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Jian Kiln got its name because it belonged to Jianzhou during the Song Dynasty. It started in the late Tang Dynasty, flourished in the Song Dynasty, and declined in the Yuan Dynasty. It mainly fired celadon, black glazed porcelain, blue and white porcelain, etc. Among them, black glazed porcelain is famous in the world. It mainly fired
Mainly bowls and plates, but also boxes, pots, lamps, stoves, bowls, plums, vases, and other utensils. There is an inscription on the sole of the foot for the imperial cup, which was a tribute fired for the court of the Song Dynasty. This is how Yu Fei judged this batch of black porcelain
The reason for the low value.
The prosperity of black-glazed porcelain is related to the trend of tea fighting, so it is mostly in the form of tea cups. The characteristics of black-glazed pottery: the body contains high iron content and has always been called iron body. The carcass is thick, black, gray and purple-black.
The texture is rough and hard, and the exposed parts are dark and dull. The glaze is moist and the glaze color is jet black. The inside and outside of the object are glazed, and the outer glaze is close to the bottom of the foot. The bottom of the foot is unglazed and exposed. The glaze surface has obvious vertical flow and kiln deformation phenomena, and some
There are famous varieties such as rabbit hair oil drops, obsidian and partridge spots. The world-famous obsidian tenmoku lamp currently stored in Japan is a work of Jian Kiln.
Under the influence of the reputation of black-glazed wares built in kilns, there are many imitation-fired porcelains in various places. In addition to dozens of porcelain kilns in Fujian Province from Fuqing in the south to Wuyishan in the north, there are also kilns in other provinces that imitate black-glazed porcelain.
However, the level and value are far from those of Jian Kiln Black Porcelain.
Although this batch of porcelain has high artistic value, it is somewhat different from the Jianzhou kiln, so Yu Fei thought that it should be black-glazed porcelain imitated from other places. For some reason, it was passed over by the ignorant little Japanese.
And he carefully collected it as a precious item with the same value as gold. It really has never been seen in the world.
Hey, there are actually words on it. Yu Fei found something similar to a signature engraved on the bottom of a plum vase.
Let me see, let me see. Kong Dashan quickly came over and reached out to take the plum vase in Yu Fei's hand. Yu Fei's heart trembled when he saw the sloppy look on his hands. I really don't know how he got his old antique collection.
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This is Kato Kodai-san's uncertain question.
Yu Fei nodded. He did not expect that this batch of porcelain was neither the product of Jian Kiln, nor was it made by Jizhou Kiln and other kilns following the trend. It was not even from China. It belonged to the Seto Kiln, one of the six famous kilns in Japan, and was probably even made by Kato Shiro.
Works by Emon Keimasa
Although Yu Fei does not know much about the history of Japan, he also knows that the six major kilns in Japan, including Seto Tokoname, Echizen, Tamba Shigaraki Bizen, are collectively called the Six Famous Kilns. In terms of quantity, they are more famous than the five famous kilns in China.
There is one more.
However, Yu Fei thought that the so-called six famous kilns in Japan were just like the famous generals during the Warring States Period in Japan. They were simply empty-name things. They were not even comparable to many folk kilns in ancient China. During the Warring States Period in Japan, military generals were often given very powerful titles.
Some heroes, some ghost generals, some fox generals, all bragging about how powerful they are. On the Korean battlefield, they all showed their true colors. The Japanese nation has a very strong national self-esteem, but sometimes it is like an arrogant Yelang.
Same as the country.
Seto Ancient Kiln is the first of the six ancient kilns in Japan and has the longest history. It is known as the origin of Japanese pottery. Seto Mono in Japanese refers to ceramics, just like China in English refers to porcelain. Stores selling ceramics
It is also called Seto Monoya by the Japanese.
The Seto Ancient Kiln is located in Seto City, Aichi Prefecture, central Honshu Island, Japan. Northeast of Nagoya, it has a large amount of pottery clay and kaolin, which is a unique ceramic-making resource. Its production technology was also the most advanced in Japan at the time, among the six major
It is the only ancient kiln that can produce glazed pottery.
Because the Japanese nobles at that time were very fond of Chinese ceramics, and the Chinese tea party and tea fights spread eastward, the black-glazed tea sets produced by the kilns were very popular, which greatly promoted the development of the ancient Seto kilns.
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Legend has it that the Tenmu tea bowl was first brought back to Japan by Japanese monks from the temple on Tianmu Mountain. Since the tea bowl was built with black glaze at that time, all black-glazed utensils were later generally called Tianmu. In 1223, the sixteenth year of Jiading in the Southern Song Dynasty, the potter Shiro Kato
Emon Kagemasa followed the Song Dynasty eminent monk Dogen to Tianmu Mountain to study the firing technology of black glazed pottery, which lasted for 5 years.
