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Chapter 108 Intangible Cultural Heritage

 After finding a booth and sitting down, he looked at several tables in the hall. Among the middle-aged people in their 40s and 50s, many were staring blankly at the farm items on the wall. Jin Huabin pointed at two of them and said softly to Su Yuehong.

: "Look, these two people have tears in their eyes. They must have remembered the past when they were educated youths. What they sell in business is not food, but feelings. This time, my brother's investment is accurate. It is easier than colored stone carving.

Make money."

The waiter wore clothes made of homespun cloth with small polka dots that people in the village often wore in the past, and wrapped his head with a homespun cloth scarf of the same material. He held a menu and greeted the guests in local dialect. The two ordered half a native chicken and a portion of stir-fried yellow pepper.

Meat and a portion of day lily. Xiang Haixing happened to be in the hotel and came over to toast: "Why don't you come over and say hello to me, waiter, the charges for both of them are free and will be charged to my account."

After buying him a glass of wine, he thanked him silently: "Our business still lies in the promotion of your forum. Its power is much more effective than the traditional advertising on the street. You see, now, self-driving tourists are

The business that comes to our hotel proactively with maps accounts for nearly half of our hotel business, and I am preparing to start another accommodation business."

Tourism forum, it seems that our positioning is correct. Xiang Haixing finished the toast and left. Su Yuehong said to Jin Huabin: "I want to ask you one thing, have you ever come into contact with intangible cultural heritage? I almost forgot.

During the exchange with Lou Hongjuan, she once mentioned that the boneless lanterns are applying for intangible cultural heritage, which is another highlight of the publicity. In addition, when you were driving back, I looked out of the car window and saw several other

I’m a studio working on a boneless lantern. I’ll give you an interview soon to make our article more vivid and richer in content.”

"I've heard that it is divided into intangible cultural heritage of mankind, national and other levels. I always feel that our Xianju is just a county, which is relatively far away from us, so I don't know what it specifically refers to. Can I search it on Baidu?" He said while opening his mobile phone.

Computer.

On Baidu, it is written clearly, the characteristics of intangible heritage,

The first is "ethnicity" - the ownership of intangible cultural heritage: focusing on the rescue of individual ethnic minorities, especially those on the verge of extinction with a small population base, while also taking into account universal coverage in most parts of the country, regardless of gender, poverty, and poverty.

"intangible cultural heritage" that is widely adapted to differences in wealth, industry, beliefs, etc. throughout society.

The second is "intangible" - the characteristics of intangible cultural heritage: Intangible cultural heritage refers to various traditional cultural expressions that exist in intangible forms and are closely related to people's lives and passed down from generation to generation. Intangible cultural heritage is people-oriented.

Living cultural heritage emphasizes human-centered skills, experience, and spirit, and is characterized by living fluidity. It highlights non-material attributes and emphasizes qualities that exist independently of material forms.
The third is "culture" - the nature of intangible cultural heritage: "Intangible cultural heritage" has a strong cultural role in etiquette and music to transform people. Most of them are the emotions of sorrow, joy, life and death, and marriage produced by ancestors in their labor and life.

The expression of awe and attitude towards ancestors, nature, heaven and earth is a living culture that meets people's natural needs, social needs and spiritual needs. Its practicality is based on people-oriented.

The fourth is "Heritage" - the origin of intangible cultural heritage: "Intangible Cultural Heritage" is the cultural wealth that our ancestors have preserved to modern times through their daily use. It is naturally generated and continuously develops and changes in the long river of history. Although it changes with the ethnic groups

Changes in the environment, the relationship with nature, and historical conditions continue to innovate this intangible cultural heritage passed down from generation to generation, but the sense of cultural identity and history of the heritage remain unchanged.

The fifth is "protection" - the attitude towards intangible cultural heritage: the word "protection" is used for intangible cultural heritage, which itself illustrates the fragility of intangible cultural heritage. Everything has its origin, growth, continuation and demise.

process, the future of "intangible cultural heritage" is also in such a dynamic process."

The sixth is: "List" - recognition of the value of intangible cultural heritage: intangible and intangible heritage is more important. National intangible cultural heritage contains indescribable meanings, emotions and unique ways of thinking, aesthetic habits, and hidden meanings.

It retains the deepest roots of traditional culture and retains the original state that formed the national culture.

After reading the introduction of the intangible cultural heritage, he said: "The lanterns are listed as intangible cultural heritage. This subject is much more popular than the subject on the stamps. There is too much content to be explored. Let's do the calculation first to further promote the forum.

Be prepared."

She held her head with her hand and thought for a while, then said: "Looking closer, the utilitarian purpose is becoming more and more prominent. The retention, declaration and even protection of "intangible cultural heritage" are all driven by strong interests, not only personal ones."

Needs, as well as the support of the local government, have turned the application process into local advertising, tourism promotion, and a way to add value. The application for "intangible cultural heritage" is a process of alienation, commercialization, and desacralization.

Process, the process of stripping away from cultural normality."

"So, if the forum catches this topic, a large number of fans will register to participate in the discussion." He proudly held up a glass of wine and said: If "intangible cultural heritage" itself does not have enough vitality to continue to develop, our modern protection

It has become a hospice care for "intangible cultural heritage". The impact of modernization and the impact of commercialization have caused intangible cultural heritage to lose its original soil and social environment, and it will slowly die out. When a cultural project is installed

In the protected greenhouse, for future generations to inspect, watch and taste from the outside, it may already be a kind of condolence!"

"Boss, this is too lofty. Let's keep our own forum safe and sound. We'll go to Chaotan again tomorrow and visit the lantern studio we saw when we passed by." Su Yuehong picked up a piece of chicken and swallowed it.

In the middle, he pouted and said: "Don't tell me, this dish is really cooked."

The next day, Su Yuehong drove alone to Bontan. The lamp-making studio is located at No. 88 Ancient Street, which is Wang Lanyi’s home. Many of Wang Lanyi’s works are displayed in the Acupuncture Hall a few dozen meters away from her home.

The working space of bone lanterns. The exhibition hall is very dark, which makes the lanterns hanging above the head extremely bright and beautiful.

"Everyone here used to make lanterns. Especially during the Chinese New Year, making lanterns is as important as buying new year's goods. In people's eyes, lanterns are a symbol of good luck and good luck, which can get rid of bad luck and bring good luck." Wang Lanyi said: "

Making lanterns is a small hobby in my spare time. In the 1980s, a master named Wu Huandeng came to the village to teach the art of needle-punched boneless lanterns. This stirred up childhood memories in my heart, and I immediately became a disciple of Wu Huandeng.

I am committed to studying the patterns and styles of lanterns. Now, as I get older, my eyesight is not that good. I hope that the craft of boneless lanterns can be passed down, so I hope more people can learn it. As long as they are willing to come, I will teach them."

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