Returning to the antique area again, Yu Fei no longer browsed in a hurry like before, but was much more detailed. Sometimes he would stop at a stall and look at it for a few minutes.
This carefulness allowed Yu Fei to discover that many of the antiques in the antique area were quite old. However, due to their poor condition and preservation, some were even sold among used goods, which also made Yu Fei
Eye-opener.
Yu Fei doesn't know much about Japanese antiques, and the appraisal relies entirely on the energy of chaos, so there is no need to worry about being cheated.
Most of these antiques seemed not to be known to the stall owners, so the prices were very cheap. Yu Fei also learned the lesson just now, and there was no more haggling. The momentum of a large purchase with almost no counter-offering was no less impressive.
Yu woman entered a boutique fashion store.
On the contrary, it was Mitsui Saori who was worried.
Yu Feijun, although this is the largest antique fair, there are also fakes there, so it’s better to be cautious.
Didn't these stall owners say that these things are real and not expensive? Yu Fei said with a smile.
Mitsui Saori shook her head helplessly. Which stall owner doesn't say that his products are authentic and how can they be authentic at such a cheap price?
In less than an hour, Yu Fei has already selected more than ten antiques. This was deliberately reduced because the two of them did not bring helpers and it would be difficult to hold them. Otherwise, according to Yu Fei's ideas,
I'm afraid I have bought dozens of them.
The oldest of the dozen or so antiques are over a thousand years old, including three paintings, two pieces of ceramics, and some antiques such as painted lacquerware, bronzes, and makeup boxes.
Yu Fei ordered some newspapers from the stall owner and carefully wrapped the antiques and put them in a bag to carry. Fortunately, these antiques were not too big, otherwise, Yu Fei would not have known how to handle them.
Saori, why don't we go back? Yu Fei said. Because there were too many things, Yu Fei couldn't take them all by himself. Even Mitsui Saori, the eldest lady who never worked, had two ancient books in her hands.
painting.
Yu Feijun, do you call this a return with a full load? Mitsui Saori smiled and said. She knew that Yu Fei had a lot of money. She couldn't afford to lose the money.
However, Yu Fei was very excited. With these antiques and several works of Japanese porcelain ancestors as the finale, a small auction has been formed. The next step is to further collect Japanese antiques. It's just a pity.
Yes, although he found more than ten antiques, Yu Fei didn't know the value of these antiques. Moreover, for an auction, the items were still too monotonous.
Be careful because Yu Fei was too engrossed in his thoughts and almost bumped into the painting stall next to him. Mitsui Saori and the stall owner quickly reminded him.
There are some ancient paintings hanging on the painting stall, because a piece of wood protruded horizontally, and if you are not careful, you are likely to hit it. Fortunately, Fei reacted quickly. If he had been a step slower just now, I am afraid that Yu Fei would have suffered a bloody head.
Already.
What are you thinking about? Mitsui Saori asked.
Ah, thinking about these antiques. Yu Fei smiled hopelessly.
It was no surprise that Yu Fei Shen was not keeping her house, and Sani Saori turned to blame the stall owner for being too careless in setting up the stall.
The stall owner was a middle-aged man in his forties or fifties with a good temper. When faced with Mitsui Saori's accusations, he kept apologizing.
Yu Fei smiled, he really didn't expect Mitsui Saori to have such a powerful side. How did he know that the reason why Mitsui Saori got so angry was mostly because of Yu Fei.
However, Yu Fei did not interrupt her, but turned to admire the paintings on the stall.
However, he was disappointed to find that these paintings were only a few decades old at most. Although some of them looked very good and seemed to be paintings by famous artists, they were quite expensive. However, Yu Fei was not interested in Japanese painters.
If you don’t understand them, you don’t know the value of their works, so you lack interest.
Yu Fei was bored and looked at the scrolls piled next to him by the stall owner. There should be paintings of inferior quality. However, what surprised Yu Fei was that one of the paintings had a strong aura of chaos.
It actually has a history of four to five hundred years.
Yu Fei walked over and picked up the painting casually.
Seeing that Yu Fei was looking at the painting, Mitsui Saori stopped scolding the stall owner and walked to Yu Fei's side and said: Yu Fei-kun, do you want to continue to spread your wealth?
In Mitsui Saori's view, Yu Fei's behavior today is no different from the legendary Chinese boy who spreads his wealth.
