Chapter 300 Ji Kang’s luck, Jiaowei is paired with Guangling
"Guangling San" has a total of forty-five sections. The whole song is filled with an indignant and unyielding aura of awe-inspiring, "splendid, and full of swords and spears".
There are sub-titles in the score about "Assassing Han", "Charging the Crown", "Getting Angry", "Reporting the Sword", etc. Therefore, ancient qin composers regarded "Guangling San" and "Nie Zheng's Assassination of Heroes" as "Guangling San".
It's the same song with different names.
The score of "Guangling San" has a total of forty-five sections, which are divided into six parts: fingering, minor sequence, major sequence, main tone, random tone, and post sequence.
The opening refers to one section, and the small sequence has three sections, both of which are called stopping.
Five sections of the Great Preface (Jingli, Shencheng, Shunwu, Yinshi, Qianshi).
Eighteen paragraphs of the main voice (take Han, call the ghost, die, make Qi, hold ambition, meditate, return to the soul, hide things, rush the crown, Changhong, cold wind, get angry, martyrdom, collect justice, make famous, hold light,
Shen Ming, throwing sword).
Ten paragraphs of random sounds (high traces, keeping the quality, returning to power, ending the hatred, finally thinking about it, comrades, using things, resigning from ministers, titles, and micro actions).
The following eight paragraphs (the meaning of stopping, the end of the meaning, the sadness, the sigh, the sigh, the sadness, the hatred, the plan of death).
Before Zhengsheng, it mainly expressed sympathy for Nie Zheng's unfortunate fate; after Zhengsheng, it expressed praise and praise for Nie Zheng's heroic deeds.
The main part of the music is the main part of the music, which focuses on Nie Zheng's emotional development process from resentment to indignation, and profoundly depicts his will to revenge without fear of rape and death.
The whole song always runs through the interweaving, ups and downs, development and changes of the two themes and tones.
One is the main tone of the main tone that appears in the second paragraph of "Zhengsheng", and the other is the main tone of the chaotic tone that first appears at the end of the main sequence.
The main tone is often found at the beginning of a section, highlighting its main role.
The chaotic main tune is mostly used at the end of a section. It brings the various changed tunes into a common tone and has the function of marking the section and unifying the whole song.
It is one of the few guqin pieces with a fighting atmosphere. It directly expresses the spirit of avenging one's father, and is highly ideological and artistic.
Perhaps it was because Ji Kang saw the spirit of resistance and fighting will in "Guangling San" that he loved "Guangling San" so much and had such deep feelings for it.
"Guangling" is the ancient name of Yangzhou, and "San" means cao, which means to introduce music. The title of "Guangling San" indicates that this may be a Qin music popular in the ancient Guangling area.
This is a large-scale instrumental piece in ancient my country. It sprouted in the Qin and Han dynasties. Its name was first recorded in Wei Yingzhu's "Books with Liu Kongcai": "Listen to Guangling's Qingsan".
By the time of the Wei Dynasty, it had gradually taken shape and was finalized. Later, it was lost for a time. Later generations discovered it in the Ming Dynasty court's "Miraculous Secret Manual" and reorganized it, resulting in the "Guangling San" we hear today.
The content of the music is said to be about the story of Nie Zheng during the Warring States Period, in order to repay the kindness of Yan Zhongzi for knowing him, and after the death of his mother, he assassinated the Korean Prime Minister Xia Lei on behalf of his benefactor Yan Zhongzi.
Ji Kang loved only the two songs "Meeting the Gods in the Lone Pavilion" and "Guangling San" throughout his life. He would play them in a quiet and elegant place on a high hill, when the wind was clear and the moon was bright. He would wear deep clothes and a crane, wash his hands and burn incense.
Although dignitaries asked for advice, it was not passed on to others.
At Xuanqi, the wind stopped and the clouds stagnated, and both humans and ghosts were silent. Only the Gongzhi jumped on the piano plate, Ji Kang's thoughts slid on his fingertips, emotions flowed in the Five Mysteries, the sounds of nature echoed in the sky, the fairy music curled like clouds and flowing water, and the sound of the piano was tinkling.
The sound of the iron sword shook the heaven and the earth, making ghosts and gods weep, and all those who listened were moved.
"Linggui Zhi" said: "Ji Kang was playing the piano under the lamp, and suddenly there was a man more than ten feet long, wearing black clothes and leather belt. He looked at him familiarly. He blew the fire to extinguish it, saying: "Shame and evil spirits compete for glory." Try to go and count the ways.
