This fight is really a fight. Maybe we can suggest that Tyson and Genius Tang have a fight." p>
"That seems like it? But am I the only one who thinks Genius Tang is too sexy when he fights? I'm in love with this boy."
The focus of these young audiences has left many directors speechless.
Please, you are watching a movie, can you pay close attention to the plot and don't just stare at Karasawa?
Also, what should we pay attention to when fighting strong?
Especially those women, where do you see the sexy scene in the bloody scene?
Of course, it would be a lie to say that I am not envious.
Handsome people are born with attention, but it’s a pity that being handsome doesn’t belong to them.
Later, Tang Ze was pinned to the ground and handcuffed by the police, which made the young audience feel a little pity.
We should continue to fight and give the police a punch.
Coming to the climax of the first act and the first part, professor Zhang Hanyu is looking for Tang Ze in the classroom.
The audience, who have taken on the role of the protagonist themselves, have long considered the honor and disgrace of the protagonist Karasawa to themselves.
The audience may not understand what pretense is, but they can feel that this is a great opportunity to show off, and they can't wait for Tang Ze to show up quickly to greet everyone's amazement.
In the end, Tang Ze did appear, but he still appeared in a low-key manner. Only Zhang Hanyu discovered his identity.
But even so, Zhang Hanyu just said: "Oh my God!"
It also made some viewers secretly cheer.
The contrast between the janitor doing a world-class problem and shocking the professor is already quite a gimmick.
But the pleasure was not over yet. When they came to the bar, the audience followed Tangze and pretended to be in front of the "top student" and had another pleasure.
Later, there were verbal battles with lawyers in court, and quarrels with psychiatrists in the psychological consultation room. Love went smoothly, and hobbies continued unimpeded.
The excitement and positive feedback made this movie not boring at all in the early stages.
This is also the key to why this movie has such a strong sense of immersion.
Watching the audience's emotions fluctuate with the mood of the protagonist, exclaims, joy, and heartfelt admiration often appear on the audience's expressions.
Sean Penn's original angry mood calmed down a little.
The audience's impression was excellent, which at least proves that the jury has a good vision.
It was this Karasawa who disrespected the Cannes International Film Festival so much, which really made him very dissatisfied.
When the psychiatrist He En appears, the first act is over and enters the second act.
At this point, the audience has completely bound themselves to the protagonist because of their strong sense of involvement.
Later on, the plot becomes more literary and artistic, which is actually a bonus.
After all, it’s great to be up front.
After all, being happy is just a fleeting emotional experience. How can we retain and extend this fleeting moment? It will make people linger and have endless aftertaste?
How about a spiritual salvation?
At this moment, the audience is the protagonist.
To redeem the protagonist is to redeem the audience.
This is the most profound technique of this movie.