After returning to Japan, after moving around several times, Kato Shiro finally built a kiln in Seto Village and made pottery. His descendants respected him as the ancestor of pottery in Japan. In the Muromachi period, after the unremitting efforts of several generations of potters, Seto finally succeeded in firing the pottery today.
The Seto Tenme, designated as a national treasure by the Japanese government, is divided into white Tenme, yellow Tenme, gray quilt Tenme, chrysanthemum Tenme, etc. based on different glaze colors.
This batch of black porcelain is the black porcelain fired by Kato Shiroemon Keimasa, the founder of Japanese pottery. The fired Komatsu dog has been designated as an important cultural property by Japan and is equivalent to China's first-class cultural relics, which shows its influence and status. If the Japanese
Knowing that Yu Fei discovered so many black porcelains made by Kato Shiro, the founder of pottery, he would probably go crazy.
Yu Fei didn't know about these at all, and even if he knew, he wouldn't care. He just stole a few tricks from China. At best, he was a second-hand imitator. When he arrived in Japan, he actually became Tao Zu. This is like a woman stealing from a man.
They received a seed that was full of activity, and finally gave birth to a pretty good child. As a result, these children only recognized women as their ancestors, but ignored the man who gave the woman the seed. It really felt like putting the cart before the horse. Pure
The author's personal nonsense
In this way, these Japanese porcelains are still worth some money. As an arty antique collector, Kong Dashan is not much better than Ye Jianjun. He doesn’t even know Kato’s name or age. How does he measure antiques?
The only criterion is how much it is worth. Moreover, he has no interest in this batch of dark porcelain. Of course, his first thought is to exchange it for money. Otherwise, it would be useless to put a few dark jars at home.
It has nothing to do with elegance.
Yu Fei counted and found that there were a total of thirty-eight pieces of black porcelain in the two boxes, of which twenty-two were tea cups and the others were vessels such as bottles and pots, which could be considered high-quality products.
It should be possible to sell them for a lot of money, but now is not the time to talk about this. Although these porcelains belong to Japan and Yu Fei doesn't like them, but they can't sell them for a while, they have to be taken back.
It’s okay to be disgusting and disgusting, little Japan. Then we will say that these black porcelain engraved with Kato patterns were found near Tianmu Mountain to prove that your porcelain ancestors did go to China to steal their skills. Besides, the gold must really be shipped back.
After that, Yu Fei immediately became a billionaire. Hey, at that time, he only cared about the small money to buy a piece of land, build a big house, and put all the treasures he had now and collected in the future like a museum.
Go in, take a look when you have nothing to do, and have fun. If he has a good relationship with us, we will let him take a look for free. If he doesn't have a good relationship with us, get out of here and won't let him in.
Yu Fei, who was furious, had already begun to daydream. What he didn't expect was that this batch of porcelain would cause such a big sensation later.
However, this dream did not last long. Although these gold and porcelain have been salvaged, at least they do not belong to anyone so far. They are still on the territory of Little Japan and may be discovered at any time.
When Yu Fei said this, Kong Dashan and Wu Zhonghao also became serious.
Boss Kong and I had a discussion just now. Wu Zhonghao said: Although Boss Kong's goods are not yet complete, we can't wait any longer and must leave the port as soon as possible.
Yu Fei nodded. He understood the words of "Ye Chang Meng Duo" deeply. If he followed the normal procedure, Kong Dashan would have to stay in Tokyo for a few more days, but who knows what will happen in these few days.
I will find some reasons to leave here as soon as possible. Kong Dashan said: In order not to be discovered, Brother Wu and I will use speedboats to transport the gold to my ship in five batches tonight. As for these tattered porcelain, Yu Fei
Do you want more?
Although Kong Dashan asked for Yu Fei's opinion, he actually didn't want it in his heart. Twenty boxes of gold were already very conspicuous, and the two boxes of broken porcelain were really in the way and too cumbersome. Although it was seven or eight
Yu Fei once said that century-old things are valuable, but Kong Dashan thought that Yu Fei was a collector, which was exaggerated, let alone something from Japan. According to his idea, it is best to let them
Go back and forth wherever you go, then dump it into the sea.
Of course, Wu Zhonghao agrees with this idea. Although he also feels it is a pity, he has no idea about porcelain. I don’t know what the expressions of Kato Shiro and the Japanese people will be when they know what these two guys are thinking.
Yu Fei was startled and said quickly: Brother Kong, these are treasures that are hard to change.
Because he was worried that Kong Dashan would not take it to heart, Yu Fei said in a stronger tone: Although these things are similar in value to gold, you may not be able to buy such treasures with gold of the same value. These are all high-quality products, absolutely.