"Written, directed and acted again? This Tang Ze is really evil."
"It's not evil, I'm a little doubtful. Is he really the screenwriter? I can't imagine that a 21-year-old script was written by a 21-year-old who won the Palme d'Or."
At the beginning of the film, critics were talking about it.
Doubting something that you cannot do is also a common skill of film critics.
"Hey, please be careful what you say, okay? Before denying a fact, you must first investigate the previous facts." Li Yongkang glared at the two film critics:
"Do you think the scripts for "This Man Comes from Earth" and "Don't Stop the Camera!" were not written by Karasawa?"
"If China suddenly has more screenwriters like this, introduce them to me, and I guarantee to give him the highest salary."
The two film critics didn't reply, but just muttered: "So what if it was written by Karasawa? With his experience, it would be good if he could write a logical script."
"It can only be said that this year's Cannes Film Festival has a bit of a vision problem."
Some directors also agree: "Being young is not wrong. Being young and gaining qualifications that do not match him is naturally questionable."
"When Brother Chen Kai won the Palme d'Or, some people suspected that "Farewell My Concubine" was filmed by his father."
"Putting it here to Karasawa and thinking about his life experience, I would even wonder if this is an international conspiracy between the United States and France."
"Just so that Tang Ze can win the trust of the Chinese people."
These directors still remember Karasawa's backhanded humiliation.
They wanted to see what works Tang Ze, who felt that all Chinese directors were stuck in the same place, could produce.
Not only them, but also film critics.
And these directors and film critics who have some kind of malice or prejudice were actually very supportive of Karasawa when "Don't Stop the Camera!" was released.
But since Karasawa won the Palme d'Or, he has been resented by these people.
This is not just because Karasawa said those words that are easy to be hated.
What's more, when a creature beyond their knowledge appears, they subconsciously rebel.
As the saying goes, if the trees are beautiful in the forest, the wind will destroy them.
21 years old!
Tang Ze is only 21 years old.
Ordinary people at this age have just entered society.
However, Tang Ze confirmed his status as a first-line director.
Most directors can only look up to him and treat him as a senior and a guide.
After all, those who excel in China come first.
With such a mentality, it is understandable that they would show hostility to Tang Ze.
Just like an airborne general who wants to convince the soldiers, the soldiers must actually see the general's abilities.
When it comes to movies, Karasawa's works must convince them.
Li Yongkang said no more, he saw it.
These people are probably here to hack Karasawa, maybe they are the enemies brought in by the "Red Cliff" team.
Nicholas Kristof smiled: "I thought you would be disappointed with Karasawa from now on, but I didn't expect that not only did you come to see him for the second time, but you also helped him speak."
"What, you think what I said makes sense, have you figured it out?"
Li Yongkang shook his head and nodded: "I still think that the structural innovation of film art is the best filmmaker, but I will also try to integrate into the mainstream film criticism industry."
"At least a director like Karasawa who can bring new trends to movies needs encouragement from mainstream film critics."
At the beginning of the film, the bright and fresh colors make people feel relaxed subconsciously.
Karasawa is already very proficient in basic photography skills.
Huayi location area, Feng Xiaogang made this judgment.
The pace of the opening chapter is very steady. From the appearance of the protagonist Tang Wei to the mathematics professor Lan Bo convincing Tang Wei to see a psychiatrist, there is no impatience at all.
And the overall story above is very attractive.
Even if those directors and film critics don't want to admit it, the pretentious and slap-in-the-face plot has trapped them.
They even doubted whether Tang Ze was really proficient in psychology?
But if it were just this way, the director would say it was just an entertainment work, and Cannes was really blind.
Film critics will criticize this movie and Karasawa completely.
"Tangze's feature films can indeed make people immersed in them unconsciously, but to be honest, I hate this protagonist." Wang Zhonglei said.
For these film and television giants who like to play both sides and rely on their connections to help Huayi grow to this day.
It’s normal for a character like Tang Wei not to be likeable.
You are powerful but out of control, it’s strange that they would like it.
Wang Zhongjun also nodded: "Actually, Tang Ze's acting skills are so good. I don't know whether it's Tang Ze's nature or his acting."
"With such an all-powerful director, I can't help but accept it!"
Feng Xiaogang couldn't help but retort: "The director is also the screenwriter and the starring actor. What do you mean? If you don't concentrate on being a director, can you make a good movie?"
Wang Zhonglei nodded seriously: "Don't tell me, Tang Ze can really do this."
Feng Xiaogang was speechless.
As the movie progresses, the plot becomes more literary and artistic.
The director and film critics who originally had some opinions fell silent.
This kind of delicate characterization and heart-touching dialogue amazed them.
And the more you look at this amazingness, the higher it stacks up.
Even thinking back to the previous plot of showing off and slapping people in the face, I found that it was very necessary.
Without those plots, they would be bored and lack a sense of immersion.
They didn't want to betray their position, so they focused on every detail of the movie, trying to dig out the parts worthy of criticism.
However, until the end of the movie, when their amazement reached its peak, they could not find any point to criticize professionally.
Film critics were hesitant about the director who originally came to plot against Karasawa.
In such an excellent movie, is there anything worthy of criticism?
Suddenly, they had an idea.
Yes!
The biggest flaw of this movie is that it is not realistic enough.
The character of the protagonist Tang Wei is extremely unrealistic, so genius, how could it be possible in the world...
As a result, this thought was only halfway through, and they couldn't think about it anymore.
It's indeed not true, but isn't Karasawa himself an excellent example?
I was at a loss for a long time, and the applause in the theater for a good movie lasted for dozens of seconds.
These film critics and directors are extremely reluctant, but they can't help but clap along.
No matter what, at least "Good Will Hunting" is indeed qualified to win the award.
And Tang Ze, who has produced such excellent works, deserves their respect.
At this moment, they put aside their prejudice against Tang Ze's age and accepted him.
As if a big stone had been removed from their hearts, they smiled and went to congratulate Tang Ze and talk to him.
They also took the initiative to show Tangze their praise of "Good Will Hunting" to express that they were on Tangze's side.
However, the problem is that Karasawa doesn't care about these directors and film critics at all.
Inviting them to participate in the premiere is just a routine.
There are film critics who are prepared to accept Karasawa, but the director feels that he is not taken seriously.
I immediately tore up the positive review article I wrote.
Forget it, they are just black men, how can they learn to be generous?