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Chapter 250 Practicing various arts

 Cultivation of Baiyi, also called Cultivation of Baiyi, is a practical application method of one's own cultivation. Later, after countless generations of supplements, improvements and expansions, it gradually became a cultivation technique with a complete system.

In the world of cultivation, about three to four of every ten monks will choose at least one skill as a side job to practice on the side.

The monks do this not only to be self-sufficient and increase their ability to obtain resources, but also to better understand their own skills and techniques, and to prepare for future contact with the rules.

The most common cultivation technique is counting talismans.

Almost any monk can make talismans. Talismans with other attributes may be impossible to make or have a very low success rate because they do not understand their essence. Talismans with their own skill attributes are relatively easy to make.

Especially for monks below the foundation building stage, making talismans is the easiest to succeed in practicing various arts.

The only difference between each monk when making talismans is the level, power and success rate of the talismans produced. This is also the key to determine whether the monk will continue to refine the skills of talisman making and become a talisman maker.

According to the custom of the cultivation world, the standard for being able to make talismans is that you can make at least two offensive talismans that are not lower than one level of your own cultivation level, and the success rate must be more than half.

In other words, the criterion for whether an intermediate-level foundation-building cultivator can continue to make talismans is to see whether he can make two intermediate-level qi-training offensive talismans, and he must use up to four opportunities to make the talisman.
If the talismans of the same level are subdivided, there are too many types and different uses. Therefore, only the instantaneous explosive power of attack-type talismans can be used as a measurement standard.

A monk who cannot meet this standard does not mean that he cannot make talismans, it just means that he does not have the talent to make talismans. The cost of making talismans is higher than the cost of purchasing the same talisman directly, which not only wastes cultivation resources, but also consumes a lot of time and energy of the monks.

, it’s really not worth the loss.

This standard is only the default minimum standard in the cultivation world. Unless there is a second-generation miner in the family, otherwise, with this level of talisman making, talisman making is a luxury hobby. It is almost inevitable to make ends meet. How long you can persist depends on your own financial resources.

How long can it last?

Above this standard, everyone is a genius in making talismans, and there are high and low geniuses.

Taking the intermediate level of foundation building as an example, a person who can use four opportunities to make two high-level offensive talismans in the Qi training stage is an ordinary genius and is also called a "talisman maker".

If you can make two basic foundation-building offensive talismans, then you are a true talisman-making genius. They are also usually called "talisman-making masters".

In the world of cultivation, the number of Talisman Masters is obviously less than that of Talisman Masters. Even if the ratio is not one to one hundred, there are still one to six or seventy.

If one can produce two mid-level foundation-building offensive talismans that are equal to one's own cultivation level, and maintain a success rate of more than 50%, the maker will be called a "talisman-making master."

Talisman masters are few in number in the cultivation world, have a very high status and are highly respected.

In fact, not only are masters of talisman making, but those who can reach the status of master in any of the hundreds of arts are rare, and there will be a large number of followers around them.

Above the Grand Master, there is also the legendary "Master".

The standard for a Talisman Maker is to complete a Talisman that exceeds one's own level of cultivation. The type of Talisman is no longer required, and the success rate is not considered, as long as it can be completed.

However, it is too difficult to reach the standard of a Talisman Maker.

After years of development and constant adjustments and modifications in the cultivation world, its standard system has become more perfect and even a little too strict.

Take magic as an example. The Fire Wall Technique appeared in the previous article and was once made into a talisman and auctioned by Gao Xingyu.

The Fire Wall Technique is considered by the cultivation world to be a high-level technique in the Qi-training stage, but most monks who practice fire-attribute techniques only learned this technique after the Foundation Establishment Stage.

The basis for this judgment is that as long as 10% of monks can learn a certain spell at a certain stage, the spell will belong to this stage.

It can be seen that most monks learn almost all the spells in the world of cultivation after a delay. Only less than 10% of them are geniuses who can learn them within the standard period.

As for monks who want to learn magic beyond the level, it is not impossible, but it is too rare. This requires super talent and great opportunities.

This is true for learning spells at higher levels, but it is even more difficult to make talismans based on spells at higher levels. Therefore, even in the Ancestral Star cultivation world, it will take thousands of years for a talisman-making master to appear.
Therefore, in the world of cultivation, a master of a certain skill is basically the highest level of that skill. The level of a divine master is something that can only be encountered but cannot be sought. This is not only true in the circle of talisman making, but also in other cultivation arts.

So.

The talisman has no special requirements for the attributes of the cultivator. A monk with any attribute can at least make talismans with the same attribute.

At the same time, because monks at low levels have only one method, know few spells, and have very little vitality in their bodies, talismans can play a great role in low-level monks.

This makes talisman making the most popular cultivation technique among low-level monks below the Foundation Establishment stage. At least eight out of ten monks have tried talisman making.

However, as the practitioner's cultivation level increases, the level of the talismans they make also increases, more and more resources are required, and the success rate becomes lower and lower.

Due to limited training resources and talent for making talismans, most of them will not continue to insist on making talismans.

Therefore, although the art of making talismans has the largest number of participants and the broadest mass base, the proportion of practitioners who can actually become talisman makers and persist in it is not high.

If we say that 30% of all monks are also practicing various arts, among them, although the number of talisman makers is the largest, it is less than 10%. This is really insignificant compared to the 80% of monks who all tried to make talismans in Zeng Guo.

In addition to the fact that the Talisman Maker is almost not limited by his own attributes, practicing other skills in the Hundred Arts basically has innate attribute requirements.

For example, an alchemist generally needs to have fire attributes and metal attributes as a supplement. Similarly, an alchemist should have mainly fire attributes and wood attributes as a supplement, which is best.

Monks with mainly wood attributes are more suitable to be spiritual planters or medical practitioners. Monks with earth attributes are naturally the best candidates for spiritual builders. Monks with water attributes can not only become senior assistants to masters or above in many skills,

They are also the best choice for boat pilots.

These are just the common five-element attributes. There are also some skills that require special attributes. For example, illusionist, beast master, deduction master and array master, etc., the choice is much narrower than just the five-element attributes.

In this regard, the Earth Realm is much inferior to the Ancestral Star Realm. The lack of resources and the interruption of inheritance mean that only 10% of the monks who practice various arts account for the proportion of the Earth Realm monks.


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