Ten miles away, there is a pavilion named Yuehua. If you go to this pavilion, you will kill people.
Zhongsan (Ji Kang once served as the official Zhongsan of Cao Wei) felt relaxed and free of fear.
At the first watch, I started playing the qin and performed various tricks. I played the music with a graceful voice and praised my goodness in the air.
Zhongsan played the harp and called out: "Who are you?"
He replied: "I am an old friend, and I am hiding here. I heard you playing the harp, and the music was clear and harmonious. I liked it in the past, so I came to listen."
If the body is unlucky and unreasonable, it will die, and the body will be damaged, so it is not suitable to meet a gentleman.
However, I love your harp and want to see it again. Don’t blame it for being evil. You can compose more songs.”
Zhongsan returned to Fuqin and struck the knot and said: "It's been a long night, why don't you come? What's the point between the body and the body?"
Then he hit his head with his hand and said: "When I hear the piano playing, my mind will be enlightened and my mind will be enlightened, as if I were temporarily alive."
He invited us to discuss the interest of sounds, and his words were very clear. He said to Zhongsan: "You will try to see me on the piano."
Then he played "Guangling San" and learned from it, and he got the result. Zhongsan was introduced first, but it was not as good as it. He swore to Zhongsan: not to teach others. Tianming said to Zhongsan: "Even if we meet today, we can be far away."
The same thing lasts for thousands of years. It will last forever, so we cannot be disappointed."
Ji Kang also had a very expensive Qin. For this Qin, he sold his old business in Dongyang and asked the minister for a piece of river jade. He cut it into thin slices and inlaid it on the surface of the Qin as a Qin emblem.
The qin bag is made of jade curtains and shrunk silk. This qin is priceless.
Once, his friend Shan Tao was drunk and wanted to cut the harp into pieces. Ji Kang threatened his life to save the harp from disaster. He still has the harp in his house, but he didn't take it out today.
I can only play it with the Jiaowei from Cao Shuang's house.
"Jiaowei" is a Qin made by Cai Yong, a famous writer and musician in the Eastern Han Dynasty.
Compared with the other three of the Four Famous Qins, its name seems straightforward, but its life experience is extraordinary.
According to legend, when Cai Yong was "fleeing across the country and far away from Wuhui", he rescued a section of sycamore wood that had not been burned yet and had an unusual sound from the fire.
According to the length and shape of the wood, he made a lyre, and the sound was indeed extraordinary. Because there were still scorch marks on the end of the lyre, he named it "Jiaowei".
Famous all over the world.
The other three famous qins are named "Haozhong", "Rao Liang", and "Lvqi" respectively. "Haozhong" has long since disappeared along with its chief executive Qi Huangong, and its traces can no longer be found.
"Rao Liang" was pained by its owner, King Chuzhuang, who knocked it into several pieces with iron Ruyi. The lingering sound of "Rao Liang" was completely lost.
The "Green Qi" is connected with the eternal legend between Sima Xiangru and Zhuo Wenjun. Sima Xiangru's "Feng Qiu Huang", which won Zhuo Wenjun's heart, was played on this qin.
This guqin originally belonged to the King of Liang. Sima Xiangru composed a song "Ruyu Fu" and gave it to the King of Liang. The King of Liang gave the guqin "Green Qi" in his collection as a gift in return. In the end, the guqin also followed Sima Xiangru.
, Zhuo Wenjun disappeared together,
Among the many famous qins in the world today, only Cai Zhonglang made the "Jiaowei" qin, and this qin is now considered unique.
"Guangling San" played by Ji Kang is a piece of this ancient famous tune that was processed by Ji Kang. In the long-term circulation process, it is just like a folk song, embodying the efforts of the sungers of the past generations.
Ji Kang finished playing Guangling San,
Cao Shuang and others did not come back to their senses immediately, they were still reminiscing. Although Cao Shuang did not understand such an elegant Guanglingsan sound, he still thought the song was good. He continued to be in power, so that the song would not be lost.
If the Sima family were in power, then Ji Kang might not be as lucky as he is today. After all, he married Emperor Wu's granddaughter. This alone would make the Sima family regard him as a thorn in his side.
Cao Shuang clapped his hands and exclaimed: "What a good piano and good music. Shu Ye deserves to be a famous and talented person in the world!"