Because of Mitsui Sumitomo's preferences, Saori knew a little about antiques, but she didn't get involved deeply, and her appraisal ability was average. She didn't think much of these antiques that were not in good condition. In addition, the antiques she had seen since she was a child were all
It's a treasure collected by Mitsui Sumitomo, and I really don't like these street stall products.
The antique fair is a place where three religions and nine streams come together. This visit to the antique fair is purely to cater to Yu Fei's preferences and requirements. Otherwise, she would not be willing to come here.
Yu Fei opened the scroll. The scroll was not very big, about fifty centimeters long and thirty centimeters wide. The painting turned out to be a Chinese ink painting.
Could it be that Chinese works of art are mixed in?
Several thick ink lines in the painting naturally divide different levels of space, and a few strokes outline the cliffs, peaks and mountains, and the cold snow in the distant mountains. The scenery of nature fills the entire picture. The first thing that catches the eye is
There are jagged rocks and two dead trees standing side by side. A path stretches deep into the mountain. The pedestrians on the roadside are almost indistinguishable and seem to blend into the scenery. The rocks on the left only depict a corner, and the height and steepness of the mountain are all drawn.
Outside, it leaves endless space for imagination. The low mountains in the painting are steep and the rocks are towering, which is very impressive. The pavilion in the distance stands proudly in the cold weather, adding a bit of vitality. The high mountains facing us are
The distance is far away, and the mountain mist is swaying, which is quite mysterious. Between several peaks and the jagged rocks on the right, the artist's stroke suddenly rises up and reaches into the sky. However, Fei Fei feels that this seemingly unfounded stroke is exactly the same.
The boldness and uniqueness of this painting.
Yu Fei has admired a lot of ancient paintings, and his vision is naturally much higher. There is a lot of space in this painting, and the implicit emptiness, silence and clarity of oriental paintings are vividly reflected. It also embodies the bleak winter snow, cold mountains and distant travelers with no trace of people.
The artistic conception is rendered. The use of ink in the painting is also of appropriate shades, with strong contrast and very appealing. It is obviously the work of a famous artist.
The only thing that makes Yu Fei regretful is that a piece is missing from the upper left corner of the painting. Judging from the only red mark left, it should be the artist's signature, but it was torn off for unknown reasons. The value of this painting is also
It's a big discount.
This gentleman is really discerning. This painting is the treasure of the shop. The stall owner came over and praised the painting.
Yu Fei secretly laughed in his heart. If the stall owner hadn't spoken Japanese, Yu Fei would have thought he was in the Confucius Temple Antique City in Ningdu. It seems that whether in China or Japan, the behavior of antique dealers is really real.
are very similar.
Well, a gentleman doesn’t take what others like. Since it is the treasure of the store, I’d better keep it. Yu Fei was ready to put it down. Although this painting is good, it is probably not worth much because of its damaged condition.
Gao, Yu Fei doesn't have much enthusiasm to buy or not to buy.
Mr. Sir, this painting is like a pearl in the shop. As long as Mr. likes it, I will be happy to find a more suitable owner for it. The stall owner said quickly. He also saw that although Yu Fei is young, he is not someone to be fooled.
, so he never mentioned the treasure of the store.
Yu Fei smiled secretly in his heart and said: Make a price
One hundred thousand yen. The stall owner said: As long as one hundred thousand yen, this painting will be yours.
To be honest, 100,000 yen is not too high. Yu Fei opened his mouth to agree, but heard Mitsui Saori say: 80,000 yen.
She put on an expression like "Don't fool us" and said: Your painting is damaged, and 80,000 yuan is already a very high price.
The stall owner knew that Sanjing Saori was telling the truth, so he nodded helplessly and said: Eighty thousand is eighty thousand.
Yu Fei did not expect that the dignified eldest daughter of the Mitsui Zaibatsu would actually bargain here for 20,000 yen. Her friends would definitely be shocked if they saw this.
Seeing that she had saved 20,000 yen for Yu Fei, Mitsui Saori looked at Yu Fei very proudly. Yu Fei gave a thumbs up in cooperation.
Because the two of them carried a lot of things in their hands, and Yu Fei also wanted to study today's harvest, and more importantly, he was still worried about what happened to the wax pill in the bronze Buddha statue, so he stopped continuing.
After shopping, Mitsui Saori drove the car, and the two returned to Mitsui's mansion. To be continued...